NARIP Music Supervisor Sessions:
Intimate Pitch Meetings With Film & TV Music Supervisors
with Tricia Holloway
on Thursday, November 20, 2014
in Los Angeles, CA
ALMOST 200 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS
Our small format works! NARIP Session participants have placed almost 200 tracks as a direct result of NARIP Sessions.
DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG
NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed almost 200 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. Registrants also get a brief of the guest supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback at each session, taking the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and get them licensed.
Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and many placements! See TESTIMONIALS and PLACEMENTS sections below.
Tricia Holloway is our special guest at this NARIP Film & TV Music Supervisor Session in Los Angeles.
ABOUT TRICIA HOLLOWAY
Tricia is known for music supervising Rambo, Drumline: A New Beat, Run, Rags, The Collection, After Porn Ends, I Hate Valentines day, American Pie Presents: The Book of Love, Beethoven’s Big Break, Good Luck Chuck, Wildfire (the television series) and many other projects..
TESTIMONIALS
Click here to read what people say about NARIP’s Music Supervisor Sessions.
NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS,
PLACEMENTS & SUCCESS STORIES
See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here.
THANK YOU
Special thanks to Jessica Ramos and Bridget Gardiner at SAE Institute of Technology for their help organizing this event.
WHEN
Thursday, November 20, 2014 (7:00 p.m.)
6:30 p.m. – Registration and networking
7:00 p.m. – Program begins
8:15 p.m. – Break
10:00 p.m. – Program ends
WHERE
SAE Institute of Technology
6565 W. Sunset Boulevard
Suite 280, Classroom D
Los Angeles, CA 90028-7205
DIRECTIONS & MAP
Major cross streets: Sunset and Cahuenga. Click here for map. Enter main lobby of building and take elevator to second floor, Suite 280 (Classroom D).
PARKING
$10 flat rate after 6:00 p.m. in the 6565 building lot.
$6 parking in church lot at Sunset & Cassil (enter from Selma, behind church) – lot closes 11pm
Metered street parking but be sure to read signs carefully
NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT
If you can’t be here in person, at most locations we can accommodate pitching via Google Hangout, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email Mary Bee at 818-769-700 or mary@narip.com.
WHO SHOULD ATTEND
Artist Managers, Producers & Artist Reps
A&R, Artist Development and Marketing Executives
Record, Distribution & Music Publishing Executives
Anyone seeking placement opportunities in film and TV.
COST
$249 NARIP Members *
$329 Non-Members
* Available to Professional and Executive NARIP Members only (not monthly members).
Members please log in to receive discount.
2 WAYS TO REGISTER
1. Online: www.narip.com (just scroll down)
2. Phone: 818-769-7007
Advance RSVP encouraged.
Pre-paid admission guarantees seating.
No refunds.
We appreciate your cooperation.
QUESTIONS
Call us at 818 769 7007 or email mary AT narip DOT com.
SOURCES FOR MORE INFO
Get connected. Stay connected.
____________________________________________________
The National Association of Record Industry Professionals is
the biggest music business network in the world, now in nine major cities.
We promote career advancement, education and good will among record executives.
.