Audio Recording of NARIP Film & TV Music Supervisor Session with Mary Ramos

Audio Recording of NARIP Film & TV Music Supervisor Session with Mary Ramos

$69.95

Placement is the new radio. Get an insider’s peak at how a successful music supervisor does her job, evaluates and selects music for placement in her film and TV projects.

PROGRAM DESCRIPTION

Mary Ramos was our special guest at this NARIP Film & TV Music Supervisor Session in Los Angeles. You will hear her reactions and live feedback to cues and song snippets. This is invaluable to understand her needs, interests and preferences, and you will hear exactly what she is looking for now and for ongoing projects, and the types of music she most frequently needs and licenses. You will also hear her submission preferences, what works and what doesn’t, and why.

Artist Managers, Producers & Artist Reps
A&R, Artist Development and Marketing Executives
Record & Music Publishing Executives
Music & Entertainment Attorneys
Ad Agency Creatives
Anyone seeking music placement opportunities in advertising and branding campaigns.

NARIP PROGRAM NUMBER: P371
PROGRAM DATE: March 25, 2015
PROGRAM TIME: 2 hours, 38  minutes, 15 seconds (2:38:15)

QUESTIONS?

Call 818-769-7007 or contact NARIP

SOURCES FOR MORE INFORMATION

Mary Ramos on IMDB
NARIP
SAE Institute

 

Award Winning Music Supervisor, Mary Ramos, has helped create the musical identity for over 100 films for the past 20 years. She has worked with many gifted directors including Oscar-nominated Thomas McCarthy – “The Station Agent,” “The Visitor,” “The Cobbler,” and “Win-Win” (for which she commissioned a new song by The National – a contender for the Academy Awards entitled “Think You Can Wait”), and Oscar winning Director Quentin Tarantino – “Pulp Fiction,” “Jackie Brown,” “Grind House” and his Grammy nominated soundtracks “Kill Bill Vol. 1,” “Kill Bill Vol. 2,” “Inglourious Basterds,” and “Django Unchained” (for which, in a first for Quentin, new songs were created with artists John Legend, Anthony Hamilton & Elayna Boynton, Rick Ross & Jamie Foxx, Ennio Morricone & Elise, and Tupac Shakur & James Brown), Oscar nominee Richard LaGravenese on his films “P.S. I Love You,” “Freedom Writers” (for which, she commissioned an original song by Common and will.i.am and sampling Dr. Martin Luther King Jr., entitled “A Dream”), and “Beautiful Creatures” (for which, Mary asked Dhani Harrison and his band thenewno2 to create an unique score comprised of electronica, “swamptronica” and orchestral melodies), Robert Rodriguez on “From Dusk Till Dawn,” Allison Anders on “Grace of My Heart” (for which, Elvis Costello and Burt Bacharach teamed to write the iconic song “God Give Me Strength”), and she recently worked with director/writer/actor Zach Braff on his follow up to “Garden State,” entitled “Wish I Was Here,” for which, she asked the artists Coldplay & Cat Power, The Shins and Bon Iver to write & record original songs. Currently, Mary is working again with Quentin Tarantino on his upcoming film “The Hateful Eight,” and with Thomas McCarthy on his upcoming film “Spotlight.” She is also working on the television series “Constantine,” which is based on the popular DC Comics horror series, “HELLBLAZER.”

Program music courtesy of Sparks & Silhouettes
 

 

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The National Association of Record Industry Professionals promotes
career advancement, education and good will among record executives.
 

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