Over 800 past events have covered topics such as music publishing, songwriting, music licensing, and artist management, among others. NARIP has also organized pitch sessions where music creators and songwriters can pitch their work to industry professionals for feedback and potential placements.
WHAT TO EXPECT AT A NARIP MUSIC SUPERVISOR PITCH SESSION:PREPARATION IS KEYNARIP Music Supervisor Sessions are limited to an enrollment of just 16 people. About one week prior to NARIP’s Session, all registrants will get a brief of the guest supervisor’s then-CURRENT music needs. Each registrant will have a chance to pitch in response to the music briefs provided and get immediate feedback to music pitched. Each participant must submit 7 songs (MP3s only please) 36 hours prior to NARIP’s Music Supervisor Session. Please note that due to time constraints you will only be able to pitch your TOP 3 songs for consideration and immediate feedback (more, if time permits). This process takes the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and re-submit, which creates a much higher probability to get them licensed (choose well!).If you do not have music that matches the current needs of the supervisor, fear not! You can still attend and present the top three songs in your catalog. Make sure the songs are unique and captivating. This is helpful because a music supervisor’s needs change constantly. To optimize impact of music you pitch at NARIP’s Music Supervisor Session, we highly recommend that you target the briefs. Good luck and see you there!
BEFORE NARIP’S PITCH SESSION:
NARIP prepares a one-sheet for each participant including your photo and bio for the guest music supervisor to use and review at the event, and to take with him after the event. We will request your photo and bio one week prior to the event. In preparing these materials, we recommend you focus on brief career highlights in your bio and have a professional photo available.
Approximately 5 to 7 days prior to NARIP’s Session, you will be sent a project brief describing several cues needed for a current project(s) of our guest speaker. These often include reference songs or links so that you can hear exactly what he seeks or needs to replace.
You will submit your tracks with writer, publisher and other rights holder information that will also be supplied to the music supervisor during and after NARIP’s Session.
You will get submission and meta-tagging guidelines, and mentoring as to how best to prepare your music for submission.
DURING NARIP’S PITCH SESSION:
You will get to play at least three songs (sometimes more, if time permits) for the guest music supervisor who will provide feedback to you for each one.
NARIP moderator asks very specific questions to help participants learn and understand how to modify their tracks to make these more place-able for the guest supervisor’s specific needs at hand.
AFTER NARIP’S PITCH SESSION:
NARIP provides guest music supervisor with participant one-sheets and all music from NARIP’s Session, including notes detailing the guest music supervisor’s interest in specific tracks.
If requested by guest music supervisor, NARIP conveys additional tracks, remixes, instrumentals etc. to him.
If approved by guest music supervisor, NARIP provides his contact details to registrants.
DON’T GET LOST IN THE CROWD: SMALL IS THE NEW BIGNARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed over 1,000 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest.OVER 1,000 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS
Our small format works! NARIP Session participants have placed over 1,000 tracks as a direct result of NARIP Music Supervisor Sessions. Other benefits include new publishing deals for NARIP members, creative collaborations and co-writes, strategic introductions to other music supervisors and placement experts, new representation for composers and much more.NARIP’S BIGGEST PLACEMENT TO DATE : VODAFONEClick here to read about NARIP’s biggest placement to date in a Vodafone campaign (Oct 2014) that paid handsomely and launched a career. Other brand placements include McDonalds and AT&T ads, among others.Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and many placements! See TESTIMONIALS and PLACEMENTS sections below.
ABOUT QIANA CONLEY
Qiana Conley began in music in 1999 at Epic Records in Promotions / A&R while contributing to album projects by Michael Jackson, Jennifer Lopez and B2K. She then worked as Director of Creative / A&R, Television and Film for publishers Notting Hill Music Publishing (UK) and ole (Canada) and with Simon Cowell’s record labels Syco Records / Sony Music on albums for One Direction, Cher Lloyd and Alexandra Burke. She quickly became known among peers for her innovative curation of the catalogues and talent roster across genres, media platforms and music markets. In 2011, Qiana founded cue the creatives where she began music supervising projects such as Lionsgate’s Public Disturbance, Nickelodeon’s How To Rock, Lifetime’s holiday feature Seasons of Love starring Taraji P. Henson, Gladys Knight & Method Man, and noted indie features premiering at festivals like Urbanworld (She’s Got A Plan), Pan-African Film Festival (The Muhammad Ali story entitled The Last Punch) and the Moscow International Film Festival (Puk Grasten’s debut film 37 starring OITNB Samira Wiley). In 2014, Qiana expanded into executive producing film, TV and live events including the Co-Creating / Co-Producing the Blackout Music and Film Festival with Ryan Coogler’s Blackout for Human Rights Organization. Currently, Qiana is producing/directing “The Untitled TLC Documentary,” which follows the journey back to the music for the iconic pop girl group after a 20-year lapse as they take on the challenges of making their final album. From 2011 – 2017, Qiana served on the Academy Board and two consecutive terms as the Los Angeles Chapter Board Secretary position of the Grammy’s parent entity, The Recording Academy®. At this NARIP Session, our guest seeks music for independent projects with modest music budgets.
Come meet this career-maker.
TESTIMONIALS
Click here to read what people say about NARIP’s Music Supervisor Sessions.NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS,
PLACEMENTS & SUCCESS STORIESSee full list of NARIP placements to date here. For articles in Music Connection, Digital Music News, The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 1,000 placements as a direct result of NARIP Sessions, click here.
Read about NARIP Music Supervisor Pitch Sessions in Digital Music News HERE
THANK YOU
Special thanks Edgar Hernandez, MelissaRobertson and to SAE Institute of Technology for hosting this event.
WHEN Thursday, February 22, 20176:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 10:00 p.m. – Program endsWHERE
SAE Institute of Technology 6700 Santa Monica Boulevard, 2nd Floor Los Angeles, CA 90038 Tel: 323-466-6323CROSS STREETSSanta Monica and Las Palmas. Enter lot from Las Palmas.NOT IN LA? PITCH REMOTELY OR VIA SKYPEIf you can’t be here in person, at most locations we can accommodate pitching via Skype, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email us at 818-769-7007 or info@narip.com.PER-SESSION, PER PERSON COST$279 NARIP Members * $359 Non-Members* Available to Professional and Executive NARIP Members only (not to monthly members). Members please log in to receive discount. NARIP reserves the right to refuse admission to anyone.2 WAYS TO REGISTER1. Online: NARIP.com (just scroll down) 2. Phone: 818-769-7007Pre-paid admission guarantees seating, NARIP Sessions sell out.No refunds. We appreciate your cooperation.FOLLOW US, LIKE US, LOVE US! TWEET ABOUT NARIP & OUR EVENT!
Live shows, festivals and concert tours remain the most important components of artist development available and, when successfully executed, can have an enormous positive impact on an artist’s career. NARIP has assembled some of Atlanta’s top promoters, club bookers and festival promoters to discuss how an artist’s career trajectory can be improved with strategic bookings; how shows are bought, sold and built upon; and how people make money from them. Our experts will provide insight into these and other areas that affect the record and music industries, using live performances as artist development vehicles for new acts, and give a glimpse into what the future of live music may hold.TOPICS
How To Grow A Fan Base
Fee Ranges For Specific Venues
Performance Deal Points: Money, Splits, Merch & More
Reporting to and collecting from PROs for live performances
Hot Trends
Pulling It All Together
Case studies: who’s doing it right / what to avoid
A good plan is vital to choose the right path to build a career. To help find the way and evaluate options, NARIP brings three top experts together who book and promote shows at venues of all sizes in Georgia and throughout the region.
BONUS #1Sample documents will be provided at NARIP’s program, including:
Advance sheet
Concert expense checklist
Rider
Settlement sheet
Tour budget template
GUEST SPEAKERS (scroll down for executive profiles)
James Caldwell, GA Tour Origination LIVE, The Caldwell Group
Brandon Mize, Talent Buyer/Partner, Rival Entertainment
Sean Mcpherson, Talent Booker Smith’s Olde Bar, NARIP Board Member, Panel Moderator
WHENWednesday, February 21, 2018 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 10:00 p.m. – Program endsWHERESAE Institute of Technology 215 Peachtree Street NE, Suite 300 Atlanta, GA 30303Enter building from Andrew Young International Blvd. (behind Hard Rock Cafe). Latecomers please ring buzzer for entry.COST$15 NARIP Members $25 Non-MembersMembers please log in to receive discount. NARIP reserves the right to refuse admission to anyone.BONUS #2
Because you are registering for this program, we offer you the opportunity to pre-order the MP3 recording of the program for only $25 (regularly $39.95). This will also include digital copies of any documents which may be distributed at the program. This program will cover a great deal of information, and so you won’t have to worry about taking notes! To pre-order now, select the PREMIUMTICKET option below, the mastered recording will be emailed to you shortly after our program.
2 WAYS TO REGISTER
1. Online: NARIP.com (just scroll down) 2. Phone: 818-769-7007Pre-paid admission guarantees seating, NARIP Sessions sell out.No refunds. We appreciate your cooperation. NARIP reserves the right to refuse admission to anyone.FOLLOW US, LIKE US, LOVE US! TWEET ABOUT NARIP & OUR EVENT!
James Caldwell, GA Tour Origination LIVE, The Caldwell Group
James Caldwell is Founder and Partner of The Caldwell Group / Wholeteam Enterprises and of the Mid-Atlantic Music Conference. He is Partner of GTO Live (Georgia Tour Origination), and Executive Director of The Music Education Group. Wholeteam is a leading resource for independent artists in the southeast. Their combination of tools and staff assist in the promotion of independent & unsigned artists. Services include event activation, music integration, booking, web site and multi-media campaigns, and graphic design.
TCG sources and promotes multiple music festivals, film and digital media related events a year. These events provide performance opportunities for 300+ artists and bands each year crossing all genres of music in NC, SC, TN, GA and Canada. TCG’s events bridge the gap between their international client base of musicians / bands and corporate brands including Sam Ash Music Stores, Monster Energy Drink, Anheuser-Busch, SESAC and others.
As a partner with GTO Live, our purpose is to provide clients with a turnkey tour origination experience. On and off the stage, our team attends to everydetail so clients can focus on the show. Backed by The Georgia Musical Investment Act (HB 155), GTO Live saves clients time and money by streamlining eligibility to receive statewide tax incentives. Beginning January 1st, 2018, the state of Georgia will provide a 15- 20% tax credit to live music and theatrical productions which rehearse and launch their tour inGeorgia, the production capital of the south.
Since 2012 James has served as Executive Director for The Music Education Group, Inc. a 501 c3 non-profit organization which teaches students life-skills development through music, film and digital media. The organization was formed to bring music, film and digital media based education to under-served youth and provide every child in Metro Atlanta with an equal opportunity for music education. Founded in 2008 by Capitol Records Executive Ric Ross, MEG presently runs programs in the metro Atlanta area with plans to expand in the near future.
Brandon Mize, Talent Buyer/Partner, Rival Entertainment
Brandon Mize is the Talent Buyer for Rival Entertainment in Atlanta, GA where he is responsible for booking three venues: Center Stage, The Loft and Vinyl. Other events that Mize has been responsible for include Party in the Park, The Virginia Highlands Summer Fest, The Steamhouse Oyster Fest., The Dogwood Festival and Mid-Summer Music Festival. Mize graduated from the University of Tennessee of Knoxville in 1998 with a degree in Communications. While attending college he spent part of his time booking at local clubs. Brandon’s passion for music brought him to Atlanta in 2001 to pursue a carrier in the music business. Mize started at a small booking agency called Metro Talent Group then moved over to the talent buying world with Rival Entertainment..
Sean Mcpherson, Talent Booker Smith’s Olde Bar, NARIP Board Member & Panel Moderator
Sean Mcpherson is a record producer, artist manager, concert promoter and talent buyer from Atlanta, GA. He started in the music business in 1998 when he landed an internship at Chicago Trax Recording Studios owned by Reid Hyams and Al Jorgensen of Ministry. After graduating from the conservatory of recording arts and sciences he assistant engineered in NYC at Battery studios (Zomba) and Chung King Studios where he worked with such artists as Faith Hill, David Bowie and Sixpence None the Richer. In 2001 he took a job at Parkview Recording with legendary house producer Lenny Fontana where he mixed records for Crystal Waters, Byron Stingley and C&C Music Factory, among others. After that Sean joined a band in Fairfield, CT called Zerochance which brought him to Atlanta. Zerochance signed to Red Carpet Music in 2005 and has shared the Stage with Sheryl Crowe, The Calling, Uncle Cracker, Stroke 9, Cheyenne Kimball, Ashley Simpson and others. In the past 10 years Sean has founded, built, owned and operated East Atlanta Recording and is now talent buyer at Smiths Olde Bar in Atlanta. Sean also manages 3 groups for his company Favorite Son Artist Management and Consulting (The Head, The Judies, and the Blackfoot Gypsies). Several of Sean’s productions have been released by Universal, Brash Records and Slushfund Recordings. He recently co-produced several songs with Jody Stephens from Big Star and Mitch Easter (REM, Pavement, Ben Folds).
NARIP. Career acceleration.
Get connected. Stay connected.
NARIP Trailer Music Supervisor Pitch Session with AV Squad’s Angel Mendoza in Los Angeles on Wed Oct 11 Intimate Pitch Meetings with Top Music Supervisors
WHAT TO EXPECT AT A NARIP MUSIC SUPERVISOR SESSION:
PREPARATION IS KEY
NARIP Music Supervisor Sessions are limited to an enrollment of just 16 people. About one week prior to NARIP’s Session, all registrants will get a brief of the guest supervisor’s then-CURRENT music needs. Each registrant will have a chance to pitch in response to the music briefs provided and get immediate feedback to music pitched. Each participant must submit 7 songs (MP3s only please) 36 hours prior to NARIP’s Music Supervisor Session. Please note that due to time constraints you will only be able to pitch your TOP 3 songs for consideration and immediate feedback (more, if time permits). This process takes the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and re-submit, which creates a much higher probability to get them licensed (choose well!).
If you do not have music that matches the current needs of the supervisor, fear not! You can still attend and present the top three songs in your catalog. Make sure the songs are unique and captivating. This is helpful because a music supervisor’s needs change constantly. To optimize impact of music you pitch at NARIP’s Music Supervisor Session, we highly recommend that you target the briefs. Good luck and see you there!
BEFORE NARIP’S PITCH SESSION:
NARIP prepares a one-sheet for each participant including your photo and bio for the guest music supervisor to use and review at the event, and to take with him after the event. We will request your photo and bio one week prior to the event. In preparing these materials, we recommend you focus on brief career highlights in your bio and have a professional photo available.
Approximately 5 to 7 days prior to NARIP’s Session, you will be sent a project brief describing several cues needed for a current project(s) of our guest speaker. These often include reference songs or links so that you can hear exactly what he seeks or needs to replace.
You will submit your tracks with writer, publisher and other rights holder information that will also be supplied to the music supervisor during and after NARIP’s Session.
You will get submission and meta-tagging guidelines, and mentoring as to how best to prepare your music for submission.
DURING NARIP’S PITCH SESSION:
You will get to play at least three songs (sometimes more, if time permits) for the guest music supervisor who will provide feedback to you for each one.
NARIP moderator asks very specific questions to help participants learn and understand how to modify their tracks to make these more place-able for the guest supervisor’s specific needs at hand.
AFTER NARIP’S PITCH SESSION:
NARIP provides guest music supervisor with participant one-sheets and all music from NARIP’s Session, including notes detailing the guest music supervisor’s interest in specific tracks.
If requested by guest music supervisor, NARIP conveys additional tracks, remixes, instrumentals etc. to him.
If approved by guest music supervisor, NARIP provides his contact details to registrants.
DON’T GET LOST IN THE CROWD: SMALL IS THE NEW BIG
NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed almost 1,000 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest.
ALMOST 1,000 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS
Our small format works! NARIP Session participants have placed almost 1,000 tracks as a direct result of NARIP Music Supervisor Sessions. Other benefits include new publishing deals for NARIP members, creative collaborations and co-writes, strategic introductions to other music supervisors and placement experts, new representation for composers and much more.
NARIP’S BIGGEST PLACEMENT TO DATE : VODAFONE
Click here to read about NARIP’s biggest placement to date in a Vodafone campaign (Oct 2014) that paid handsomely and launched a career. Other brand placements include McDonalds and AT&T ads, among others.
Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and many placements! See TESTIMONIALS and PLACEMENTS sections below.
ABOUT ANGEL MENDOZA
Meet Angel Mendoza. He’s a bit of a music-obsessed freak. He lives in Silverlake, CA with a handsome Schnauzer named Otto. He loves winter and still behaving like a teenager. Angel started his music career journey behind the camera, shooting artists for the magazine Stop Breathing throughout its run in the ’90s before becoming one of the first music supervisors in trailers and film advertising at The Cimarron Group. Since then he has built a career music-supervising the campaigns of some of Hollywood’s biggest blockbusters. Credits include Wonder Woman, Baywatch, War Machine, Blade Runner 2049, Star Wars: The Last Jedi, Atomic Blonde, The Mummy, Passengers, Assassin’s Creed, Ghost In The Shell, Jack Reacher: Never Go Back, Lethal Weapon, Captain America, G.I. Joe 2, Inglorious Bastards, The King’s Speech, No Country For Old Men, Iron Lady and others. He is currently music supervisor at A / V Squad.
Come meet this career-maker.
TESTIMONIALS
Click here to read what people say about NARIP’s Music Supervisor Sessions.
NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS,
PLACEMENTS & SUCCESS STORIES
See full list of NARIP placements to date here. For articles in Music Connection, Digital Music News, The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 1,000 placements as a direct result of NARIP Sessions, click here.
Read about NARIP Music Supervisor Pitch Sessions in Digital Music News HERE
Santa Monica and Las Palmas.
Enter lot from Las Palmas.
NOT IN LA? PITCH REMOTELY OR VIA SKYPE
If you can’t be here in person, at most locations we can accommodate pitching via Skype, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email us at 818-769-7007 or info@narip.com.
WHO SHOULD ATTEND
Artist Managers, Producers & Artist Reps
A&R, Artist Development and Marketing Executives
Record, Distribution & Music Publishing Executives
Anyone seeking placement opportunities in trailers and promotional campaigns
PER-SESSION, PER PERSON COST
$269 NARIP Members *
$349 Non-Members
* Available to Professional and Executive NARIP Members only (not to monthly members). Members please log in to receive discount. NARIP reserves the right to refuse admission to anyone.
2 WAYS TO REGISTER
1. Click on the register tab
2. Phone: 818-769-7007
Pre-paid admission guarantees seating, NARIP Sessions sell out.
No refunds. We appreciate your cooperation.
Intimate Pitch Meetings with Top Music Supervisors
This session is SOLD OUT, please call 818-769-7007 to be wait-listed.
WHAT TO EXPECT AT A NARIP MUSIC SUPERVISOR SESSION:PREPARATION IS KEYNARIP Music Supervisor Sessions are limited to an enrollment of just 16 people. About one week prior to NARIP’s Session, all registrants will get a brief of the guest supervisor’s then-CURRENT music needs. Each registrant will have a chance to pitch in response to the music briefs provided and get immediate feedback to music pitched. Each participant must submit 7 songs (MP3s only please) 36 hours prior to NARIP’s Music Supervisor Session. Please note that due to time constraints you will only be able to pitch your TOP 3 songs for consideration and immediate feedback (more, if time permits). This process takes the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and re-submit, which creates a much higher probability to get them licensed (choose well!).If you do not have music that matches the current needs of the supervisor, fear not! You can still attend and present the top three songs in your catalog. Make sure the songs are unique and captivating. This is helpful because a music supervisor’s needs change constantly. To optimize impact of music you pitch at NARIP’s Music Supervisor Session, we highly recommend that you target the briefs. Good luck and see you there!
BEFORE NARIP’S PITCH SESSION:
NARIP prepares a one-sheet for each participant including your photo and bio for the guest music supervisor to use and review at the event, and to take with him after the event. We will request your photo and bio one week prior to the event. In preparing these materials, we recommend you focus on brief career highlights in your bio and have a professional photo available.
Approximately 5 to 7 days prior to NARIP’s Session, you will be sent a project brief describing several cues needed for a current project(s) of our guest speaker. These often include reference songs or links so that you can hear exactly what he seeks or needs to replace.
You will submit your tracks with writer, publisher and other rights holder information that will also be supplied to the music supervisor during and after NARIP’s Session.
You will get submission and meta-tagging guidelines, and mentoring as to how best to prepare your music for submission.
DURING NARIP’S PITCH SESSION:
You will get to play at least three songs (sometimes more, if time permits) for the guest music supervisor who will provide feedback to you for each one.
NARIP moderator asks very specific questions to help participants learn and understand how to modify their tracks to make these more place-able for the guest supervisor’s specific needs at hand.
AFTER NARIP’S PITCH SESSION:
NARIP provides guest music supervisor with participant one-sheets and all music from NARIP’s Session, including notes detailing the guest music supervisor’s interest in specific tracks.
If requested by guest music supervisor, NARIP conveys additional tracks, remixes, instrumentals etc. to him.
If approved by guest music supervisor, NARIP provides his contact details to registrants.
DON’T GET LOST IN THE CROWD: SMALL IS THE NEW BIGNARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed almost 1,000 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest.ALMOST 1,000 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS
Our small format works! NARIP Session participants have placed almost 1,000 tracks as a direct result of NARIP Music Supervisor Sessions. Other benefits include new publishing deals for NARIP members, creative collaborations and co-writes, strategic introductions to other music supervisors and placement experts, new representation for composers and much more.NARIP’S BIGGEST PLACEMENT TO DATE : VODAFONEClick here to read about NARIP’s biggest placement to date in a Vodafone campaign (Oct 2014) that paid handsomely and launched a career. Other brand placements include McDonalds and AT&T ads, among others.Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and many placements! See TESTIMONIALS and PLACEMENTS sections below.
ABOUT AMANDA KRIEG THOMAS
Amanda Krieg Thomas has been working tirelessly in the field of music supervision for over 9 years. She is currently working on new seasons of the hugely popular anthology series The Assassination of Gianni Versace: American Crime Story (FX) and American Horror Story: Cult (FX) as well as family comedy Life In Pieces (CBS). Recent projects include buzzy new dramedy Claws (TNT), the critically-acclaimed dramas The Americans (FX), Feud: Bette and Joan (FX) and The People vs. O.J. Simpson: American Crime Story (FX), as well asindie feature Girl Flu (starring Katee Sackhoff and Jeremy Sisto). Prior to joining Neophonic, Amanda was a Music Supervisor at Format Entertainment, where highlights include performance competition show, Fake Off (truTV) and the 2015 American Girl “Girl Of The Year™ film, Grace Stirs Up Success (American Girl/Mattel). She was also Music Coordinator on the films Pitch Perfect 1 and 2 (Gold Circle Films/Universal), The Other Woman (Fox), Beyond The Lights (Relativity) and ABC comedy, Trophy Wife. Amanda regularly shares her knowledge at conferences and events including SXSW and the Durango Songwriters Expo and is a proud member of the Guild of Music Supervisors and Television Academy. She also frequently writes industry-related articles on her blog,http://www.tadpoleaudio.com.
Come meet this career-maker.
TESTIMONIALS
Click here to read what people say about NARIP’s Music Supervisor Sessions.NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS,PLACEMENTS & SUCCESS STORIESSee full list of NARIP placements to date here. For articles in Music Connection, Digital Music News, The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 1,000 placements as a direct result of NARIP Sessions, click here.
Read about NARIP Music Supervisor Pitch Sessions in Digital Music News HERE
WHEN – THIS SESSION IS SOLD OUTThursday, September 7, 20176:30 p.m. – Registration and networking7:00 p.m. – Program begins8:15 p.m. – Break10:00 p.m. – Program endsWHERESAE Institute of Technology6700 Santa Monica Boulevard, 2nd FloorLos Angeles, CA 90038Tel: 323-466-6323CROSS STREETSSanta Monica and Las Palmas.Enter lot from Las Palmas.NOT IN LA? PITCH REMOTELY OR VIA SKYPEIf you can’t be here in person, at most locations we can accommodate pitching via Skype, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email us at 818-769-7007 or info@narip.com.WHO SHOULD ATTEND
Artist Managers, Producers & Artist Reps
A&R, Artist Development and Marketing Executives
Record, Distribution & Music Publishing Executives
Anyone seeking placement opportunities in film and television
PER-SESSION, PER PERSON COST$269 NARIP Members *$349 Non-Members* Available to Professional and Executive NARIP Members only (not to monthly members). Members please log in to receive discount. NARIP reserves the right to refuse admission to anyone.2 WAYS TO REGISTER1. Online: NARIP.com (just scroll down)2. Phone: 818-769-7007Pre-paid admission guarantees seating, NARIP Sessions sell out.No refunds. We appreciate your cooperation.FOLLOW US, LIKE US, LOVE US! TWEET ABOUT NARIP & OUR EVENT!
NARIP. Career acceleration.Get connected. Stay connected.__________________________________________________________The National Association of Record Industry Professionals promotes career advancement,education and good will among record executives.
Once music is made, then what? Then NARIP.
Bring music to market.
This session is SOLD OUT, call 818-769-7007 to be wait-listed.
NARIP Brunch Eat, Meet & Greet at Disc Makers Limited space, RSVP NOW!
You are invited to attend NARIP’s brunch on Sat, Nov 12 at Disc Makers in Los Angeles, CA
We’re doing it again! Join us, come meet and greet Los Angeles-area record and music industry professionals.Sponsored by Disc Makers
All are welcome at our brunch.
You need not be a NARIP member to attend.
Please RSVP and register online by Friday, November 11, 2016 at 5:00 p.m. so we can prepare enough refreshments for everyone. NARIP encourages pre-payment. You are welcome to attend at the last minute as a walk-up, but we appreciate advance registration.So come along to meet existing friends and contacts, and make new ones. NARIP brunches feature 30-second introductions by all present to help you identify and get in front of the people who can make a difference to your business. Professional speed-dating!
Among other things, NARIP sponsors events like these to encourage networking and the fostering of business relationships in the record industry. Over 75% of all great opportunities, deals and job offers come about as a direct result of second and third party referrals – who you know matters. So get to know more people in the record biz, and let them get to know you! Please join us and bring plenty of business cards. All are welcome, details below.
“ONE OF THE BEST OPPORTUNITIES TO NETWORK” IN THE BIZ (Music Connection Magazine)
“NARIP brunches have been a HUGE benefit for me and my company,” says Geodesic Management’sDan Strader from New York. “In just a few hours at a Los Angeles brunch, I was able to establish a presence in that city and make solid connections that I still use to this day. Networking brunches have now begun in New York, and the connections we’ve made are career-changing.”
REGISTER NOW
Please register online by Friday, February 1, 2016 at 5:00 p.m. so we can prepare enough refreshments for everyone. To register now, just scroll down.
Is your network not working? Ours is.
They can’t promote you if they don’t know who you are!
Special thanks to SydneyAlston at Disc Makers for hosting this event.
Disc Makers
4425 W. Riverside Drive
Suite 204
Burbank, CA 91505
COST
$10 for NARIP members
$20 for Non-members
Get a NARIP membership for $9.95 a month and only pay the member rate!
We encourage you to register in advance online now (just scroll down). Otherwise, cash only at the door on Event Day please. Price includes food, beverage and event admission. NARIP reserves the right to refuse service to anyone.
PARKING & DIRECTIONS:
Click here for map.
Between Cahuenga and Pass Ave. at Clybourn on Riverside.
THANK YOU!
Please RSVP and register online by Fri, Jun 16, 2017 at 5:00 p.m. so we can prepare enough refreshments for everyone. NARIP encourages pre-payment. You are welcome to attend at the last minute as a walk-up, but we appreciate advance registration.
So come along to meet existing friends and contacts, and make new ones. NARIP brunches feature 30-second introductions by all present to help you identify and get in front of the people who can make a difference to your business. Professional speed-dating!
Among other things, NARIP sponsors events like these to encourage networking and the fostering of business relationships in the record industry. Over 75% of all great opportunities, deals and job offers come about as a direct result of second and third party referrals – who you know matters. So get to know more people in the record biz, and let them get to know you! Please join us and bring plenty of business cards. All are welcome, details below.
“NARIP brunches have been a HUGE benefit for me and my company,” says Geodesic Management’sDan Strader from New York. “In just a few hours at a Los Angeles brunch, I was able to establish a presence in that city and make solid connections that I still use to this day. Networking brunches have now begun in New York, and the connections we’ve made are career-changing.”
WHAT TO EXPECT AT A NARIP BRUNCH
For over 25 years NARIP (and its previous incarnation, the Los Angeles Music Network) have hosted brunches to enable record and music industry professionals to mix and mingle in a comfortable setting with a bit of food. For some time had NARIP Brunches in restaurants but found private spaces to be more comfortable and welcoming. When an individual or organization hosts a brunch, NARIP requests that basic food and drink items be available, and the rest is up to their discretion and budget.
REGISTER NOW
Please register online by Friday, June 16, 2017 at 5:00 p.m. so we can prepare enough refreshments for everyone. To register now, just scroll down.
Is your network not working? Ours is.
They can’t promote you if they don’t know who you are!
THANK YOU !!
Special thanks to Mark Nguyen of Planet LA Records and Elizabeth Heidt of Gibson for hosting.
COST
$10 for NARIP members
$20 for Non-members
Get a NARIP membership for $9.95 a month and only pay the member rate! Click HERE to join NOW.
We encourage you to register in advance online now (just scroll down). Otherwise, cash only at the door on Event Day please. Price includes food, beverage and event admission. NARIP reserves the right to refuse service to anyone.
PARKING & DIRECTIONS
Parking garage for the Beverly Hills library is across from our entrance (Gibson Showroom faces west) and has 2 hour free parking. Click HERE for map.
QUESTIONS?
Call 818-769-7007 or email info AT narip DOT com
NARIP. Career acceleration.
Get connected. Stay connected.
____________________________________________________
The National Association of Record Industry Professionals promotes career
advancement, education and good will among record executives.
Once music is made, then what? Then NARIP! Learn, network, market music.
Get a music publicity plan started in one session. Boost the effectiveness of the plan you already have. A good publicity plan can be just one page long. A target and a plan are essential to reach goals.
Lack of a good plan stalls more careers than lack of talent. Good publicity and marketing is simply getting your message to the largest number of people at the lowest possible cost within a certain time frame and budget… even if the budget is zero.
Two music publicity experts give you the facts you need to create a solid PR campaign in this special NARIP session.
You will learn
Most important parts of music publicity cam paign strategy
An easy way to begin your publicity campaign
Your complete PR toolbox: what you need… and what you don’t
Electronic press kits: do’s and don’t’s
Understanding branding – what it is, and who you are
How to use social networks, blog, Facebook, Twitter & YouTube
5 ways to boost your presence on the Internet
How to get press features and proper editorial consideration
Publicity questions?
Submit YOUR questions to be addressed during our program, get feedback and recommendations specific to YOUR situation from our experts via Twitter and follow us now: @NARIP Feel free to submit questions in advance and / or during the session. Official hash-tag for this event is #NARIPpr.
SPEAKERS
John Riccitelli, Publicist, Baby Robot Media
Dasha Ware, Founder & Principal, The Rising Star Group, LLC
Julie Kessler Roach, Esq., Music & Entertainment Attorney, NARIP Atlanta Board Member (moderator)
WHO SHOULD ATTEND
Artist Managers, Producers & Artist Reps
A&R, Artist Development and Marketing Executives
Record, Distribution & Music Publishing Executives
Music & Entertainment Attorneys
Anyone seeking to improve an artist’s publicity and maximize time and investment while doing so.
Follow us, like us, love us! tweet about our speakers & event
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Get a music publicity plan started in one session. Boost the effectiveness of the plan you already have. A good publicity plan can be just one page long. A target and a plan are essential to reach goals.
Lack of a good plan stalls more careers than lack of talent. Good publicity and marketing is simply getting your message to the largest number of people at the lowest possible cost within a certain time frame and budget… even if the budget is zero.
Two music publicity experts give you the facts you need to create a solid PR campaign in this special NARIP session.
You will learn
Most important parts of music publicity cam paign strategy
An easy way to begin your publicity campaign
Your complete PR toolbox: what you need… and what you don’t
Electronic press kits: do’s and don’t’s
Understanding branding – what it is, and who you are
How to use social networks, blog, Facebook, Twitter & YouTube
5 ways to boost your presence on the Internet
How to get press features and proper editorial consideration
Publicity questions?
Submit YOUR questions to be addressed during our program, get feedback and recommendations specific to YOUR situation from our experts via Twitter and follow us now: @NARIP Feel free to submit questions in advance and / or during the session. Official hash-tag for this event is #NARIPpr.
SPEAKERS
John Riccitelli, Publicist, Baby Robot Media
Dasha Ware, Founder & Principal, The Rising Star Group, LLC
Julie Kessler Roach, Esq., Music & Entertainment Attorney, NARIP Atlanta Board Member (moderator)
WHO SHOULD ATTEND
Artist Managers, Producers & Artist Reps
A&R, Artist Development and Marketing Executives
Record, Distribution & Music Publishing Executives
Music & Entertainment Attorneys
Anyone seeking to improve an artist’s publicity and maximize time and investment while doing so.
Follow us, like us, love us! tweet about our speakers & event
Special thanks to Mark Nguyen of Planet LA Records and Elizabeth Heidt of Gibson for hosting.