Urban Music Marketing Trends

Urban Music Marketing Trends

$18.95$29.95

This special NARIP teleseminar will assist with your urban music marketing needs.  With over 2 decades of experience, guest instructor and RBC Records partner Brian Shafton has helped build the careers of Jay-Z, Snoop Dogg, Ice Cube, Dr. Dre, Mos Def, Master P, N.W.A., Mack 10, Geto Boys and others as well as labels such as Death Row, No Limit, Ruthless and Rap-A-Lot. 

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PROGRAM DESCRIPTION

In this program, Brian Shafton shares numerous strategies that are specific to urban artists that will double the effectiveness of YOUR urban music marketing.

RBC’s impressive artist roster and history of success gives him special insight into what works… and what doesn’t, and especially helping to build a buzz for developing urban acts from the ground up. 

  • Key urban music publications, media outlets and distributors
  • Urban music sales trends
  • Key outlets: what sells well and where?
  • Urban radio trends – key stations, and the how important radio is 
  • Creating an urban music marketing strategy: an easy way to begin
  • Your complete urban music marketing toolbox: what you need… and what you don’t
  • Branding made simple, inexpensive and effective

NARIP PROGRAM NUMBER: T007
PROGRAM DATE: September 24, 2008
PROGRAM TIME: 1 hour and 22 minutes (82 minutes)
QUESTIONS? Call 818-769-7007 or contact NARIP
SOURCES FOR MORE INFORMATION
www.rbc-records.com
NARIP

PLEASE NOTE: 
This NARIP audio is of a live teleseminar. During the first hour, moderator Tess Taylor interviews guest instructor Brian Shafton and sound quality is pristine. Thereafter, phone lines are opened up to callers for Q&A which is included on this recording. While sound quality is still good during Q&A section, it varies according to caller environments. 

Urban-Marketing-Trends

BRIAN SHAFTON, Partner, RBC Records

With over 44 years’ experience in executive positions at Priority Records between the two of them, Brian Shafton and partner Bob Grossi helped build the careers of Jay-Z, Snoop Dogg, Ice Cube, Dr. Dre, Mos Def, Master P, N.W.A, Mack 10, the Geto Boys and a host of others, as well as labels such as Death Row, No Limit, Rawkus, Ruthless and Rap-A-Lot. RBC works with distributors such as Navarre, Fontana, Universal, EMI, Atlantic, RED, Asylum, Caroline, ADA and Select-O-Hits to help make Jill Scott, E-40, Raphael Saadiq, Public Enemy, 8Ball & MJG, Tech N9ne, Layzie Bone, DJ Quik, C-Bo and others reach their full retail, sales and visibility potential.

Recognized by The Source in the magazine’s Power 30 (2007), RBC received props for aiding in Hip-Hop’s move towards independence and offering established artists the infrastructure for their indie labels. RBC allows its artists to retain 100 percent interest in their masters and their company. To date, the company’s biggest successes include Jill Scott’s “Words and Sounds Volume 3” which has sold over 600,000 copies and Tech N9ne’s Absolute Power and Anghellic albums, which have shipped more than 250,000 units each. RBC titles from Raphael Saadiq, The Game, Do Or Die and DJ Quik have shipped more than 100,000 units each. In fact, RBC delivered Fontana its first No. 1 independent record in 2005 with DJ Quik’s Trauma. In 2006, RBC helped Tech N9ne’s Everready (The Religion) debut at the No. 2 spot on the independent albums chart. Other RBC clients include Jill Scott, Public Enemy, Nappy Roots, EPMD, Dipset, 8 Ball & Devius, C-BO’s West Coast Mafia label, MSC, Fall Thru (home of the Ghetto Fights, Ghetto Brawls) and more.

“We’re able to penetrate retail on an urban level above and beyond what anyone else can do,” Shafton says. “We have relationships with everybody from radio to streets to press to television buyers. We’ve been doing this a long time, so we feel that we can look at a project, examine it and put forth the best marketing plan for it.” It’s a proven formula. “We have watched the majors fall apart, such as MCA, Priority, Loud and the Capitol/Virgin merger,” Shafton says. “At the same time, the independent companies we work with not only continue to exist but to thrive in this incredibly competitive marketplace. They are making money.”

 

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Program music courtesy of The G-Man (Golosio Music Publishing, BMI)

 

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