With 50 placements (with more in the works), NARIP members have hit the mark in major network televisions shows, films and documentaries. Placements are only part of the success they experience: professional relationships formed have resulted in creative collaborations too numerous to mention, including deals signed and new levels of exposure.
NARIP Placements & Success Stories
NARIP’s latest placements:
We are happy to announce a NARIP double success story for members Peter Kimmel and Michael Carey with music supervisor Gary Calamar. Kimmel, who is an independent song plugger met Carey at NARIP events and picked up some of his music to represent. Kimmel has established a relationship with Calamar through NARIP Music Supervisor Sessions, pitched him Carey’s music and they now have a placement on MTV’s Big Tips of Texas, which aired on 12/4/2013. The song is called “First Time Today” written by Maureen O’Boyle, Michael Carey and David Walsh preformed by Bright Young Fires (feat. Katie Cole) and produced by Michael Carey. Our congratulations to everyone involved!
Great news from Berlin! Angelo Mammone, who attended a NARIP Music Supervisor Session at Berlin Music Week, has made a placement with Music Supervisor Paul Logan, on episode #401 of VH1′s Couples Therapy, airing on 1/1/2014. The song is called Summer Overload by Jonah
Jessica Cole of Lyric House Publishing continues placing music right and left through NARIP Music Supervisor Sessions. Most recently with supervisor Laura Webb, placing the track “Alpha” by Monarrk, in episode 314 of Teen Wolf. Read more about Jessica’s successes below!
Great news from Atlanta, Bobby Drake has recently made his first placement through NARIP Music Supervisor Sessions in Bravo’s Vanderpump Rules! The pitch took place at a recent NARIP session with music supervisor Laura Webb. The song “Carry Me” is high energy and fun, just as the brief Webb provided for NARIP attendees called for. The episode will be announced shortly. Congratulations to Bobby and his team!
VH1‘s Paul Logan licensed two more tracks from NARIP member Jessica Cole of Lyric House Publishing giving lyric house now a total of 9 placements through NARIP Sessions! Jessica attended NARIP’s Music Supervisor Session with Paul in April in Los Angeles, and Paul has placed eight (!!!) of Lyric House’s tracks to date! Tune in to Vh1′s Black Ink Crew which will feature Rhema Soul‘s “Champion” (air date Nov 18) and Noraa Ish & Kid Pistol‘s “Bullet” (air date: Dec 16). See artist videos below. Other tracks Jessica has placed with Paul are Storm Circus‘s “Castle” in Couples Therapy episode #306, Nuela Charles‘ “Crash” in Black Ink Crew episode #213 and Aleesha’s “Love’s A Boomerang” in Single Ladies episode #301. Congrats to Jessica and the Lyric House Publishing team!
Paul has also placed “Tears” by the Freemasons in VH1′s Chrissy & Mr. Jones. This song was pitched by Dave Philpot at our recent Music Supervisor Session with Paul in London.
We are delighted to announce another huge music placement success story.
In January this year, NARIP member and artist manager Owen Husney (who discovered and managed Prince) attended NARIP’s pitch session with music supervisor Gary Calamar. Husney had some special sauce with him on that day: re-imagined versions of Beatles songs recorded by unsigned indie artists from around the US. Husney and his partners negotiated the rights to six classic Beatles songs for this purpose. Calamar has placed “I Wanna Be Your Man” written by John Lennon and Paul McCartney as performed by Mobley in an upcoming episode of True Blood (air date: August 11, 2013, episode titled “Life Matters”). Mobley is a band from Austin, TX and their music also appears on the Beatles Reimagined album honoring the 50th anniversary of the Beatles. The album will include covers of Beatles songs from their beginnings (1963 – 1964). The song will also be included on the True Blood soundtrack album: True Blood Music From The Original Series Volume 4. This placement was featured in a New York Times article.
Congratulations to all!
Another great placement: ABC Family / Disney music supervisor Alexandra Nickson placed Cameron Rafati’s song “Unstoppable” in the 2013 ABC Family Summer Promo Reel after her recent NARIP Music Supervisor Session. ABC has also featured Cameron’s band, Cameron The Public, on its Web site. Congratulations Cameron!
Most recently, Colorado based NARIP member and owner of Lyric House Publishing Jessica Cole has had six (6) placements (!!!) following NARIP’s session with VH1 music supervisor Paul Logan. The songs will appear in Couples Therapy episodes #303 (6/26), #304 (7/10), #305 (7/17), #307 (7/31). Some of the songs placed include “Nobody Follow Me” by Glowing House, ”Pretend” by Ivory Circle , “Let Me Love You” and “Subside”, both by Glad Ghosts.
North Star Media’s Joe Revello placed two songs in the Sony Pictures Classic film At Any Price starring Dennis Quaid and Zac Efron from artist Louis Yoelin. The songs are “Still Got my Summer” and “TV Dinner Cuisine.”
NY based NARIP member Gail Vareilles attended a NARIP Music Supervisor Session with Michael Hill in New York where he said he often uses the DeWolfe Music Library. Hill’s endorsement of the library prompted Gail to place her music with DeWolfe, and from there it was picked up for this feature film “Movie 43″ starring Halle Berry, Hugh Jackman, Johnny Knoxville, Uma Thurman, Naomi Watts and Kate Winslet just to name a few.
Three NARIP members have placed music in the documentary “Finding Our Voice” directed by Bayou Bennett and Daniel Lir. Bennett and Lir were recent speakers at NARIP’s Film Makers Who Seek Music program in Los Angeles. NARIP members Peter Kimmel and Molly Bohas met these film makers at out event, stayed in touch, and pitched music for their current film projects. Kimmel met new NARIP member Trey Hill at a recent NARIP Music Biz Brunch in LA and pitched Hill’s music to Bennett and Lir.
Music used in the documentary film includes three tracks from Trey Hill (pitched by Peter Kimmel): “Rize Up” – Written and performed by Da Hired Gunz (featured vocal track over the opening titles); “Rize Up” instrumental – Written and performed by Da Hired Gunz; and Instrumental/beats version - ”Plies Idea 3″ – Written and performed by Da Hired Gunz.
Another track submitted by Molly Bohas has also been placed in the film (“Dreaming”), written and performed by Craig T. Erquhart, Jr.
Wonderlous Music CEO Philip Cialdella attended a session in New York with ESPN Music Director Kevin Wilson and placed two tracks through the session! About a day and a half after NARIP’s session, he placed Rob Bailey & The Hustle Standard’s song “Hungry” in the show “SportsCenter.” A week later, he placed the second, The Chris Bergson Band’s song “Rain Beatin’ Down” in NASCAR Racing Spring Cup Pennsylvania 400. This song has been licensed for the rest of the season for all of NASCAR programming!
Peter Kimmel has secured multiple placements following sessions with Andrea von Foerster and Gary Calamar in Los Angeles:
- “The Big One”, by Tom Disher in the film Chronicle
- “Soul of a Man Never Dies” by Johnny Hatton in an episode of True Blood
- “Mopus Dopus” by Chili Caronkas & The Infidels in True Blood (Episode #503, airdate June 24, 2012)
- “Whine Whine Whine” by Teresa James in True Blood (Episode #504, airdate July 1, 2012)
- Read more about Kimmel’s placemens here. Kimmel has also made placements with music supervisor Max Luces-Tucker in the Bad Girls Club with “Smells Like Sex” by Ziff Wilson (air date Sep 5, 2011), “Mopus Dopus” by Chili Caronkas & The Infidels (airdate Sep 26, 2011) and “E I E I O” by Teresa James (airdate Oct 17, 2011).
Mighty Generation Music’s Sven Spieker placed “Luckiest Girl” by Jessica Williams in television program “Don’t Trust The B—- in Apt. 23″. It aired in Episode 107 on Wed May 23, 9:30 pm (PST) on ABC following a session with Andrea von Foerster in Los Angeles.
Andrea von Foerster placed NARIP member Simon Horrocks‘ Atlanta hip hop artist Yac-Yan Da Biznessman’s song “Good, Good” in the ABC hit sitcom Don’t Trust The B—- in Apt 23 (Episode 106, “It’s Just Sex”).
Madonna Wade-Reed has found a goldmine in music repped by NARIP members for the ABC Family show Jane By Design which she music supervises, placing The Hot Gates “How You Do It” repped by North Star Media’s Molly Bohas and Jimmy Nash’s “More Than Crazy” repped by Cloverdale Music’s Andra Dalto. Madonna also found great music traveling to London for NARIP sessions there, placing Anthony Salari’s ”Stupid Pretty Girl,” repped by Respect Music’s and NARIP London’s Sharon Dean.
Catharine Wood attended a NARIP panel “How To Market & License Music For Film & TV” that she said “irreversibly changed the direction of my business for the better.” Thereafter she attended NARIP Music Supervisor Pitch Sessions with Julianne Jordan, Andrea von Foerster and John Houlihan which, she says, “provided essential support in confirming that our compositions were creatively on-target and ready for placement production-wide.” She was then approached by ESPN to write and produce a theme song for the network’s boxing programming. “Using tools learned directly from NARIP’s panels and music supervisor sessions, we were able to negotiate a contract, sign the deal and deliver a final product that the show producer is thrilled with,” she says. Read more about Catharine’s success here.
NARIP Sessions Succeed Because They Are SMALL
Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best trailer house music supervisors in the business.
Limited to 16 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions last year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs.
Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market.
At our next series in Los Angeles, participants will have the opportunity to pitch music for specific opportunities for current trailer and film promotional campaigns, as well as film and TV, games and advertising campaigns, and get immediate, direct feedback from one music supervisor per session.
Read about NARIP Music Supervision in the news, including international press, click here.