NARIP has hosted over 800 events covering topics such as music publishing, songwriting, music licensing, and artist management, among others.
NARIP has also organized pitch sessions where music creators and songwriters can pitch their work to industry professionals for feedback and potential placements.
Become a NARIP Member
- This is a feature or perk title
- Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt. Lorem ipsum dolor sit amet.
- This is a feature or perk title
- Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt. Lorem ipsum dolor sit amet.
- This is a feature or perk title
- Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt. Lorem ipsum dolor sit amet.
| Date | Name |
|---|---|
| 2011-10-27 | In NY – NARIP Music Supervisor Session #5: Josh Rabinowitz
Intimate Meetings & Pitch Sessions With Music Supervisors from Top Ad Agencies Session #5 with Grey Group’s Josh Rabinowitz on Thu, Oct 27, 2011 at Shelter Island Sound in New York
What do Jessica Dierauer, Jean Scofield, Paul Greco, Mike Boris, Josh Rabinowitz and Ryan Fitch have in common? They are all special guests at NARIP Music Supervisor Sessions at Shelter Island Sound in New York. Representing the best and brightest in music supervision at the top ad agencies in the world, these six seasoned executives select, commission and place (and in some cases, create) music for global advertising campaigns for the world’s most recognizable brands. In NARIP’s intimate sessions, you get to meet and pitch them for current opportunities. Come meet these career-makers. BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who placed a song from his catalog (“Soul of a Man Never Dies”) in an episode of True Blood and another song in a episode of Dexter (“Jhiara”) following our session with Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in town. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions in Los Angeles, participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At each session in New York, participants will have the opportunity to pitch music for specific opportunities and get immediate, direct feedback from one ad agency music supervisor. What attendees say about NARIP’s Music Supervisor Sessions held earlier this year in Los Angeles:
$249 NARIP Members (Professional and Executive NARIP Members ONLY*) $329 Non-Members REGISTER FOR ALL SIX NEW YORK SESSIONS AND SAVE $1,349 for NARIP Members (save $145 – Professional and Executive NARIP Members ONLY*) $1,829 for Non-Members (save $145) * Available to Professional and Executive NARIP Members only. To register for all six sessions and receive the discount, select Premium Ticket option below (scroll down). ABOUT THE SUPERVISORS  Jessica Dierauer , Executive Producer of Music and Creative Content, Y&R Session #1 on Thursday, September 15, 2011 Based out of Y&R’s flagship New York office, Dierauer is responsible for everything related to music — from licensing tracks and hiring composers, to creating new opportunities for Y&R’s clients throughout the entertainment industry. She previously served as executive content producer for Y&R New York where for the past two years she has produced and executed integrated campaigns, Web sites, new media applications and events for clients like LG, Office Depot and Malaria No More.  Jean Scofield, Music Producer, McGarry Bowen Session #2 on Tuesday, September 27, 2011 Born on the day MTV made its debut, Jean Scofield grew up in New York City’s West Village surrounded by musicians and artists. With a world-renowned musician for a father and an industrious manager and producer for a mother, she’s always had an aptitude for balancing the creative and the administrative. Today you can find Jean at mcgarrybowen in the music department. She is a performing artist and audiophile as well. That passion enhances her professional experiences. Her knowledge and industry relationships are diverse, defining her as a current, authentic resource.  Paul Greco, Director of Music & Radio Production, J. Walter Thompson —- JUST ADDED Session #3 on Thursday, October 6, 2011 After graduating from college as a communication arts major, Paul took his lifelong love of music and started his career in the ad music business as a recording engineer at NYC’s busiest studios. He worked for the ad biz’ biggest clients and ad agencies. From there he landed at BBDO NY as Music and Radio Producer where he produced music for many of their biggest and award winning accounts including Pepsi, FedEx, GE, Visa, and HBO. Paul was recruited to join Young & Rubicam NY as Senior Music Producer and eventually rose to the position of Vice President Executive Music Producer, handling music production on Y&R’s biggest accounts such as Dr Pepper and Diet Dr Pepper, Campbells Soup Co, LG Electronics, Met Life, Genworth Financial, U.S. Army, and 7up. He also worked with Y&R on a campaign for New York City’s bid for the 2012 Olympics, which won the AICP First Place Award for Best Musical Arrangement and the Pella Windows account which was nominated for a television EMMY Award. Paul has worked with many great recording artists such as Ray Charles, Lionel Richie, Luther Vandross, Lou Reed, The Beastie Boys, They Might Giants, Whitney Houston, Patti Austin, The Boys Choir of Harlem, Boyz II Men, Frank Sinatra Jr., Glen Frey, Donald Fagen of Steely Dan, Felix Cavaliere of the Rascals, Neil Sedaka and Michael Bolton. He has also worked with noted film composers Mark Mancina ( Lion King, Twister, Tarzan, Con Air), Mark Mothersbaugh ( The Royal Tannenbaums, Rushmore), and Rob Mounsey (Sex in the City and Working Girl). Paul has also recorded and produced notable celebrities like John Cleese, Bill Cosby, Cindy Crawford, Shaquille O’Neal, Walt Frazier, Gary Shandling, Madeline Kahn, and George Foreman. In 2009, Paul became Senior Creative Director of indie music publisher Spirit Music Group, where he placed music in spots for AT&T, Puma, Verizon, & M&M’s. In 2011 Paul was brought on as Director of Music & Radio Production at global ad agency JWT to lead their music department and collaborate on music branding ideas across all media.  Mike Boris, Senior VP / Executive Music Producer, McCann Erickson Session #4 on Thursday, October 13, 2011 Mike discovered the power of music at a very young age. While watching cartoons on Saturday mornings he shut the sound off his TV, and cranked his brother’s Led Zeppelin, Beatles, and Black Sabbath records. This experience made him realize how music affects the attitude of a picture and set him on his future career path. Mike began his career as a recording engineer which created a foundation of sonic excellence while also providing valuable insight into the creative process.. Mike transitioned to the role of music producer and honed his craft at several New York ad agencies before joining McCann in 2002. To date, he has worked on music for more than 5,000 TV commercials. Mike’s awards include the McCann-Erickson Producer of the Year for 2006, a CLIO, as well as several Effies. Mike was also the drummer of the band – More F*ING Cowbell – which won Adweek’s “Battle of the Ad Bands” for two consecutive years in 2008 and 2009. He actively pursues unique global talent to ensure his clients always receive a contemporary creative perspective. He is a frequent guest speaker for music industry panel discussions as well as a constant source for industry periodicals.  Josh Rabinowitz, SVP Director of Music, Grey Group Session #5 on Thursday, October 27, 2011 Josh Rabinowitz, Senior Vice President/Director of Music for the Grey Group, has been of one the most successful music executives in the advertising field for the past 15 years. As an executive music producer, he has worked on many top campaigns for brands such as Cover Girl, Pantene, Dr. Pepper, Sony Electronics and others. In addition, Rabinowitz has worked with an array of hit music artists, such as Rihanna, the Black Eyed Peas, Natasha Bedingfield, Queen Latifah, Cyndi Lauper, Macy Gray, Run-DMC, LL Cool J, Smokey Robinson, LeAnn Rimes, Reba McEntire, Thalia and Anastacia. Rabinowitz became a leading music producer in the late ’90s, when he was an Executive Producer of Music at the major ad agency, Young & Rubicam. Then in 2005, he moved to top agency Grey, where he has helmed the music department ever since. Rabinowitz has been the recipient of many awards for music in advertising. Also, he has been a bi-weekly contributor to Billboard magazine, and he has been quoted or cited in the New York Times, the Wall Street Journal, Rolling Stone, Adweek, Ad Age, Fast Company, Creativity, the Boston Globe and the New York Post.  Ryan Fitch, Music Producer, Saatchi & Saatchi Session #6 on Thursday, November 10, 2011 As one of Saatchi & Saatchi’s most seasoned and gifted music producers, Ryan Fitch has spent the last 7 years integrating music into TV, radio and interactive campaigns for top global brands like Procter & Gamble, JCPenney, Miller, General Mills and Cadbury among others. Conservatory-trained and an avid fan of all music genres, Ryan has both the unique ability for finding that “perfect song” for his clients and the business savvy to close deals, whether it’s with a major work, such as John Lennon’s “Real Love” or music from an obscure indie artist. A lifelong musician with more than 16 years of experience in the music industry and an extensive background in audio engineering and digital audio workstations, Ryan understands the creation of music in today’s landscape on every fundamental level. During his tenure, Saatchi New York has earned several distinguished awards, including the prestigious Cannes award for Agency of the Year. Ryan was also named one of the “Top Music Ad Agency Executives” by the National Assn. of Record Industry Professionals.  Program Moderator for NARIP Music Supervisor Series is Ed Razzano, VP of Film, TV & Catalog Marketing, BMG Chrysalis Ed Razzano, VP of Film, TV & Catalog Marketing, BMG Chrysalis. Until recently he was VP of Business Development for Ricall, an automated online music licensing platform supported by real-world music licensing experts. Prior to this was Senior Director at BMG Music Publishing in New York. At BMG he was responsible for negotiating synchronization licenses for advertising and merchandising in the US. While at BMG Razzano gained extensive international experience as he was also responsible for international clearance of all BMG’s US repertoire for music in advertising campaigns around the world. Razzano’s almost 20-year industry experience is drawn from far beyond his time at BMG Publishing. He started his career at a TV commercial editorial house, Crew Cuts Film & Tape, then went on to join the music department of one of the world’s largest advertising agencies at the time, DMB&B. His experience was fortified by positions at CBS Television as well as Universal Music Publishing and Independent music publisher, Spirit Music Group where as Senior Creative Director he oversaw all the film, television and commercial synchronization licensing. Special thanks to Steve Addabbo at Shelter Island Sound for his help with this series, to NARIP New York Board Members Mike Lane, Abhita Austin and to BMG Chrysalis’ Ed Razzano. WHEN Session #5 with Grey Group’s Josh Rabinowitz Thursday, October 27, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE Shelter Island Sound 40 West 27th Street 7th Floor New York, New York 10001 Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email jen AT narip DOTcom. SOURCES FOR MORE INFO BMG Chrysalis Grey Group J. Walter Thompson McCann Erickson McGarry Bowen NARIP Ryan Fitch’s Blog Saatchi & Saatchi Shelter Island Sound Young & Rubicam Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-10-20 | In LA – Mock Negotiation of Sponsorship/Endorsement Deal
Mock Negotiation of Sponsorship & Endorsement Deals Part of NARIP’s Art of the Music Deal series on Thursday, October 20, 2010 in Los Angeles The focus on monetizing various aspects of the recording artist’s career is increasingly important with marketplace shifts. Sponsorships and endorsements are areas in which artists and their teams can find support to build the artist’s career. Who does these deals, and how are they done? In this program two top experts – Silver & Freedman’s Gregory N. Weisman, Esq. and UE3 Promotions’ Jennifer Lyneis discuss just that, and will face off in a live negotiation of key deal points and contractual issues in sponsorship and endorsement agreements. We will also discuss how to identify and approach the best brands that are most consistent with the artist, his/her image and goals, and how to create and execute win-win deals for both artists and brands. These experts come together to give you the inside track on major deal points, what they mean and what leverage you have to negotiate the best possible deal. Most people think they can just hand a negotiation to a lawyer, and leave it at that. But as a professional, you need to be aware of the process and deal points, too, and what the implications to your artists’ careers may be. Most importantly, you will see HOW a sponsorship and endorsement deals are negotiated and be involved in the process. Get educated about the art of deal-making! YOU WILL LEARN: The right time to make a deal and major areas of negotiation, including:
Jennifer Lyneis, President, Ue3 Promotions Gregory N. Weisman, Esq., Silver & Freedman WHEN Thursday, October 20, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps Business Affairs and Music Attorneys Record & Music Publishing Executives Licensing & Brand Professionals Anyone seeking to create or enhance revenue from sponsorship and endorsement deals. WHERE SAE Institute 6565 Sunset Boulevard Los Angeles, CA 90028 (across from Cat & Fiddle, between Highland & Vine) Click here for map. Major cross streets: Sunset & Cahuenga REGISTER NOW $20 NARIP Members $40 Non-members Attention attorneys: receive 2.5 MCLE credits for attending this program, select Premium Ticket option below. $65 NARIP Members – includes 2.5 CLE credits $85 Non-members – includes 2.5 CLE credits 3 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 3. Walk-up (if space permits) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email daniel@narip.com. ABOUT THE SPEAKERS  Greg Weisman, Esq. Partner/Shareholder with Silver & Freedman, PLC Greg Weisman is the Chair of Silver & Freedman’s unique Apparel Industry Practice Group. Greg serves as “outside general counsel” for over 100 brands in the apparel, footwear and accessories communities. As such, his practice encompasses a wide array of transactional matters including trademark/copyright protection, employment issues, intellectual property licensing, corporate/M&A and all types of business and commercial agreements. Mr. Weisman also represents several high-profile musicians, athletes, actors and celebrities in connection with their merchandising, endorsement, branding and other “non-entertainment” and “off-the-field” business endeavors, both within and outside of apparel. Greg has guest lectured at UCLA Extension, FIDM, Otis College of Art & Design and ITAA on business and legal issues concerning the fashion industry. He has lectured on licensing, IP and manufacturing at the MAGIC apparel trade show in Las Vegas, given seminars on Action Sports athlete endorsement contracts and pending Copyright legislation for the California Fashion Association (CFA, Surf Industry Manufacturer’s Association (SIMA), and the International Association of Skateboarding Companies (ISAC). He is a recognized expert for trade magazines and publications in the branding, fashion and apparel space.  Jennifer Lyneis, President, Ue3 Promotions For over ten years, Jennifer Lyneis crafted a solid expertise in consumer promotions and marketing for the music and entertainment industry. Her concepts in marketing recording artist through large corporate events attracted attention from record labels, movie studios and booking agents nationwide. “I believe we can bring new acts to the attention of the buying public with great rewards to corporate sponsors and all involved.” She has coordinated tour sponsorship for Miller Brewing Company, Heineken, TMobile, and Verizon to name a few as well as various charities benefiting arts and entertainment. “Aligning your artist with a major brand is a more effective way to bring it to the masses and current ever-changing market.” Jennifer’s work promoting acts to national radio has earned her Top 40 Promotion team of the year in 2003, Hot AC Record Promoter of the Year in 2004 and AC record promoter of the year in 2008. She has worked with Grammy award winning and nominated acts such as Jack Johnson, Brian McKnight, Nelly Furtado, and Barry Manilow to name a few as well as numerous up and coming acts. In 2011, Lyneis was nominated a Top 10 Music Brand Executive by NARIP (National Association of Record Industry Professionals). Jennifer Lyneis has become a staple in the music industry as one of the most sought after radio promotion and brand marketing consultants. Lyneis is an ASCAP member as a songwriter and publisher through her publishing company Mascara Rain. SOURCES FOR MORE INFO: NARIP Ue3 Promotions www.silverfreedman.com Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-10-20 | In NY – Mock Negotiation of a Music Publishing Deal
Mock Negotiation of a Music Publishing Deal Part of NARIP’s Art of the Music Deal Series: What Happens Before You $ign on the Dotted Line? on Thursday, October 20, 2011 at St. John’s University in New York, NY In this latest installment of NARIP’s “Art of the Music Deal” series, two top experts face off in a live negotiation of key deal points and contractual issues in a publishing deal that affect a songwriter’s rights and income.
WHO SHOULD ATTEND Music Publishing & Record Executives Producers, Artists, Artist Managers and Artist Reps Music Attorneys, Songwriters & Composers Brand Marketing & Creative Executives Accountants, Business Managers & CPAs GUEST SPEAKERS (scroll down for speaker profiles) Michelle Bayer, Founder, Shelly Bay Music Peter S. Matorin, Esq., Managing Partner, Beldock Levine & Hoffman LLP Dan Strader, President, Geodesign Management (moderator) WHEN Thursday, October 20, 2011 6:30 p.m. – Registration opens 7:00 p.m. – Program beins 9:30 p.m. – Program ends WHERE St. John’s University 101 Murray Street Auditorium (2nd Floor) New York, NY 10007-2132 Between 12th Avenue & Church Street at Murray Click here for map and directions. REGISTER NOW $20: NARIP Members $40: Non-members $75: NARIP Members CLE Credit (2.5 credits) – select Premium Ticket Option below $95: Non-members CLE Credit (2.5 credits) – select Premium Ticket Option below See NARIP financial aid policy for recent law school graduates, not yet employed and/or unemployed attorneys below. 3 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 3. Walk-up (if space permits) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or jen AT narip DOT com. ABOUT THE SPEAKERS Michelle Bayer, Founder, Shelly Bay Music A long time veteran of the music business, Michelle Bayer is an executive who knows how to get things done from both the artist and management sides of the table. Her experience includes record labels, publishers, and artist management. Prior to opening the doors of Shelly Bay Music, Michelle held the position of Vice President, Creative Business Development and Music Publishing at Tommy Boy Music. Shelly Bay Music provides music consulting, music placement, music publishing and royalty administration. As VP of Creative Business Development at Tommy Boy, Michelle developed a TV/Film/Soundtrack department into a major revenue generator for the label ($3.8 million in just 36 months), giving new artists exposure in non-traditional formats when it was tough to get radio play. As VP of Music Publishing, Michelle oversaw publishing activities for all writers signed to Tommy Boy. During this time she also developed the company’s B2B website, copyright and royalty systems and negotiated licensing deals for sampling, mechanicals, and synchronization. She also implemented the use of the Right Track System as their main royalty system for the publishing. Prior to Tommy Boy Michelle was the Manager of Tracking at EMI Music Publishing. She was a liaison between the Copyright, Royalties and International Departments. She also dealt with Mechanical Rights and Performing Rights societies to secure proper licenses and payments for their enormous catalog of songs. Prior to EMI, she worked with Peter Leak at The New York End Ltd managing artists such as 10,000 Maniacs, The Waterboys and Cowboy Junkies. She liaised between the artists and the publicity/promotion/marketing departments at their labels and she coordinated their touring and travel. During her early days in the music industry, Michelle worked with the legendary John Hammond (who discovered Billie Holiday, Bob Dylan, Bruce Springsteen and Stevie Ray Vaughan among others) in A&R; with CBS Records in A/C Promotions; and at ASCAP in the membership department, learning the workings of a U.S. Performance Society. Finally, her experience as an Assistant Engineer at Media Sound Recording and face-to-face with the consumer at retail managing a Record Town chain store, has given Michelle an extremely well-rounded education about the ins and outs of the music business. She has a BA in Management of Music Enterprises and continuing passion for music and entertainment. Peter S. Matorin, Esq., Managing Partner, Beldock Levine & Hoffman LLP Peter S. Matorin became a partner in the firm in 1980. His area of practice is entertainment law and intellectual property. He has extensive experience representing recording artists, performing artists, producers, songwriters, publishers, production companies, record labels, managers, agents, authors, dancers, choreographers and actors.  Dan Strader, President, Geodesic Management (moderator) An entertainment veteran, Dan Strader has extensive experience producing and touring music and stage productions, nationally and internationally. Mr. Strader started his career in television news production. moving to syndicated national programming with Warner Brothers Television. His music and theatrical management background is extensive and he has worked with some highly regarded musicians and venues in the Los Angeles, New Orleans and New York markets. For the past ten years Mr. Strader has managed, produced and booked national and international tours for Geodesic Management. FINANCIAL AID POLICY A limited number of scholarships are available to attorneys who are recent graduates and not yet employed, and unemployed attorneys who must take CLE courses in order to meet state requirements. All requests must be made in writing accompanied by a completed registration form. No more than two (2) requests per person will be considered per calendar year. Requests should describe the applicant’s interest in the topic and justification for a waiver of fees. Requests must be accompanied by support documents for financial hardship approval. Requests and scholarships are not transferable. Approval will be based on needs and funds available on a first-come, first-served basis. If approved, the scholarship will result in a waiver of the course fees for the specific program application. To apply, please send your request, in writing, prior to the reservation form deadline (minimum three [3] weeks prior to program date. Students must submit a copy of their student identification cards. All requests for scholarships should be sent to: The National Association of Record Industry Professionals, P.O. Box 2446, Toluca Lake, CA. 91610-2446. Please call (818) 769-7007 or e-mail info@narip.com for more information. SOURCES FOR MORE INFO: Beldock Levine & Hoffman LLP Geodesic Management Shelly Bay Music NARIP Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-10-20 | In TX – Great PR on a Shoestring Budget
Great PR on a Shoestring Budget on Thursday, October 20, 2011 at Houston Community College in Houston Public relations is the art of telling a story about the artist or his music or project that interests people enough to either remember it, learn more or buy now! Without the human interest element – the artist’s “story” – conveying a message that people will remember and act on – is almost impossible. In this special program we bring together three experts in the art of “story telling” which is the most important component of a press (and marketing) campaign. You will learn:
Thursday, October 20, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHERE Houston Community College Spring Branch Campus 1060 West Sam Houston Parkway Theater II ——- PLEASE NOTE NEW ROOM Houston, TX 77043 (near the I-10 and Beltway 8) DIRECTIONS Click here for map. WHO SHOULD ATTEND Artist Managers & Artist Reps Marketing, Publicity and Social Media Professionals Record & Music Publishing Executives Concert Promoters, Agents, Tour Managers Anyone who supports making or enhancing an artists career COST FREE for NARIP Members (but please register online below) $25 Non-members 3 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 3. Walk-up (if space permits) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email daniel@narip.com. ABOUT THE SPEAKERS Ami Blackwell, Founder, Spindrift Media & Entertainment Ami Blackwell founded boutique PR agency SpinDrift Media & Entertainment in 2001 by writing bios and marketing materials to help promote local musicians, authors and hospitality clients in the Houston/Gulf Coast area. As a media professional, Blackwell earned an MBA in Media Management at Metropolitan College of New York while working for Planned Television Arts and Nielsen/IAG. As a publicist in Nashville, Tenn., she was employed and mentored by Kathi Atwood of Music City News Media. During her tenure, she assisted in providing publicity services for clients such as Chris Cagle, Chely Wright, Mark Chesnutt, Tracy Lawrence, Aaron Tippin, Rhonda Towns and Eric Durrance. Current SDME clients include Inspirational radio show “Plenty More Love with Rhonda Towns,” Americana artist Grady Skelton, Hendrix Music Agency, newcomer Nicole Kacey (Red Set Records), Texas Music Media, Inc., actor/singer-songwriter Larry Bagby and Social Mediologist, Jessica Northey. Previous projects include booking a satellite radio tour for Oliver North, who was debuting his first novel “Mission Comprised,” and promoting the novel “Proof of Atlantis: Records from The Past,” by local author Charles Harris. Nancy Byron, OGPR Marketing & Public Relations, Inc. Nancy Byron moved to the US in the early 80s, landing accidentally in the entertainment field with a 3-year stint in New Line Cinema’s marketing department. It was there that she fell in love with Public Relations. Her friendship with then-President of Marketing, Chris Pula, who subsequently took the same title at Warner Bros. Feature Films, enabled Nancy to begin her career in PR at the studio, where she worked from ’97 to ’04, contributing to the campaign of many WB film titles. After almost eight years and upon the graduation of her youngest child, Nancy decided to try something new and hung out the shingle of OGPR Marketing & Public Relations, Inc., moving the operation to Houston, Texas in ’06. In her seven+ years as an independent publicist, Nancy has contributed to the campaigns of majors and indies alike, with names such as Chamillionaire, Paul Wall, Trae Tha Truth, Killer Mike, Slim Thug, Crooked I and others. Nancy takes pride in her work and endeavors to maintain the most harmonious client and media relations in every situation.  Madalyn Sklar, President, GoGirlsMusic.com/Social Networks For Musicians Madalyn is a perennial entrepreneur with a knack for developing and running her own companies. She is a social networks expert, music business coach & consultant, blogger and author. She works with a wide range of businesses as well as independent musicians, helping them focus on advancing their grasp on social networks. Her motto is work smarter, not harder. Sklar is also the founder of GoGirlsMusic.com, the oldest & largest online community supporting women in music. Since 1996 her mission has been to promote, support and empower its members through showcases and networking events around the country. Also in 1996 she started her own web development firm, Orbit Web Design, and became well known for her vast Internet marketing experience. She has spoken on numerous music business panels, especially on the subject of Internet marketing, promotion and social networks. She was named one of 10 Powerful Women in Music by Curve magazine and was named one of the 15 People You Should Know In the Biz by Indie-Music.com.  Barry Coffing, NARIP Houston Executive Director, Founder MusicSupervisor.com and Uprising Entertainment Mr. Coffing is CEO and Founder of MusicSupervisor.com and Uprising Entertainment. A 20-year industry veteran who has toured the world and has major credits to his name, Barry is an Emmy-nominated composer and was signed to Warner Bros. Records in the 1990s. He has toured extensively to support his hit songs that have charted around the world, including the #1 “I’ll Come Back To You.” He won Best Producer of the year at the Beverly Hills Film Festival in 2003, and has written and produced over 200 songs in film and TV including #1 hits and gold-selling soundtracks. He has worked with almost every major film company and television network. His knowledge of both sides of the licensing equation led him to create MusicSupervisor.com which has been used to find music for projects including Dexter, Ugly Betty, Burn Notice, Blonde Ambition, Lost, Love Kill, License to Wed, Swing Vote, Real Girl, Assassination of a High School President, Sexual Healing, Invincible, The Unit, Direct Contact and others. Barry has lectured on the music business at USC, Vanderbilt and The University of Houston. With his professional relationships, especially at major film companies and TV networks on both coasts, and a strong background in the business as an executive and successful composer / artist, Mr. Coffing is uniquely positioned to help NARIP members identify opportunities in film and television, and to create and sustain long-term careers in the music business today. SOURCES FOR MORE INFO Go Girls Music www.MusicSupervisor.com www.narip.com Nancy Byron Spindrrift Media Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-10-19 | In LA – NARIP Radio Executive Session #2: Andrew Jeffries
Intimate Meetings & Pitch Sessions with Programming and Music Directors of LA’s Top-Rated Radio Stations Session #2 with Head of AC Formats at 1043 MYFM (Hot AC) and KOST 103.5-FM (AC) Andrew Jeffries on Wednesday, October 19, 2011 at Universal Mastering Studios in Los Angeles
What do Julie Pilat, Jimmy Steal and Andrew Jeffries have in common? They program music for the most popular radio stations in Los Angeles and are all special guests at NARIP’s Radio Executive Sessions at Universal Mastering Studios in Los Angeles. Come meet these three important taste-makers at NARIP’s intimate sessions, pitch music, receive feedback, and get an inside peek at how they do their jobs. You will learn:
On the heels of NARIP’s successful Music Supervisor Sessions – intimate meetings with the best music supervisors in the business today – NARIP is proud to introduce its Radio Executive Sessions in the same mold. Through NARIP’s Music Supervisor Sessions, NARIP members have made placements in significant projects, including most recently Peter Kimmel who has placed songs from his catalog in True Blood (“Soul of a Man Never Dies”) and in Dexter (“Jhaira”) following our session with Gary Calamar earlier this year in Los Angeles – read more about these exciting placements here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who seek intimate pitch opportunities with the best (and busiest) radio executives at the top-rated stations in town. LIMITED ENROLLMENT OF ONLY 15 PEOPLE PER SESSION Limited to 15 people per session, NARIP’s sessions enable you to get to know the executives and more importantly, enable them to get to know you. Participants will be able to pitch music on the spot and receive instant feedback as to whether a song is appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, radio air time – possible. Please note: NARIP cannot guarantee that any participants’ music will receive airtime. Above all, attendees get to meet key players in the modern radio business, paving the way for future opportunities and giving them an edge in a highly competitive market. At each NARIP Radio Executive Session in Los Angeles, participants will have the opportunity to pitch music and get immediate, direct feedback from one radio executive. Here is what attendees say about NARIP’s Music Supervisor Sessions (the same format as the upcoming Radio Executive Sessions) held earlier this year in Los Angeles:
$20 NARIP members (no pitch) $40 Non-members and general public (no pitch) To pitch music and receive live instant feedback from Julie Pilat, add Premium Ticket (limited to 15 individuals): $249: NARIP Members (Professional and Executive NARIP Members ONLY, includes pitch-and-feedback opportunity) $329: Non-Members (includes pitch-and-feedback opportunity) * Available to Professional and Executive NARIP Members only. REGISTER FOR ALL THREE LOS ANGELES SESSIONS $669 for NARIP Members (save $78 – Professional and Executive NARIP Members ONLY*) $899 for Non-Members (save $88) * Available to Professional and Executive NARIP Members only. To register for all five sessions and receive the discount, select Premium Ticket option below (scroll down). ABOUT THE RADIO EXECUTIVES  Julie Pilat, Assistant Program Director / Music Director at KIIS FM and Program Director at KYSR 98-7fm Session #1 on Wednesday, September 28, 2011 A young Julie Pilat, obsessed with Hip Hop, Pop AND Rock, started her radio career while still in junior high. A Seattle native, she began answering phones at KUBE in 1992, and by the time she hit high school, Julie had her own ON AIR shift at the local college radio stations KGRG and KNHC. As soon as she was able to drive herself to the station, she got her own air shift at KUBE as well. Julie’s college years took her to Arizona (ASU) where she continued to foster her radio career and passion for music at KPWR (Hip Hop) and KEDJ (Alternative Rock) in Phoenix, where she held down air shifts and worked in the programming departments. In 1998, she returned to Seattle and landed the midday air shift and the APD/MD job at KUBE. Four years later, Julie made the move to Los Angeles and was named the APD/MD at legendary Top 40 KIIS FM. The success of KIIS during her tenure there, coupled with an unbridled passion for manic genres made her the stand out choice to take over the helm at Clear Channel’s KYSR when the format switched to Alternative Rock in January of 2009. Today, Julie continues to hold both positions in the Clear Channel LA Radio Cluster (APD/MD at KIIS FM and PD at KYSR 98-7fm). In her “spare” time, Julie is a dedicated mentor and community leader. She donates time and resources to A Place Called Home in South Central and to the Youth Mentoring Connection. She is also passionate about discovering new music, mentoring new artists, and being creative with how radio can support the artist development process in the ever-changing music business. Julie’s Awards, Honors and Acknowledgements include:
 Andrew Jeffries, Head of AC Formats at 104.3 MYFM (Hot AC) and KOST 103.5 (AC) Session #2 on Wednesday, October 19, 2011 With over two decades in executive positions in radio, Andrew Jeffries’ experience spans several continents and major music territories including New Zealand, England, Scotland, Australia and the US. A native New Zealander, Jeffries now heads up AC Formats at Clear Channel Los Angeles’ 104.3 MYFM (Hot AC) and KOST 103.5 (AC). Prior positions include Program Director at Star San Francisco’s 101.3, Head of Programming for Music Choice Europe, and Program Director for KISS 100 London, KERRANG! Radio UK and Nova 93.7 in Perth Australia. He has also served as Program Director for Galaxy 105 (Yorkshire & Manchester), Beat 106 (Scotland), Southern FM (Brighton) and as Pro Tem Program Director for Ocean FM (Hampshire). Jeffries got his start in radio at River City Radio in Wanganui in New Zealand.  Jimmy Steal, VP of Programming at Power 106 (KPWR) . Emmis Radio Properties Session #3 on Wednesday, November 2, 2011 Currently Power 106 (Los Angeles) / National VP of Programming for all Emmis Radio Properties, Jimmy has guided KPWR to its highest ratings ever, across all demos. Jimmy has been with Emmis for 12 years. Prior to this he served as Director of Programming at KEGL / KDMX Dallas for Clear Channel Dallas. Under his guidance, KDMX achieved its highest ratings in their 25-year history, and KEGL achieved its highest 12+ share since the mid 90s. Prior to this he was Program Director at WKRQ Cincinnati where he elevated the radio station to a 7.3 share 12+, its highest rating in 5 years. Before Cincinnati, Jimmy was Assistant Program Director / Music Director for KEGL Dallas during which time the station achieved its highest ratings in the history of his day-part and and he was a member of the team that achieved highest ratings ever for the frequency. At WXXL Orlando as Assistant Program Director / Music Director and on-air talent, he elevated the station from a 4 share to a 12 share 12+, its highest rank and share ever. Jimmy (and Power 106) have won multiple NAB Marconi Awards, R & R Achievement Awards, Radio Ink’s Best PD Awards (including 2010), and Radio Music Awards. Power 106 was just nominated for another NAB Marconi Award. Originally from New York City, Jimmy lives in Los Angeles with his wife Juli, and their two children Ally (13), and Dylan (11). He holds a BA in Communications / Radio and TV Production from the University of Central Florida. WHEN Session #2 with Head of AC Formats 1043 MYFM / KOST 103.5-FM’s Andrew Jeffries Wednesday, October 19, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE Universal Mastering Studios 3400 Cahuenga Boulevard Building C Los Angeles, CA 90068 Tel: 818-286-6233 DIRECTIONS & MAP Universal Mastering Studios is not visible from the street (Cahuenga), it is in the same complex as LA Fitness, right next to Panasonic and in the former Hanna Barbera Building. It is just east of major cross street Universal Studios Boulevard. Click here for map. PARKING Parking is free, but please note that Universal Mastering Studios has only 5 spots allotted directly in front of the entrance to the studio. If these are full then continue into the parking structure where you will find more spots on level B2. Be sure to park ONLY in spots marked UMSW (Universal Mastering Studios West) – spots for NARIP event attendees will be reserved with traffic cones. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email daniel AT narip DOTcom. SOURCES FOR MORE INFO: Clear Channel KOST 103.5 Power 106 104.3 MYFM 98.7-FM103.5 NARIP Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-10-19 | In ATL – Music Producer Deal Mock Negotiation
Music Producer Deal Mock Negotiation Part of NARIP’s Art of the Music Deal Series: What Happens Before You $ign on the Dotted Line? on Wednesday, October 19, 2011 at SAE Institute of Technology in Atlanta, GA Top professionals wrangle a career-making music producer deal. Most people think they can just hand a negotiation to a lawyer, and leave it at that. But as a professional, you need to be aware of the process and deal points, too, and what the short- and long-term implications to your artists’ careers may be. In this session, three top experts face off in a live negotiation of a producer agreement. They come together to give you the inside track on major deal points, what they mean and what leverage you have to negotiate the best possible deal. Most importantly, you will see HOW a producer deal is negotiated and be involved in the process. Get educated about the art of deal making! YOU WILL LEARN The right time to make a deal. Major areas of negotiation, including:
GUEST SPEAKERS Gabe Fleet, Esq., Greenberg Traurig Monica Tannian, President, Milk Money Consulting. Stephen S. Sidman, Esq., The Sidman Law Firm, LLC (moderator) WHEN Wednesday, October 19, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Producers, Artist Managers & Artist Reps Record & Music Publishing Executives Concert Promoters, Agents, Tour Managers Anyone seeking to make or enhance a career as a producer. WHERE SAE Institute of Technology 215 Peachtree Street NE, Suite 300 Atlanta, GA 30303 Enter building from Andrew Young International Blvd. (behind Hard Rock Cafe). Latecomers please ring buzzer for entry. Click here for map. PARKING ~ MARTA Closest paid parking deck is on Andrew Young International Blvd. Or take Marta train to Peachtree Center Station and walk to SAE Institute from there. COST $15 for NARIP Members $25 for Non-Members You need NOT be a NARIP member to attend. All are welcome. 3 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 3. Walk-up (if space permits) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or jen AT narip DOT com. ABOUT THE SPEAKERS: Gabe Fleet, Esq., Greenberg Traurig Gabe Fleet focuses his practice on transactional entertainment matters, intellectual property matters and business representation in the music, film, television, hospitality, video game and digital media industries. His practice involves facilitating transactions and advising creative individuals in all aspects of the entertainment business, and he has experience representing recording artists, songwriters, producers, production companies, independent record labels, independent music publishers, actors and writers. Gabe’s practice also involves the licensing of music, film and other entertainment-related content on behalf of clients with digital media offerings, and the counseling of celebrities and new media clients with respect to the protection, use and monetization of copyrights, trademarks and publicity rights and other intellectual property and entertainment-related legal issues.  Monica Tannian, President, Milk Money Consulting Studio veteran Monica Tannian created Milk Money Consulting, Inc. after a several year stint managing Dallas Austin’s DARP Studios. She started the business to offer support services to the hardest working, least recognized craftsmen of the music business: engineers, songwriters and musicians. Monica got her start setting up band equipment, running lights and negotiating with club owners while managing Philly rock bands in the mid 80’s nights and working at the Bureau of Economics at the University of Delaware by day. Monica gave up the economics field when she found her niche as a studio manager at Kajem Recording. Tucked into an old school, blue blood suburb of Philadelphia, Kajem became an unlikely home for some of the biggest hard rock bands of the late 80’s, like Cinderella, Queensryche and Metal Church. Near the end of Monica’s time at Kajem, she met young up-and-coming producer Dallas Austin, who was recording the first Boyz II Men record. Several years later Dallas brought Monica in to reorganize and manage the faltering DARP (Dallas Austin Recording Projects) Studios. With her help, DARP Studios buoyed to the surface, fiscally and creatively, becoming one of the country’s top recording studios. Monica’s brainstorm for starting Milk Money was a desire to assemble a roster of good, capable engineers, and musician/songwriters to work with. Once she had her trusted crew, Milk Money started to offer its services to producers and studios. It has proven a successful venture. The Milk Money crew works with the best performers in the Industry and are routinely involved in Grammy winning projects. Monica Tannian – President Bio Studio veteran Monica Tannian created Milk Money Consulting, Inc. after a several year stint managing Dallas Austin’s DARP Studios. She started the business to offer support services to the hardest working, least recognized craftsmen of the music business: engineers, songwriters and musicians. Monica’s Background Monica got her start setting up band equipment, running lights and negotiating with club owners while managing Philly rock bands in the mid 80’s nights and working at the Bureau of Economics at the University of Delaware by day. Monica gave up the economics field when she found her niche as a studio manager at Kajem Recording. Tucked into an old school, blue blood suburb of Philadelphia, Kajem became an unlikely home for some of the biggest hard rock bands of the late 80’s, like Cinderella, Queensryche and Metal Church. Near the end of Monica’s time at Kajem, she met young up-and-coming producer Dallas Austin, who was recording the first Boyz II Men record. Start of Milk Money Several years later Dallas brought Monica in to reorganize and manage the faltering DARP (Dallas Austin Recording Projects) Studios. With her help, DARP Studios buoyed to the surface, fiscally and creatively, becoming one of the country’s top recording studios. Monica’s brainstorm for starting Milk Money was a desire to assemble a roster of good, capable engineers, and musician/songwriters to work with. Once she had her trusted crew, Milk Money started to offer its services to producers and studios. It has proven a successful venture. The Milk Money crew works with the best performers in the Industry and are routinely involved in Grammy winning projects. Monica balances her hectic business life with yoga and meditation which provide her an anchor of sanity. Monica also believes in service and has been working with her sister, Joyce, on a project called “Kenya: Water is Life.” to raise money to dig wells for much needed water in Kenya. Monica’s trusty Ridgeback, Coltrane is never too far from her side, gracing the studio and office with an air of dignity.  Stephen S. Sidman, Esq., The Sidman Law Firm, LLC Formerly Artist & Repertoire Director at TVT Records, Mr. Sidman established The Sidman Law Firm where he advises and counsels multi-platinum-selling and Grammy Award- winning recording artists, songwriters, record producers and mixers, as well as successful personal managers, corporate executives, record companies and music publishers, regarding transactions and various legal and business issues within the entertainment industries. In his practice he negotiates complex agreements throughout the entertainment industry (focusing on the music business), including product endorsements and a full range of agreements such as high-level recording, music publishing, record distribution, record producer, record mixer, guest and “side” artist deals, multi-artist furnishing, motion picture soundtrack agreements, music supervisor, personal management and talent agency deals. His practice includes copyright transfers, assignments, licenses (including master-use licenses, “sampling” licenses, synchronization licenses, “mechanical” licenses and the like) and registrations. Previously with Greenberg Traurig, Mr. Sidman also represents authors in the negotiation of book publishing agreements; advises and counsels celebrities and other public figures regarding various intellectual property issues and rights concerning the exploitation of their names and likenesses; advises industry-leading media, marketing and promotions companies regarding economic, business and legal issues related to the pursuit of new commercial opportunities and the establishment of new corporate ventures related to the entertainment, media and technology industries; and advises start-up technology companies regarding intellectual property licensing and business development strategies both within and outside of the entertainment industries. He is a member of the National Academy of the Recording Arts and Sciences; and Voting Member of the Country Music Association; a Member of the Board of Directors and Pro Bono Counsel for The Dallas Austin Foundation; a Member of the American Bar Association (Sports and Entertainment Law Forum); and a Member of the State Bar of Georgia (Entertainment and Sports Section). Mr. Sidman is included in the 2010 Best Lawyers in America, selected by Super Lawyers magazine (Rising Stars Edition, 2007 and 2009) and selected by Fulton County Daily Report as one of 12 Atlanta Attorneys On the Rise (August 2008). SOURCES FOR MORE INFO: Greenberg Traurig Milk Money Consulting SAE Institute of Technology Sidman Law NARIP Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-10-15 | In LA – Music Biz Brunch @ Muzicality
|
| 2011-10-13 | In NY – NARIP Music Supervisor Session #4: Mike Boris
Intimate Meetings & Pitch Sessions With Music Supervisors from Top Ad Agencies Session #4 with McCann Erickson’s Mike Boris on Thu, Oct 13, 2011 at Shelter Island Sound in New York
What do Jessica Dierauer, Jean Scofield, Paul Greco, Mike Boris, Josh Rabinowitz and Ryan Fitch have in common? They are all special guests at NARIP Music Supervisor Sessions at Shelter Island Sound in New York. Representing the best and brightest in music supervision at the top ad agencies in the world, these five seasoned executives select, commission and place (and in some cases, create) music for global advertising campaigns for the world’s most recognizable brands. In NARIP’s intimate sessions, you get to meet and pitch them for current opportunities. Come meet these career-makers. BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who placed a song from his catalog (“Soul of a Man Never Dies”) in an episode of True Blood following our session with Gary Calamar earlier this year in Los Angeles. The episode with his song airs July 31, 2011 and you can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in town. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions in Los Angeles, participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At each session in New York, participants will have the opportunity to pitch music for specific opportunities and get immediate, direct feedback from one ad agency music supervisor. What attendees say about NARIP’s Music Supervisor Sessions held earlier this year in Los Angeles:
$249 NARIP Members (Professional and Executive NARIP Members ONLY*) $329 Non-Members REGISTER FOR ALL SIX NEW YORK SESSIONS AND SAVE $1,349 for NARIP Members (save $145 – Professional and Executive NARIP Members ONLY*) $1,829 for Non-Members (save $145) * Available to Professional and Executive NARIP Members only. To register for all six sessions and receive the discount, select Premium Ticket option below (scroll down). ABOUT THE SUPERVISORS Jessica Dierauer , Executive Producer of Music and Creative Content, Y&R Session #1 on Thursday, September 15, 2011 Based out of Y&R’s flagship New York office, Dierauer is responsible for everything related to music — from licensing tracks and hiring composers, to creating new opportunities for Y&R’s clients throughout the entertainment industry. She previously served as executive content producer for Y&R New York where for the past two years she has produced and executed integrated campaigns, Web sites, new media applications and events for clients like LG, Office Depot and Malaria No More. Jean Scofield, Music Producer, McGarry Bowen Session #2 on Tuesday, September 27, 2011 Born on the day MTV made its debut, Jean Scofield grew up in New York City’s West Village surrounded by musicians and artists. With a world-renowned musician for a father and an industrious manager and producer for a mother, she’s always had an aptitude for balancing the creative and the administrative. Today you can find Jean at mcgarrybowen in the music department. She is a performing artist and audiophile as well. That passion enhances her professional experiences. Her knowledge and industry relationships are diverse, defining her as a current, authentic resource. Paul Greco, Director of Music & Radio Production, J. Walter Thompson —- JUST ADDED Session #3 on Thursday, October 6, 2011 After graduating from college as a communication arts major, Paul took his lifelong love of music and started his career in the ad music business as a recording engineer at NYC’s busiest studios. He worked for the ad biz’ biggest clients and ad agencies. From there he landed at BBDO NY as Music and Radio Producer where he produced music for many of their biggest and award winning accounts including Pepsi, FedEx, GE, Visa, and HBO. Paul was recruited to join Young & Rubicam NY as Senior Music Producer and eventually rose to the position of Vice President Executive Music Producer, handling music production on Y&R’s biggest accounts such as Dr Pepper and Diet Dr Pepper, Campbells Soup Co, LG Electronics, Met Life, Genworth Financial, U.S. Army, and 7up. He also worked with Y&R on a campaign for New York City’s bid for the 2012 Olympics, which won the AICP First Place Award for Best Musical Arrangement and the Pella Windows account which was nominated for a television EMMY Award. Paul has worked with many great recording artists such as Ray Charles, Lionel Richie, Luther Vandross, Lou Reed, The Beastie Boys, They Might Giants, Whitney Houston, Patti Austin, The Boys Choir of Harlem, Boyz II Men, Frank Sinatra Jr., Glen Frey, Donald Fagen of Steely Dan, Felix Cavaliere of the Rascals, Neil Sedaka and Michael Bolton. He has also worked with noted film composers Mark Mancina ( Lion King, Twister, Tarzan, Con Air), Mark Mothersbaugh ( The Royal Tannenbaums, Rushmore), and Rob Mounsey (Sex in the City and Working Girl). Paul has also recorded and produced notable celebrities like John Cleese, Bill Cosby, Cindy Crawford, Shaquille O’Neal, Walt Frazier, Gary Shandling, Madeline Kahn, and George Foreman. In 2009, Paul became Senior Creative Director of indie music publisher Spirit Music Group, where he placed music in spots for AT&T, Puma, Verizon, & M&M’s. In 2011 Paul was brought on as Director of Music & Radio Production at global ad agency JWT to lead their music department and collaborate on music branding ideas across all media. Mike Boris, Senior VP / Executive Music Producer, McCann Erickson Session #4 on Thursday, October 13, 2011 Mike discovered the power of music at a very young age. While watching cartoons on Saturday mornings he shut the sound off his TV, and cranked his brother’s Led Zeppelin, Beatles, and Black Sabbath records. This experience made him realize how music affects the attitude of a picture and set him on his future career path. Mike began his career as a recording engineer which created a foundation of sonic excellence while also providing valuable insight into the creative process.. Mike transitioned to the role of music producer and honed his craft at several New York ad agencies before joining McCann in 2002. To date, he has worked on music for more than 5,000 TV commercials. Mike’s awards include the McCann-Erickson Producer of the Year for 2006, a CLIO, as well as several Effies. Mike was also the drummer of the band – More F*ING Cowbell – which won Adweek’s “Battle of the Ad Bands” for two consecutive years in 2008 and 2009. He actively pursues unique global talent to ensure his clients always receive a contemporary creative perspective. He is a frequent guest speaker for music industry panel discussions as well as a constant source for industry periodicals. Update: Since inviting him to speak as part of NARIP’s series, Mike Boris has transitioned from his position as Senior VP and Executive Music Producer at McCann Erickson to becoming an independent music consultant. He will have great perspective to share from his 9 years at McCann and almost 20 years in ad agency / music world. He is now working on various projects that include Weight Watchers, Mastercard and undisclosed others. Josh Rabinowitz, SVP Director of Music, Grey Group Session #5 on Thursday, October 27, 2011 Josh Rabinowitz, Senior Vice President/Director of Music for the Grey Group, has been of one the most successful music executives in the advertising field for the past 15 years. As an executive music producer, he has worked on many top campaigns for brands such as Cover Girl, Pantene, Dr. Pepper, Sony Electronics and others. In addition, Rabinowitz has worked with an array of hit music artists, such as Rihanna, the Black Eyed Peas, Natasha Bedingfield, Queen Latifah, Cyndi Lauper, Macy Gray, Run-DMC, LL Cool J, Smokey Robinson, LeAnn Rimes, Reba McEntire, Thalia and Anastacia. Rabinowitz became a leading music producer in the late ’90s, when he was an Executive Producer of Music at the major ad agency, Young & Rubicam. Then in 2005, he moved to top agency Grey, where he has helmed the music department ever since. Rabinowitz has been the recipient of many awards for music in advertising. Also, he has been a bi-weekly contributor to Billboard magazine, and he has been quoted or cited in the New York Times, the Wall Street Journal, Rolling Stone, Adweek, Ad Age, Fast Company, Creativity, the Boston Globe and the New York Post. Ryan Fitch, Music Producer, Saatchi & Saatchi Session #6 on Thursday, November 10, 2011 As one of Saatchi & Saatchi’s most seasoned and gifted music producers, Ryan Fitch has spent the last 7 years integrating music into TV, radio and interactive campaigns for top global brands like Procter & Gamble, JCPenney, Miller, General Mills and Cadbury among others. Conservatory-trained and an avid fan of all music genres, Ryan has both the unique ability for finding that “perfect song” for his clients and the business savvy to close deals, whether it’s with a major work, such as John Lennon’s “Real Love” or music from an obscure indie artist. A lifelong musician with more than 16 years of experience in the music industry and an extensive background in audio engineering and digital audio workstations, Ryan understands the creation of music in today’s landscape on every fundamental level. During his tenure, Saatchi New York has earned several distinguished awards, including the prestigious Cannes award for Agency of the Year. Ryan was also named one of the “Top Music Ad Agency Executives” by the National Assn. of Record Industry Professionals. Program Moderator for NARIP Music Supervisor Series is Ed Razzano, VP of Film, TV & Catalog Marketing, BMG Chrysalis Ed Razzano, VP of Film, TV & Catalog Marketing, BMG Chrysalis. Until recently he was VP of Business Development for Ricall, an automated online music licensing platform supported by real-world music licensing experts. Prior to this was Senior Director at BMG Music Publishing in New York. At BMG he was responsible for negotiating synchronization licenses for advertising and merchandising in the US. While at BMG Razzano gained extensive international experience as he was also responsible for international clearance of all BMG’s US repertoire for music in advertising campaigns around the world. Razzano’s almost 20-year industry experience is drawn from far beyond his time at BMG Publishing. He started his career at a TV commercial editorial house, Crew Cuts Film & Tape, then went on to join the music department of one of the world’s largest advertising agencies at the time, DMB&B. His experience was fortified by positions at CBS Television as well as Universal Music Publishing and Independent music publisher, Spirit Music Group where as Senior Creative Director he oversaw all the film, television and commercial synchronization licensing. Special thanks to Steve Addabbo at Shelter Island Sound for his help with this series, to NARIP New York Board Members Mike Lane, Abhita Austin and to BMG Chrysalis’ Ed Razzano. WHEN Session #4 with McCann Erickson’s Mike Boris Thursday, September 15, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE Shelter Island Sound 40 West 27th Street 7th Floor New York, New York 10001 Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email jen AT narip DOTcom. SOURCES FOR MORE INFO BMG Chrysalis Grey Group J. Walter Thompson McCann Erickson McGarry Bowen NARIP Ryan Fitch’s Blog Saatchi & Saatchi Shelter Island Sound Young & Rubicam Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-10-12 | In SF – How To Use Social Media To Promote Music
How To Use Social Media To Promote Music: Get A Digital Strategy In Just One Session on Wednesday, October 12, 2011 at SAE Institute in San Francisco A digital strategy can mean the difference between “Who are you?” and “Wow, look at how many albums you’ve sold!” Good news: you’ll find more places than ever to interact with other professionals and reach new audiences. Bad news: where do you find the time? Between tweets and tags, groups and clouds, friends and feeds, pings and pages, diggs and blogs, you could spend ALL your time on social media and never make a sale. Once you’ve narrowed it down – which is what this session will help you do – what are the best ways to effectively and efficiently increase your Internet presence on social media platforms? Get tips, tricks and strategies from industry leaders Michael Brandvold (KISS, Ozzy Osbourne, Madonna, UR) and Hisham Dahud (DJ Shadow, Pretty Lights, The Green) to maximize investment of your time and get greater response for your client, music or project. The Internet is hailed as the great equalizer for those seeking music marketing and distribution opportunities. But mere presence on the Internet does not stimulate demand… or sales. For that, you need a plan. And that’s what you’ll get with this 2.5-hour in-depth workshop. For the busy music biz entrepreneur, this is a step-by-step blueprint for success. YOU WILL LEARN
GUEST SPEAKERS Michael Brandvold, Michael Brandvold Marketing Hisham Dahud, Fame House / Hypebot WHEN Wednesday, October 12, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps Record & Music Publishing Executives Concert Promoters, Agents, Tour Managers Anyone seeking to create or enhance a music marketing plan or campaign using social media. WHERE SAE Institute of Technology 450 Bryant St. San Francisco, CA 94107-1303 Click here for directions. REGISTER NOW $15: NARIP Members $25: Non-members SPECIAL BONUS Congratulations! You made a wise choice, and you’ll enjoy this NARIP program. Because you are registering for the program, we offer you the MP3 recording for only $20 more (regularly $39.95), a savings of $19.95. Please select the “Premium Ticket” option below if you’d like to add the MP3 to your order. 3 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 3. Walk-up (if space permits) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email daniel AT narip DOT com. ABOUT THE SPEAKERS   Michael Brandvold, Michael Brandvold Marketing Michael Brandvold is a freelance music industry consultant based in Northern California. Having launched Michael Brandvold Marketing to leverage his years of experience to provide direction to large and small clients in the areas of online & social marketing as well as e-commerce and customer acquisition and retention. Gene Simmons of KISS first tapped Michael’s skills as a pioneering online marketing strategist to launch and manage all aspects of Kissonline.com’s multi-million dollar enterprise, including their ground-breaking VIP ticket program. Michael has also managed the online efforts for Motley Crüe, Rod Stewart, Madonna, Ozzy Osbourne, and Britney Spears to name only a few.   Hisham Dahud, Fame House / Hypebot Hisham Dahud is a music business professional and independent musician based in the San Francisco Bay Area. He is the Project Manager for Fame House, a Digital Strategy, Marketing and Management company whose clientele includes acclaimed artists such as DJ Shadow, Pretty Lights, and Giant Panda Guerilla Dub Squad. He is also a regular contributor for the music industry news and technology blog Hypebot.com. A lifelong musician, he currently studies under the wing of seasoned composer and studio engineer James Gardiner of Pajama Studios in Oakland, California as a recording and performing drummer. Additionally, he continues to produce original music as a developing artist and composer for TV, film, and video games. SOURCES FOR MORE INFO: Hypebot Michael Brandvold NARIP Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-10-06 | In NY – NARIP Music Supervisor Session #3: JWT’s Paul Greco
Intimate Meetings & Pitch Sessions With Music Supervisors from Top Ad Agencies Session #3 with J. Walter Thompson’s Paul Greco on Thu, Oct 6, 2011 at Shelter Island Sound in New York
What do Jessica Dierauer, Jean Scofield, Paul Greco, Mike Boris, Josh Rabinowitz and Ryan Fitch have in common? They are all special guests at NARIP Music Supervisor Sessions at Shelter Island Sound in New York. Representing the best and brightest in music supervision at the top ad agencies in the world, these six seasoned executives select, commission and place (and in some cases, create) music for global advertising campaigns for the world’s most recognizable brands. In NARIP’s intimate sessions, you get to meet and pitch them for current opportunities. Come meet these career-makers. BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who placed a song from his catalog (“Soul of a Man Never Dies”) in an episode of True Blood and another song in a episode of Dexter (“Jhiara”) following our session with Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in town. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions in Los Angeles, participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At each session in New York, participants will have the opportunity to pitch music for specific opportunities and get immediate, direct feedback from one ad agency music supervisor. What attendees say about NARIP’s Music Supervisor Sessions held earlier this year in Los Angeles:
$249 NARIP Members (Professional and Executive NARIP Members ONLY*) $329 Non-Members REGISTER FOR ALL SIX NEW YORK SESSIONS AND SAVE $1,349 for NARIP Members (save $145 – Professional and Executive NARIP Members ONLY*) $1,829 for Non-Members (save $145) * Available to Professional and Executive NARIP Members only. To register for all six sessions and receive the discount, select Premium Ticket option below (scroll down). ABOUT THE SUPERVISORS Jessica Dierauer , Executive Producer of Music and Creative Content, Y&R Session #1 on Thursday, September 15, 2011 Based out of Y&R’s flagship New York office, Dierauer is responsible for everything related to music — from licensing tracks and hiring composers, to creating new opportunities for Y&R’s clients throughout the entertainment industry. She previously served as executive content producer for Y&R New York where for the past two years she has produced and executed integrated campaigns, Web sites, new media applications and events for clients like LG, Office Depot and Malaria No More. Jean Scofield, Music Producer, McGarry Bowen Session #2 on Tuesday, September 27, 2011 Born on the day MTV made its debut, Jean Scofield grew up in New York City’s West Village surrounded by musicians and artists. With a world-renowned musician for a father and an industrious manager and producer for a mother, she’s always had an aptitude for balancing the creative and the administrative. Today you can find Jean at mcgarrybowen in the music department. She is a performing artist and audiophile as well. That passion enhances her professional experiences. Her knowledge and industry relationships are diverse, defining her as a current, authentic resource. Paul Greco, Director of Music & Radio Production, J. Walter Thompson —- JUST ADDED Session #3 on Thursday, October 6, 2011 After graduating from college as a communication arts major, Paul took his lifelong love of music and started his career in the ad music business as a recording engineer at NYC’s busiest studios. He worked for the ad biz’ biggest clients and ad agencies. From there he landed at BBDO NY as Music and Radio Producer where he produced music for many of their biggest and award winning accounts including Pepsi, FedEx, GE, Visa, and HBO. Paul was recruited to join Young & Rubicam NY as Senior Music Producer and eventually rose to the position of Vice President Executive Music Producer, handling music production on Y&R’s biggest accounts such as Dr Pepper and Diet Dr Pepper, Campbells Soup Co, LG Electronics, Met Life, Genworth Financial, U.S. Army, and 7up. He also worked with Y&R on a campaign for New York City’s bid for the 2012 Olympics, which won the AICP First Place Award for Best Musical Arrangement and the Pella Windows account which was nominated for a television EMMY Award. Paul has worked with many great recording artists such as Ray Charles, Lionel Richie, Luther Vandross, Lou Reed, The Beastie Boys, They Might Giants, Whitney Houston, Patti Austin, The Boys Choir of Harlem, Boyz II Men, Frank Sinatra Jr., Glen Frey, Donald Fagen of Steely Dan, Felix Cavaliere of the Rascals, Neil Sedaka and Michael Bolton. He has also worked with noted film composers Mark Mancina ( Lion King, Twister, Tarzan, Con Air), Mark Mothersbaugh ( The Royal Tannenbaums, Rushmore), and Rob Mounsey (Sex in the City and Working Girl). Paul has also recorded and produced notable celebrities like John Cleese, Bill Cosby, Cindy Crawford, Shaquille O’Neal, Walt Frazier, Gary Shandling, Madeline Kahn, and George Foreman. In 2009, Paul became Senior Creative Director of indie music publisher Spirit Music Group, where he placed music in spots for AT&T, Puma, Verizon, & M&M’s. In 2011 Paul was brought on as Director of Music & Radio Production at global ad agency JWT to lead their music department and collaborate on music branding ideas across all media. Mike Boris, Senior VP / Executive Music Producer, McCann Erickson Session #4 on Thursday, October 13, 2011 Mike discovered the power of music at a very young age. While watching cartoons on Saturday mornings he shut the sound off his TV, and cranked his brother’s Led Zeppelin, Beatles, and Black Sabbath records. This experience made him realize how music affects the attitude of a picture and set him on his future career path. Mike began his career as a recording engineer which created a foundation of sonic excellence while also providing valuable insight into the creative process.. Mike transitioned to the role of music producer and honed his craft at several New York ad agencies before joining McCann in 2002. To date, he has worked on music for more than 5,000 TV commercials. Mike’s awards include the McCann-Erickson Producer of the Year for 2006, a CLIO, as well as several Effies. Mike was also the drummer of the band – More F*ING Cowbell – which won Adweek’s “Battle of the Ad Bands” for two consecutive years in 2008 and 2009. He actively pursues unique global talent to ensure his clients always receive a contemporary creative perspective. He is a frequent guest speaker for music industry panel discussions as well as a constant source for industry periodicals. Josh Rabinowitz, SVP Director of Music, Grey Group Session #5 on Thursday, October 27, 2011 Josh Rabinowitz, Senior Vice President/Director of Music for the Grey Group, has been of one the most successful music executives in the advertising field for the past 15 years. As an executive music producer, he has worked on many top campaigns for brands such as Cover Girl, Pantene, Dr. Pepper, Sony Electronics and others. In addition, Rabinowitz has worked with an array of hit music artists, such as Rihanna, the Black Eyed Peas, Natasha Bedingfield, Queen Latifah, Cyndi Lauper, Macy Gray, Run-DMC, LL Cool J, Smokey Robinson, LeAnn Rimes, Reba McEntire, Thalia and Anastacia. Rabinowitz became a leading music producer in the late ’90s, when he was an Executive Producer of Music at the major ad agency, Young & Rubicam. Then in 2005, he moved to top agency Grey, where he has helmed the music department ever since. Rabinowitz has been the recipient of many awards for music in advertising. Also, he has been a bi-weekly contributor to Billboard magazine, and he has been quoted or cited in the New York Times, the Wall Street Journal, Rolling Stone, Adweek, Ad Age, Fast Company, Creativity, the Boston Globe and the New York Post. Ryan Fitch, Music Producer, Saatchi & Saatchi Session #6 on Thursday, November 10, 2011 As one of Saatchi & Saatchi’s most seasoned and gifted music producers, Ryan Fitch has spent the last 7 years integrating music into TV, radio and interactive campaigns for top global brands like Procter & Gamble, JCPenney, Miller, General Mills and Cadbury among others. Conservatory-trained and an avid fan of all music genres, Ryan has both the unique ability for finding that “perfect song” for his clients and the business savvy to close deals, whether it’s with a major work, such as John Lennon’s “Real Love” or music from an obscure indie artist. A lifelong musician with more than 16 years of experience in the music industry and an extensive background in audio engineering and digital audio workstations, Ryan understands the creation of music in today’s landscape on every fundamental level. During his tenure, Saatchi New York has earned several distinguished awards, including the prestigious Cannes award for Agency of the Year. Ryan was also named one of the “Top Music Ad Agency Executives” by the National Assn. of Record Industry Professionals. Program Moderator for NARIP Music Supervisor Series is Ed Razzano, VP of Film, TV & Catalog Marketing, BMG Chrysalis Ed Razzano, VP of Film, TV & Catalog Marketing, BMG Chrysalis. Until recently he was VP of Business Development for Ricall, an automated online music licensing platform supported by real-world music licensing experts. Prior to this was Senior Director at BMG Music Publishing in New York. At BMG he was responsible for negotiating synchronization licenses for advertising and merchandising in the US. While at BMG Razzano gained extensive international experience as he was also responsible for international clearance of all BMG’s US repertoire for music in advertising campaigns around the world. Razzano’s almost 20-year industry experience is drawn from far beyond his time at BMG Publishing. He started his career at a TV commercial editorial house, Crew Cuts Film & Tape, then went on to join the music department of one of the world’s largest advertising agencies at the time, DMB&B. His experience was fortified by positions at CBS Television as well as Universal Music Publishing and Independent music publisher, Spirit Music Group where as Senior Creative Director he oversaw all the film, television and commercial synchronization licensing. Special thanks to Steve Addabbo at Shelter Island Sound for his help with this series, to NARIP New York Board Members Mike Lane, Abhita Austin and to BMG Chrysalis’ Ed Razzano. WHEN Session #3 with J. Walter Thompson’s Paul Greco Thursday, October 6, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE Shelter Island Sound 40 West 27th Street 7th Floor New York, New York 10001 Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email jen AT narip DOTcom. SOURCES FOR MORE INFO BMG Chrysalis Grey Group J. Walter Thompson McCann Erickson McGarry Bowen NARIP Ryan Fitch’s Blog Saatchi & Saatchi Shelter Island Sound Young & Rubicam Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-10-01 | In SF – Music Biz Brunch @ SAE
|
| 2011-09-28 | In LA – NARIP Radio Executive Session #1: Julie Pilat
Intimate Meetings & Pitch Sessions with Programming and Music Directors of LA’s Top-Rated Radio Stations Session #1 with KIIS 102.7-FM / KYSR 98-7fm’s Julie Pilat on Wednesday, September 28, 2011 at Universal Mastering Studios in Los Angeles
What do Julie Pilat, Jimmy Steal and Andrew Jeffries have in common? They program music for the most popular radio stations in Los Angeles and are all special guests at NARIP’s Radio Executive Sessions at Universal Mastering Studios in Los Angeles. Come meet these three important taste-makers at NARIP’s intimate sessions, pitch music, receive feedback, and get an inside peek at how they do their jobs. You will learn:
On the heels of NARIP’s successful Music Supervisor Sessions – intimate meetings with the best music supervisors in the business today – NARIP is proud to introduce its Radio Executive Sessions in the same mold. Through NARIP’s Music Supervisor Sessions, NARIP members have made placements in significant projects, including most recently Peter Kimmel who has placed songs from his catalog in True Blood (“Soul of a Man Never Dies”) and in Dexter (“Jhaira”) following our session with Gary Calamar earlier this year in Los Angeles – read more about these exciting placements here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who seek intimate pitch opportunities with the best (and busiest) radio executives at the top-rated stations in town. LIMITED ENROLLMENT OF ONLY 15 PEOPLE PER SESSION Limited to 15 people per session, NARIP’s sessions enable you to get to know the executives and more importantly, enable them to get to know you. Participants will be able to pitch music on the spot and receive instant feedback as to whether a song is appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, radio air time – possible. Please note: NARIP cannot guarantee that any participants’ music will receive airtime. Above all, attendees get to meet key players in the modern radio business, paving the way for future opportunities and giving them an edge in a highly competitive market. At each NARIP Radio Executive Session in Los Angeles, participants will have the opportunity to pitch music and get immediate, direct feedback from one radio executive. Here is what attendees say about NARIP’s Music Supervisor Sessions (the same format as the upcoming Radio Executive Sessions) held earlier this year in Los Angeles:
$20 NARIP members (no pitch) $40 Non-members and general public (no pitch) To pitch music and receive live instant feedback from Julie Pilat, add Premium Ticket (limited to 15 individuals): $249: NARIP Members (Professional and Executive NARIP Members ONLY, includes pitch-and-feedback opportunity) $329: Non-Members (includes pitch-and-feedback opportunity) * Available to Professional and Executive NARIP Members only. REGISTER FOR ALL THREE LOS ANGELES SESSIONS $669 for NARIP Members (save $78 – Professional and Executive NARIP Members ONLY*) $899 for Non-Members (save $88) * Available to Professional and Executive NARIP Members only. To register for all five sessions and receive the discount, select Premium Ticket option below (scroll down). ABOUT THE RADIO EXECUTIVES Julie Pilat, Assistant Program Director / Music Director at KIIS FM and Program Director at KYSR 98-7fm Session #1 on Wednesday, September 28, 2011 A young Julie Pilat, obsessed with Hip Hop, Pop AND Rock, started her radio career while still in junior high. A Seattle native, she began answering phones at KUBE in 1992, and by the time she hit high school, Julie had her own ON AIR shift at the local college radio stations KGRG and KNHC. As soon as she was able to drive herself to the station, she got her own air shift at KUBE as well. Julie’s college years took her to Arizona (ASU) where she continued to foster her radio career and passion for music at KPWR (Hip Hop) and KEDJ (Alternative Rock) in Phoenix, where she held down air shifts and worked in the programming departments. In 1998, she returned to Seattle and landed the midday air shift and the APD/MD job at KUBE. Four years later, Julie made the move to Los Angeles and was named the APD/MD at legendary Top 40 KIIS FM. The success of KIIS during her tenure there, coupled with an unbridled passion for manic genres made her the stand out choice to take over the helm at Clear Channel’s KYSR when the format switched to Alternative Rock in January of 2009. Today, Julie continues to hold both positions in the Clear Channel LA Radio Cluster (APD/MD at KIIS FM and PD at KYSR 98-7fm). In her “spare” time, Julie is a dedicated mentor and community leader. She donates time and resources to A Place Called Home in South Central and to the Youth Mentoring Connection. She is also passionate about discovering new music, mentoring new artists, and being creative with how radio can support the artist development process in the ever-changing music business. Julie’s Awards, Honors and Acknowledgements include:
Andrew Jeffries, Head of AC Formats at 104.3 MYFM (Hot AC) and KOST 103.5 (AC) Session #2 on Wednesday, October 19, 2011 With over two decades in executive positions in radio, Andrew Jeffries’ experience spans several continents and major music territories including New Zealand, England, Scotland, Australia and the US. A native New Zealander, Jeffries now heads up AC Formats at Clear Channel Los Angeles’ 104.3 MYFM (Hot AC) and KOST 103.5 (AC). Prior positions include Program Director at Star San Francisco’s 101.3, Head of Programming for Music Choice Europe, and Program Director for KISS 100 London, KERRANG! Radio UK and Nova 93.7 in Perth Australia. He has also served as Program Director for Galaxy 105 (Yorkshire & Manchester), Beat 106 (Scotland), Southern FM (Brighton) and as Pro Tem Program Director for Ocean FM (Hampshire). Jeffries got his start in radio at River City Radio in Wanganui in New Zealand. Jimmy Steal, VP of Programming at Power 106 (KPWR) / Emmis Radio Properties Session #3 on Wednesday, November 2, 2011 Currently Power 106 (Los Angeles) / National VP of Programming for all Emmis Radio Properties, Jimmy has guided KPWR to its highest ratings ever, across all demos. Jimmy has been with Emmis for 12 years. Prior to this he served as Director of Programming at KEGL / KDMX Dallas for Clear Channel Dallas. Under his guidance, KDMX achieved its highest ratings in their 25-year history, and KEGL achieved its highest 12+ share since the mid 90s. Prior to this he was Program Director at WKRQ Cincinnati where he elevated the radio station to a 7.3 share 12+, its highest rating in 5 years. Before Cincinnati, Jimmy was Assistant Program Director / Music Director for KEGL Dallas during which time the station achieved its highest ratings in the history of his day-part and and he was a member of the team that achieved highest ratings ever for the frequency. At WXXL Orlando as Assistant Program Director / Music Director and on-air talent, he elevated the station from a 4 share to a 12 share 12+, its highest rank and share ever. Jimmy (and Power 106) have won multiple NAB Marconi Awards, R & R Achievement Awards, Radio Ink’s Best PD Awards (including 2010), and Radio Music Awards. Power 106 was just nominated for another NAB Marconi Award. Originally from New York City, Jimmy lives in Los Angeles with his wife Juli, and their two children Ally (13), and Dylan (11). He holds a BA in Communications / Radio and TV Production from the University of Central Florida. WHEN Session #1 with KIIS FM’s Julile Pilat Wednesday, September 28, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE Universal Mastering Studios 3400 Cahuenga Boulevard Building C Los Angeles, CA 90068 Tel: 818-286-6233 DIRECTIONS & MAP Universal Mastering Studios is in the same complex as LA Fitness, right next to Panasonic and in the former Hanna Barbera Buildinf. It is just east of major cross street Universal Studios Boulevard. Click here for map. PARKING Parking is free, but please note that Universal Mastering Studios has only 5 spots allotted directly in front of the entrance to the studio. If these are full then continue into the parking structure where you will find more spots on level B2. Be sure to park ONLY in spots marked UMSW (Universal Mastering Studios West) – spots for NARIP event attendees will be reserved with traffic cones. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email daniel AT narip DOTcom. SOURCES FOR MORE INFO: Clear Channel KOST 103.5 Power 106 104.3 MYFM 98.7-FM103.5 NARIP Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-09-27 | In NY – NARIP Music Supervisor Session #2: Jean Scofield
Intimate Meetings & Pitch Sessions With Music Supervisors from Top Ad Agencies Session #2 with McGarry Bowen’s Jean Scofield on Tue, Sep 27, 2011 at Shelter Island Sound in New York
What do Jessica Dierauer, Jean Scofield, Paul Greco, Mike Boris, Josh Rabinowitz and Ryan Fitch have in common? They are all special guests at NARIP Music Supervisor Sessions at Shelter Island Sound in New York. Representing the best and brightest in music supervision at the top ad agencies in the world, these five seasoned executives select, commission and place (and in some cases, create) music for global advertising campaigns for the world’s most recognizable brands. In NARIP’s intimate sessions, you get to meet and pitch them for current opportunities. Come meet these career-makers. BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who placed a song from his catalog (“Soul of a Man Never Dies”) in an episode of True Blood following our session with Gary Calamar earlier this year in Los Angeles. The episode with his song airs July 31, 2011 and you can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in town. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions in Los Angeles, participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At each session in New York, participants will have the opportunity to pitch music for specific opportunities and get immediate, direct feedback from one ad agency music supervisor. What attendees say about NARIP’s Music Supervisor Sessions held earlier this year in Los Angeles:
$249 NARIP Members (Professional and Executive NARIP Members ONLY*) $329 Non-Members REGISTER FOR ALL SIX NEW YORK SESSIONS AND SAVE $1,349 for NARIP Members (save $145 – Professional and Executive NARIP Members ONLY*) $1,829 for Non-Members (save $145) * Available to Professional and Executive NARIP Members only. To register for all six sessions and receive the discount, select Premium Ticket option below (scroll down). ABOUT THE SUPERVISORS Jessica Dierauer , Executive Producer of Music and Creative Content, Y&R Session #1 on Thursday, September 15, 2011 Based out of Y&R’s flagship New York office, Dierauer is responsible for everything related to music — from licensing tracks and hiring composers, to creating new opportunities for Y&R’s clients throughout the entertainment industry. She previously served as executive content producer for Y&R New York where for the past two years she has produced and executed integrated campaigns, Web sites, new media applications and events for clients like LG, Office Depot and Malaria No More. Jean Scofield, Music Producer, McGarry Bowen Session #2 on Tuesday, September 27, 2011 Born on the day MTV made its debut, Jean Scofield grew up in New York City’s West Village surrounded by musicians and artists. With a world-renowned musician for a father and an industrious manager and producer for a mother, she’s always had an aptitude for balancing the creative and the administrative. Today you can find Jean at mcgarrybowen in the music department. She is a performing artist and audiophile as well. That passion enhances her professional experiences. Her knowledge and industry relationships are diverse, defining her as a current, authentic resource. Paul Greco, Director of Music & Radio Production, J. Walter Thompson —- JUST ADDED Session #3 on Thursday, October 6, 2011 After graduating from college as a communication arts major, Paul took his lifelong love of music and started his career in the ad music business as a recording engineer at NYC’s busiest studios. He worked for the ad biz’ biggest clients and ad agencies. From there he landed at BBDO NY as Music and Radio Producer where he produced music for many of their biggest and award winning accounts including Pepsi, FedEx, GE, Visa, and HBO. Paul was recruited to join Young & Rubicam NY as Senior Music Producer and eventually rose to the position of Vice President Executive Music Producer, handling music production on Y&R’s biggest accounts such as Dr Pepper and Diet Dr Pepper, Campbells Soup Co, LG Electronics, Met Life, Genworth Financial, U.S. Army, and 7up. He also worked with Y&R on a campaign for New York City’s bid for the 2012 Olympics, which won the AICP First Place Award for Best Musical Arrangement and the Pella Windows account which was nominated for a television EMMY Award. Paul has worked with many great recording artists such as Ray Charles, Lionel Richie, Luther Vandross, Lou Reed, The Beastie Boys, They Might Giants, Whitney Houston, Patti Austin, The Boys Choir of Harlem, Boyz II Men, Frank Sinatra Jr., Glen Frey, Donald Fagen of Steely Dan, Felix Cavaliere of the Rascals, Neil Sedaka and Michael Bolton. He has also worked with noted film composers Mark Mancina ( Lion King, Twister, Tarzan, Con Air), Mark Mothersbaugh ( The Royal Tannenbaums, Rushmore), and Rob Mounsey (Sex in the City and Working Girl). Paul has also recorded and produced notable celebrities like John Cleese, Bill Cosby, Cindy Crawford, Shaquille O’Neal, Walt Frazier, Gary Shandling, Madeline Kahn, and George Foreman. In 2009, Paul became Senior Creative Director of indie music publisher Spirit Music Group, where he placed music in spots for AT&T, Puma, Verizon, & M&M’s. In 2011 Paul was brought on as Director of Music & Radio Production at global ad agency JWT to lead their music department and collaborate on music branding ideas across all media. Mike Boris, Senior VP / Executive Music Producer, McCann Erickson Session #43 on Thursday, October 13, 2011 Mike discovered the power of music at a very young age. While watching cartoons on Saturday mornings he shut the sound off his TV, and cranked his brother’s Led Zeppelin, Beatles, and Black Sabbath records. This experience made him realize how music affects the attitude of a picture and set him on his future career path. Mike began his career as a recording engineer which created a foundation of sonic excellence while also providing valuable insight into the creative process.. Mike transitioned to the role of music producer and honed his craft at several New York ad agencies before joining McCann in 2002. To date, he has worked on music for more than 5,000 TV commercials. Mike’s awards include the McCann-Erickson Producer of the Year for 2006, a CLIO, as well as several Effies. Mike was also the drummer of the band – More F*ING Cowbell – which won Adweek’s “Battle of the Ad Bands” for two consecutive years in 2008 and 2009. He actively pursues unique global talent to ensure his clients always receive a contemporary creative perspective. He is a frequent guest speaker for music industry panel discussions as well as a constant source for industry periodicals. Josh Rabinowitz, SVP Director of Music, Grey Group Session #5 on Thursday, October 27, 2011 Josh Rabinowitz, Senior Vice President/Director of Music for the Grey Group, has been of one the most successful music executives in the advertising field for the past 15 years. As an executive music producer, he has worked on many top campaigns for brands such as Cover Girl, Pantene, Dr. Pepper, Sony Electronics and others. In addition, Rabinowitz has worked with an array of hit music artists, such as Rihanna, the Black Eyed Peas, Natasha Bedingfield, Queen Latifah, Cyndi Lauper, Macy Gray, Run-DMC, LL Cool J, Smokey Robinson, LeAnn Rimes, Reba McEntire, Thalia and Anastacia. Rabinowitz became a leading music producer in the late ’90s, when he was an Executive Producer of Music at the major ad agency, Young & Rubicam. Then in 2005, he moved to top agency Grey, where he has helmed the music department ever since. Rabinowitz has been the recipient of many awards for music in advertising. Also, he has been a bi-weekly contributor to Billboard magazine, and he has been quoted or cited in the New York Times, the Wall Street Journal, Rolling Stone, Adweek, Ad Age, Fast Company, Creativity, the Boston Globe and the New York Post. Ryan Fitch, Music Producer, Saatchi & Saatchi Session #6 on Thursday, November 10, 2011 As one of Saatchi & Saatchi’s most seasoned and gifted music producers, Ryan Fitch has spent the last 7 years integrating music into TV, radio and interactive campaigns for top global brands like Procter & Gamble, JCPenney, Miller, General Mills and Cadbury among others. Conservatory-trained and an avid fan of all music genres, Ryan has both the unique ability for finding that “perfect song” for his clients and the business savvy to close deals, whether it’s with a major work, such as John Lennon’s “Real Love” or music from an obscure indie artist. A lifelong musician with more than 16 years of experience in the music industry and an extensive background in audio engineering and digital audio workstations, Ryan understands the creation of music in today’s landscape on every fundamental level. During his tenure, Saatchi New York has earned several distinguished awards, including the prestigious Cannes award for Agency of the Year. Ryan was also named one of the “Top Music Ad Agency Executives” by the National Assn. of Record Industry Professionals. Program Moderator for NARIP Music Supervisor Series is Ed Razzano, VP of Film, TV & Catalog Marketing, BMG Chrysalis Ed Razzano, VP of Film, TV & Catalog Marketing, BMG Chrysalis. Until recently he was VP of Business Development for Ricall, an automated online music licensing platform supported by real-world music licensing experts. Prior to this was Senior Director at BMG Music Publishing in New York. At BMG he was responsible for negotiating synchronization licenses for advertising and merchandising in the US. While at BMG Razzano gained extensive international experience as he was also responsible for international clearance of all BMG’s US repertoire for music in advertising campaigns around the world. Razzano’s almost 20-year industry experience is drawn from far beyond his time at BMG Publishing. He started his career at a TV commercial editorial house, Crew Cuts Film & Tape, then went on to join the music department of one of the world’s largest advertising agencies at the time, DMB&B. His experience was fortified by positions at CBS Television as well as Universal Music Publishing and Independent music publisher, Spirit Music Group where as Senior Creative Director he oversaw all the film, television and commercial synchronization licensing. Special thanks to Steve Addabbo at Shelter Island Sound for his help with this series, to NARIP New York Board Members Mike Lane, Abhita Austin and to BMG Chrysalis’ Ed Razzano. WHEN Session #2 with McGarry Bowen’s Jean Scofield Tuesday, September 27, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE Shelter Island Sound 40 West 27th Street 7th Floor New York, New York 10001 Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email jen AT narip DOTcom. SOURCES FOR MORE INFO BMG Chrysalis Grey Group J. Walter Thompson McCann Erickson McGarry Bowen NARIP Ryan Fitch’s Blog Saatchi & Saatchi Shelter Island Sound Young & Rubicam Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-09-26 | In AZ – The State of Live Performance in Phoenix & Beyond
in Phoenix & Beyond on Monday, September 26, 2011 at Central Arizona College in Coolidge, AZ Local experts discuss how an artist’s career trajectory can be improved with strategic bookings; how shows are bought, sold and built upon; and how people make money from them. You will learn:
Monday, September 26, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist managers, agents, promoters Record and publishing executives Producers and those who work with artists to promote their careers Anyone seeking to stimulate demand for music by way of live performances. WHERE Central Arizona College ~ Signal Peak Campus 8470 North Overfield Road Student Services Building (M), Room 101 Coolidge, AZ 85128 Click here for directions. REGISTER NOW $10: NARIP Members $20: Non-members 
SPECIAL BONUS Congratulations! You made a wise choice, and you’ll enjoy this NARIP program. Because you are registering for the program, we offer you the MP3 recording for only $20 more (regularly $39.95), a savings of $19.95. Please select the “Premium Ticket” option below if you’d like to add the MP3 to your order. 3 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 3. Walk-up (if space permits) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email jen AT narip DOT com. THANK YOU Special thanks to Central Arizona College, to Rick Moore, David Saline and Dan Bush for their support of NARIP and NARIP events ABOUT THE SPEAKERS  Pandy Raye, Co-Founder, Chicks With Picks Pandy Raye has never known a life without music. From an early age, she drew her inspiration from her parents. After playing in bands, studio work and songwriting on the side, she moved from Kansas City to Arizona in 1999 and started meeting people in the music scene here. She feels it is essential to not only build relationships, but o keep and respect them. She believes that success is also about networking and connecting with other people who share your passion. Then find the venues/events that need what you have to offer and go from there. Along the way, never make promises you can’t keep and always strive to be better at what you do. “I have been extremely lucky to have found a business partner, who shares my work ethic and vision,” she says, referring to Rhonda Hitchcock, Co-Founder of Chicks with Picks. Together they have booked almost 900 shows in 3 1/2 years and now have over 300 artists on the CWP roster! The key is having dedication, passion, believing in what you do, having the “right people” in your corner, working hard, and having great talent to back it all up. Together these Pandy and Rhonda are blazing a path for female singer/songwriters and musicians in Arizona.  Zach Yoshioka, K&Z Entertainment / Powerline Management With a background in video production Zach Yoshioka broke into the music industry in 2002, producing nationally released DVDs for punk rock AZ band Authority Zero (Lava Records)) and Kottonmouth Kings (Suburban Noize/Capitol). After freelancing for record labels such as Maverick, Warner Bros. and Capitol, Yoshioka soon moved into artist development and management. In 2005 Yoshioka discovered Arizona 6-piece Eyes Set To Kill. Using his relationships with record labels Yoshioka secured a record/imprint deal for the group with Suburban Noize Records and the band went on to sell 40,000 copies of their first CD Reach. In the next two years he secured record deals for The Summer Set (The Militia Group) and Karate High School (Eyeball Records). Managing bands around the country Yoshioka soon partnered with longtime business colleague Kyle Borman to form K & Z Entertainment. From 2007 to present, K&Z has produced over 300 shows in Tempe, Mesa, Phoenix, Scottsdale and Tucson and has booked bands such as Asking Alexandria, We Came As Romans, Winds Of Plague, Evans Blue, Hawthorne Heights and many more. Today Yoshioka is a full time talent buyer at K&Z and keeps up strong relationships with The Agency Group, Pantheon Agency, APA, Kenmore, Windish, TKO, ICM, CAA and William Morris. With a strong background in artist development K&Z continues to manage acts along with pushing video production to further their marketing and promotion.  Peter Sotos, and Fireball Music Management, NARIP Phoenix Director In addition to his duties as NARIP Phoenix Director, Peter Sotos is founder of Fireball Music Management, a full service artist management company. Fireball specializes in taking acts to the next level through focused marketing and promotion, and specializes in finding each band’s unique niche to maximize its full potential. Fireball believes in its acts and operates with honesty and integrity. With established relationships at radio stations, record companies, management companies, and with producers, promoters, venues and clubs and other industry professionals, Fireball gives its artist clients the platform to have their music heard by people in a position to advance artist careers. Fireball’s motto is “Turn up the heat in promotion!” Current and recent clients include Led Zepagain, Damage Incorporated, We Are They, Interfate, Halocene and Blameshift.  TAIKUN TAIKUN is a media-head with a passion for music and technology. He is Talent Manager for Zaria Music Management Marketing Group and responsible for seeking talents, creating, producing, marketing and monetizing content to fans and consumers. He has been able to leverage his Big 4 consulting experience with various Fortune 500 and small businesses into the media and entertainment industries. He also advises businesses, artists and clients on information technology, business and marketing strategies. TAIKUN is completing his Executive Master of Business Administration (EMBA) degree from the University of Arizona. In his spare time, TAIKUN is involved with a non-profit organization that creates and promotes schools in emerging countries. SOURCES FOR MORE INFO: Fireball Music Management K & Z Entertainment www.narip.com The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-09-24 | In LA – Music Biz Brunch @ Major Myjah’s
|
| 2011-09-22 | In LA – Producing Hit Songs -w- Erik Griggs
You are cordially invited to NARIP’s Producing Hit Songs: A Conversation with Erik Griggs on Thursday, September 22, 2011 at SAE Institute in Los Angeles
About the Session.
GUEST SPEAKERS (scroll down for speaker profiles) Erik Griggs, Producer, Multi-Instrumentalist Ben Bidlack, Producer, Bees & Honey Music (co-moderator) Tess Taylor, NARIP President (moderator) WHO SHOULD ATTEND Producers & Engineers Record & Music Publishing Executives Brand Marketing & Creative Advertising Executives Artist Managers, Artist Reps, Artists Music Attorneys, Concert Industry Professionals Accountants, Business Managers & CPAs WHEN Thursday, September 22, 2011 6:00 p.m. – Registration opens 7:00 p.m. – Program begins 8:15 p.m. – Break followed by select demo critiques 9:30 p.m. – Program ends WHERE SAE Institute of Technology 6565 Sunset Boulevard Los Angeles, CA Tel: 323-466-6323 PARKING & DIRECTIONS Parking available on side streets, please read street signs to avoid a parking ticket. Click here for a map COST $10 for NARIP Members but please register below to save your space. $20 for Non-Members IMPORTANT NOTE Seating is limited, priority will be given to NARIP members. PAYMENT METHODS 1. Online (just scroll down) using PayPal or any major credit card (you need not be a PayPal member) 2. Call 818-769-7007 with credit card 3. Walk-up if space permits. NARIP events sell out, advance registration is recommended. No refunds, all ticket sales final. We appreciate your cooperation. QUESTIONS? Call 818-769-7007 or contact NARIP SOURCES FOR MORE INFORMATION NARIP ABOUT THE SPEAKERS  ERIK “BLUETOOTH” GRIGGS Born in Cleveland Ohio and raised in St Louis, Missouri, Erik “Blu2th” Griggs has always been extremely musical. His mother says he started playing the piano when he was a few months old. But he didn’t stop there, he went on to pick up the guitar at 18 years old, bass about a year later, and drums in 2009. He is also a successful songwriter with a Grammy nomination for “No Air” (Jordin Sparks and Chris Brown). Blu2th is upwardly mobile in the biz, having moved to California in 2005. He now has his own label, Piano Man Entertainment where he developing his own artists and produces and writes for other acts.  BEN BIDLACK, Producer, Bees & Honey Music (Co-Moderator) Ben is Head Producer at Bees & Honey Music, a boutique music one-stop-clearance catalog covering all genres, with and without vocals, for feature film, trailers and TV. Composed/produced for Jerry Bruckheimer, ABC, NBC, Fox Searchlight, KO Creative (trailers), Mojo House (trailers), Universal Picture, R&B songs for Phat Girlz (Fox Searchlight, 2006) and score for JumpRopeSprint (Sundance, 2012), Tyra Banks, Chris Rock and The Tonight Show with Jay Leno. Performed with Chick Corea, Isaac Hayes, Edgar Winter, Doug E. Fresh. Get connected. Stay connected. ___________________________________________________ The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-09-21 | In ATL- NARIP Town Hall Meeting / Cocktail Mixer @ SESAC
|
| 2011-09-17 | In TX – Music Biz Brunch @ Wire Road Studios
|
| 2011-09-16 | Test Event
|
| 2011-09-15 | In NY – NARIP Music Supervisor Session #1: Jessica Dierauer
Intimate Meetings & Pitch Sessions With Music Supervisors from Top Ad Agencies Session #1 with Young & Rubicam’s Jessica Dierauer on Thu, Sep 15, 2011 is SOLD OUT !! at Shelter Island Sound in New York (Space for remaining sessions still available)
What do Jessica Dierauer, Jean Scofield, Mike Boris, Josh Rabinowitz and Ryan Fitch have in common? They are all special guests at NARIP Music Supervisor Sessions at Shelter Island Sound in New York. Representing the best and brightest in music supervision at the top ad agencies in the world, these six seasoned executives select, commission and place (and in some cases, create) music for global advertising campaigns for the world’s most recognizable brands. In NARIP’s intimate sessions, you get to meet and pitch them for current opportunities. Come meet these career-makers. BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who placed a song from his catalog (“Soul of a Man Never Dies”) in an episode of True Blood following our session with Gary Calamar earlier this year in Los Angeles. The episode with his song airs July 31, 2011 and you can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in town. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions in Los Angeles, participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At each session in New York, participants will have the opportunity to pitch music for specific opportunities and get immediate, direct feedback from one ad agency music supervisor. What attendees say about NARIP’s Music Supervisor Sessions held earlier this year in Los Angeles:
$249 NARIP Members (Professional and Executive NARIP Members ONLY*) $329 Non-Members REGISTER FOR ALL SIX NEW YORK SESSIONS AND SAVE $1,349 for NARIP Members (save $145 – Professional and Executive NARIP Members ONLY*) $1,829 for Non-Members (save $145) * Available to Professional and Executive NARIP Members only. To register for all six sessions and receive the discount, select Premium Ticket option below (scroll down). ABOUT THE SUPERVISORS Jessica Dierauer , Executive Producer of Music and Creative Content, Y&R Session #1 on Thursday, September 15, 2011 Based out of Y&R’s flagship New York office, Dierauer is responsible for everything related to music — from licensing tracks and hiring composers, to creating new opportunities for Y&R’s clients throughout the entertainment industry. She previously served as executive content producer for Y&R New York where for the past two years she has produced and executed integrated campaigns, Web sites, new media applications and events for clients like LG, Office Depot and Malaria No More. Jean Scofield, Music Producer, McGarry Bowen Session #2 on Tuesday, September 27, 2011 Born on the day MTV made its debut, Jean Scofield grew up in New York City’s West Village surrounded by musicians and artists. With a world-renowned musician for a father and an industrious manager and producer for a mother, she’s always had an aptitude for balancing the creative and the administrative. Today you can find Jean at mcgarrybowen in the music department. She is a performing artist and audiophile as well. That passion enhances her professional experiences. Her knowledge and industry relationships are diverse, defining her as a current, authentic resource. Paul Greco, Director of Music & Radio Production, J. Walter Thompson —- JUST ADDED Session #3 on Thursday, October 6, 2011 After graduating from college as a communication arts major, Paul took his lifelong love of music and started his career in the ad music business as a recording engineer at NYC’s busiest studios. He worked for the ad biz’ biggest clients and ad agencies. From there he landed at BBDO NY as Music and Radio Producer where he produced music for many of their biggest and award winning accounts including Pepsi, FedEx, GE, Visa, and HBO. Paul was recruited to join Young & Rubicam NY as Senior Music Producer and eventually rose to the position of Vice President Executive Music Producer, handling music production on Y&R’s biggest accounts such as Dr Pepper and Diet Dr Pepper, Campbells Soup Co, LG Electronics, Met Life, Genworth Financial, U.S. Army, and 7up. He also worked with Y&R on a campaign for New York City’s bid for the 2012 Olympics, which won the AICP First Place Award for Best Musical Arrangement and the Pella Windows account which was nominated for a television EMMY Award. Paul has worked with many great recording artists such as Ray Charles, Lionel Richie, Luther Vandross, Lou Reed, The Beastie Boys, They Might Giants, Whitney Houston, Patti Austin, The Boys Choir of Harlem, Boyz II Men, Frank Sinatra Jr., Glen Frey, Donald Fagen of Steely Dan, Felix Cavaliere of the Rascals, Neil Sedaka and Michael Bolton. He has also worked with noted film composers Mark Mancina ( Lion King, Twister, Tarzan, Con Air), Mark Mothersbaugh ( The Royal Tannenbaums, Rushmore), and Rob Mounsey (Sex in the City and Working Girl). Paul has also recorded and produced notable celebrities like John Cleese, Bill Cosby, Cindy Crawford, Shaquille O’Neal, Walt Frazier, Gary Shandling, Madeline Kahn, and George Foreman. In 2009, Paul became Senior Creative Director of indie music publisher Spirit Music Group, where he placed music in spots for AT&T, Puma, Verizon, & M&M’s. In 2011 Paul was brought on as Director of Music & Radio Production at global ad agency JWT to lead their music department and collaborate on music branding ideas across all media. Mike Boris, Senior VP / Executive Music Producer, McCann Erickson Session #4 on Thursday, October 13, 2011 Mike discovered the power of music at a very young age. While watching cartoons on Saturday mornings he shut the sound off his TV, and cranked his brother’s Led Zeppelin, Beatles, and Black Sabbath records. This experience made him realize how music affects the attitude of a picture and set him on his future career path. Mike began his career as a recording engineer which created a foundation of sonic excellence while also providing valuable insight into the creative process.. Mike transitioned to the role of music producer and honed his craft at several New York ad agencies before joining McCann in 2002. To date, he has worked on music for more than 5,000 TV commercials. Mike’s awards include the McCann-Erickson Producer of the Year for 2006, a CLIO, as well as several Effies. Mike was also the drummer of the band – More F*ING Cowbell – which won Adweek’s “Battle of the Ad Bands” for two consecutive years in 2008 and 2009. He actively pursues unique global talent to ensure his clients always receive a contemporary creative perspective. He is a frequent guest speaker for music industry panel discussions as well as a constant source for industry periodicals. Josh Rabinowitz, SVP Director of Music, Grey Group Session #5 on Thursday, October 27, 2011 Josh Rabinowitz, Senior Vice President/Director of Music for the Grey Group, has been of one the most successful music executives in the advertising field for the past 15 years. As an executive music producer, he has worked on many top campaigns for brands such as Cover Girl, Pantene, Dr. Pepper, Sony Electronics and others. In addition, Rabinowitz has worked with an array of hit music artists, such as Rihanna, the Black Eyed Peas, Natasha Bedingfield, Queen Latifah, Cyndi Lauper, Macy Gray, Run-DMC, LL Cool J, Smokey Robinson, LeAnn Rimes, Reba McEntire, Thalia and Anastacia. Rabinowitz became a leading music producer in the late ’90s, when he was an Executive Producer of Music at the major ad agency, Young & Rubicam. Then in 2005, he moved to top agency Grey, where he has helmed the music department ever since. Rabinowitz has been the recipient of many awards for music in advertising. Also, he has been a bi-weekly contributor to Billboard magazine, and he has been quoted or cited in the New York Times, the Wall Street Journal, Rolling Stone, Adweek, Ad Age, Fast Company, Creativity, the Boston Globe and the New York Post. Ryan Fitch, Music Producer, Saatchi & Saatchi Session #6 on Thursday, November 10, 2011 As one of Saatchi & Saatchi’s most seasoned and gifted music producers, Ryan Fitch has spent the last 7 years integrating music into TV, radio and interactive campaigns for top global brands like Procter & Gamble, JCPenney, Miller, General Mills and Cadbury among others. Conservatory-trained and an avid fan of all music genres, Ryan has both the unique ability for finding that “perfect song” for his clients and the business savvy to close deals, whether it’s with a major work, such as John Lennon’s “Real Love” or music from an obscure indie artist. A lifelong musician with more than 16 years of experience in the music industry and an extensive background in audio engineering and digital audio workstations, Ryan understands the creation of music in today’s landscape on every fundamental level. During his tenure, Saatchi New York has earned several distinguished awards, including the prestigious Cannes award for Agency of the Year. Ryan was also named one of the “Top Music Ad Agency Executives” by the National Assn. of Record Industry Professionals. Program Moderator for NARIP Music Supervisor Series is Ed Razzano, VP of Film, TV & Catalog Marketing, BMG Chrysalis Ed Razzano, VP of Film, TV & Catalog Marketing, BMG Chrysalis. Until recently he was VP of Business Development for Ricall, an automated online music licensing platform supported by real-world music licensing experts. Prior to this was Senior Director at BMG Music Publishing in New York. At BMG he was responsible for negotiating synchronization licenses for advertising and merchandising in the US. While at BMG Razzano gained extensive international experience as he was also responsible for international clearance of all BMG’s US repertoire for music in advertising campaigns around the world. Razzano’s almost 20-year industry experience is drawn from far beyond his time at BMG Publishing. He started his career at a TV commercial editorial house, Crew Cuts Film & Tape, then went on to join the music department of one of the world’s largest advertising agencies at the time, DMB&B. His experience was fortified by positions at CBS Television as well as Universal Music Publishing and Independent music publisher, Spirit Music Group where as Senior Creative Director he oversaw all the film, television and commercial synchronization licensing. Special thanks to Steve Addabbo at Shelter Island Sound for his help with this series, to NARIP New York Board Members Mike Lane, Abhita Austin and to BMG Chrysalis’ Ed Razzano. WHEN Session #1 with Y&R’s Jessica Dierauer Thursday, September 15, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE Shelter Island Sound 40 West 27th Street 7th Floor New York, New York 10001 Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email jen AT narip DOTcom. SOURCES FOR MORE INFO BMG Chrysalis Grey Group J. Walter Thompson McCann Erickson McGarry Bowen NARIP Ryan Fitch’s Blog Saatchi & Saatchi Shelter Island Sound Young & Rubicam Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-09-10 | In AZ – Music Biz Brunch at Fireball Music Management
|
| 2011-08-24 | In ATL: Touring For A Living: How To Make The Mo$t From The Road
Touring For A Living: How To Make The Mo$t From The Road on Wednesday, August 24, 2011 at SAE Institute in Atlanta Live performances remain the single most important component of artist development today. Despite a competitive marketplace and dwindling record sales as consumers spend more of their disposable income on things other than music, some artists have set income records and built careers by touring. You and your clients can tour successfully, too. Learn the tips and strategies of the big acts, and get all the info used by mid-line artists, newly signed artists, and indie artists who are making the most of touring opportunities to develop their careers. Plus, learn the best ways to turn concerts into CD sales. This NARIP program will cover:
SPECIAL GUEST SPEAKERS (scroll down for profiles): Clay Cook,Zac Brown Band, Muti-Instrumentalist Martin W. Winsch, President/CEO Mountain Entertainment, Inc., Corey Smith Personal Manager Eileen Tilson, NARIP Atlanta Executive Director, VP of New Media Marketing & PR at Tipping Point Entertainment Group (moderator) WHEN Wednesday, August 24, 2011 6:00 p.m. – Registration opens 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Concert Promoters, Agents, Tour Managers Producers, Artist Managers and Artist Reps Record & Music Publishing Executives Music Attorneys Accountants, Business Managers & CPAs WHERE SAE Institute of Technology 215 Peachtree Street NE, Suite 30 Atlanta, GA 30303 Enter building from Andrew Young International Blvd. (behind Hard Rock Cafe). Latecomers please ring buzzer for entry. Click here for map. PARKING ~ MARTA Closest paid parking deck is on Andrew Young International Blvd. Or take Marta train to Peachtree Center Station and walk to SAE Institute from there. COST $15 for NARIP Members $25 for Non-Members
You need NOT be a NARIP member to attend. All are welcome. BONUS Because you are registering for this panel discussion, we offer you the opportunity to pre-order the MP3 recording of the program for only $20 (regularly $39.95). To pre-order now, select the Premium Ticket option below, the mastered recording will be emailed to you within 2-3 weeks after our program (if not sooner). 3 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 3. Walk-up (if space permits) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. all ticket sales final. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email jen AT narip.com. ABOUT THE SPEAKERS  Clay Cook, Zac Brown Band, Multi-Instrumentalist Atlanta native Clay Cook has made his living through many avenues in the music industry over the past decade. An accomplished mulit-instrumentalist, he has recorded and toured withJohn Mayer, Sugarland, The Marshall Tucker Band, & Shawn Mullins. Along with his own solo efforts, Cook has written songs with Mayer & The Marshall Tucker Band. Owner & operator of The Small Room Studio in Inman Park, he has produced & engineered records for local artists & the occasional national act. 2009 found Clay as a newly added member of the Zac Brown Band.  Martin W. Winsch, President/CEO Mountain Entertainment, Inc., Corey Smith Personal Manager Martin W. Winsch was born in Bay Ridge Brooklyn, NY and spent most of my childhood on the shoreline of Connecticut before heading off to Clemson University and graduating in 1992. Out of college, he took a job in New York working for a computer software company. The constant feeling that he could be doing more with his life prompted him to leave the security of employment for an opportunity to be the director of advertising for a start-up publication in Florida. Ultimately, he discovered that his real passion for life was rooted in music, and more importantly, in working with individuals who have a true artistic calling. In 1996, while reviewing a CD from a band consisting of guys that he played with college, he was asked if he would consider managing their current band. Six months later he was living in Greenville, SC and managing his first band. He spent the next ten years working as a booking agent and personal manager for various independent and major label artists, playing every role imaginable and making many mistakes along the way. In December 2005 he met a high school social studies teacher from Jefferson, GA named Corey Smith whom he has been managing exclusively ever since.  Eileen Tilson, NARIP Atlanta Executive Director, VP of New Media Marketing & PR at Tipping Point Entertainment Group (moderator) Eileen Tilson is Executive Director of NARIP Atlanta and VP of New Media Marketing & PR at Tipping Point Entertainment Group, a full service entertainment career strategy company that works with its clients to maximize every opportunity to insure career success. Eileen started her publicity career in politics before a fateful meeting with radio legend Leslie Fram and her husband (TPEG Founder and President) Lanny West launched her career in the music business. Groomed by some of the most respected professionals in the industry, Eileen quickly educated herself on the evolving music business, and specializes in social media and networking, viral marketing, and music 2.0. She divides her time between Atlanta and New York. SOURCES FOR MORE INFO: Corey Smith NARIP SAE Institute of Technology Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-08-20 | In LA – NARIP Music Biz Brunch @ Judith Dornstein’s
|
| 2011-08-18 | In NY – Mock Negotiation of Music Producer Deal
You are cordially invited to NARIP’s Mock Negotiation of a Producer Deal Part of NARIP’s Art of the Music Deal Series: What Happens Before You $ign on the Dotted Line? on Thursday, August 18, 2011 at St. John’s University in New York, NY Top professionals wrangle a career-making music producer deal. Most people think they can just hand a negotiation to a lawyer, and leave it at that. But as a professional, you need to be aware of the process and deal points, too, and what the short- and long-term implications to your artists’ careers may be. In this session, two top experts face off in a live negotiation of a producer agreement in NARIP’s Art of the Music Deal. These experts come together to give you the inside track on major deal points, what they mean and what leverage you have to negotiate the best possible deal. Most importantly, you will see HOW a producer deal is negotiated and be involved in the process. Get educated about the art of deal making! Special thanks to John Martin, Joseph R. Gagliano, Jr. and Ally Colvin for their help with this program. YOU WILL LEARN The right time to make a deal. Major areas of negotiation, including:
Don Kaplan, Esq., Law Offices of Donald L. Kaplan, Esq. Ted Stachtiaris, Esq., Kline & Stachtiaris LLP Dan Strader, President, Geodesic Management, NARIP New York Board Member (moderator) WHEN Thursday, August 18, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Producers, Artist Managers & Artist Reps Record & Music Publishing Executives Concert Promoters, Agents, Tour Managers Anyone seeking to make or enhance a career as a producer. WHERE St. John’s University 101 Murray Street Auditorium (2nd Floor) New York, New York Between 12th Avenue & Church Street at Murray Click here for map and directions. REGISTER NOW $20: NARIP Members $40: Non-members
3 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 3. Walk-up (if space permits) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or jen AT narip DOT com. ABOUT THE SPEAKERS:  Don Kaplan, Esq. Don Kaplan has been a transactional entertainment attorney for over 30 years specializing in the music industry. He is currently in his own practice after having first worked at 2 major records companies (RCA Records and CBS Records, currently Sony Music) and then in private practice for many years, first with the boutique law firm, Grubman & Indursky and then Greenberg Traurig. On the artist side, he has represented such artists, producers and personalities as Alicia Keys, Good Charlotte, Phil Ramone, Joan Jett, Marc Anthony, Marky Ramone, John Melendez and Mr. Jackie Mason. On the corporate side, among others, he has represented Island Records, Chrysalis Records, and Mushroom Records (Australia) and was a significant part of the team representing Live Nation in its well-publicized deals with Jay-Z, Shakira, and U2. He also teaches an annual bridge course at the University at Buffalo Law School focusing on transactional matters relating to the recording industry.  Ted Stachtiaris, Esq., Kline & Stachtiaris LLP Ted Stachtiaris has over 15 years of business, legal and music industry experience. Ted previously was an attorney at the international corporate law firm Milbank, Tweed, Hadley & McCloy, LLP, where he specialized in corporate finance, mergers and acquisitions. He then joined the firm of Grubman Indursky & Shire, PC, where he focused on entertainment law matters, representing multi-platinum artists, producers and record labels. In 2004, Ted became a founding partner of Kline & Stachtiaris, LLP, where he continues to specialize in entertainment and corporate law matters. Throughout his career, Ted has worked closely with a variety of artists across musical genre including Alicia Keys, Everlast and Joan Jett, as well as world-class producers like Kerry “Krucial” Brothers (Alicia Keys, K’Naan) and Tony Visconti (David Bowie, Morrissey, Kaiser Chiefs). Dan Strader, President, Geodesic Management (moderator) An entertainment veteran, Dan Strader has extensive experience producing and touring music and stage productions, nationally and internationally. Mr. Strader started his career in television news production. moving to syndicated national programming with Warner Brothers Television. His music and theatrical management background is extensive and he has worked with some highly regarded musicians and venues in the Los Angeles, New Orleans and New York markets. For the past ten years Mr. Strader has managed, produced and booked national and international tours for Geodesic Management. SOURCES FOR MORE INFO: Kline & Stachtiaris LLP Geodesic Management NARIP Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-08-18 | In TX – Break The Band
Break The Band: Artist Development Indie Style on Thursday, August 18, 2011 at Houston Community College in Houston “The hardest thing in the world to do in this business is start a band nobody’s heard of.” – Record company president Today with more indie bands than molecules in the universe, it takes a village (and a plan) for a new artist to make his mark. At this NARIP program, experts who have taken bands from the local level to international success discuss their steps and strategies to break their bands and make a mark in various genres (including hip-hop, Latin, country and Gospel). YOU WILL LEARN:
Thursday August 18, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHERE Houston Community College Spring Branch Campus 1060 West Sam Houston Parkway The Screening Theater Houston, TX 77043 (near the I-10 and Beltway 8) DIRECTIONS Click here for map. COST FREE for NARIP Members (but please register online below) $25 Non-members SPECIAL BONUS Because you are registering for this NARIP program, we offer you a special bundle of documents essential for artist development at any level at a discount rate of only $6.95. Read more about this Special Offer below and select Premium Ticket option to add this to your order and purchase now. 3 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 3. Walk-up (if space permits) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email daniel@narip.com. ABOUT THE SPEAKERS Ethan Bessey, Band of Heathens Ethan Bessey, with Bessey Artist Management Group in Austin, co-manages Austin’s The Band of Heathens with C3 Presents. Bessey also oversees the bands independent label, BOH Records, which has successfully released 5 records in five years. He lives in Austin with his wife, daughter and two dogs.  Chris Ayears, Vice President of Artist Management, Music World Entertainment’s Gospel Division As Music World Gospel’s Vice President of Artist Management, Ayears helps guide the careers of a roster of award-winning Gospel and Christian artists signed to MWG, including Trin-i-tee 5:7, Brian Courtney Wilson, Juanita Bynum, Micah Stampley and others. In his new position, Ayears will be responsible for all aspects of management and artist development services, including developing strategic partnerships and touring opportunities for MWG artists. Born in Sherman, Texas and raised in Los Angeles, California, Ayears began his music industry career while attending the University of North Texas, where he earned a Bachelor’s of Science degree in Public Administration with a minor in Psychology. In college, he worked with radio pioneer Russ Parr as a co-producer at KJMZ-FM (later renamed KDVD-FM) in Dallas, Texas. He landed a segment in the show and created a popular character “Nathen the Name Dropper.” Following his stint at the station, he was hired for his first label job as an intern at Virgin Records, where he worked in the radio promotions department. After Virgin Records, Ayears was hired as a Field Marketing Representative for EMI Music Marketing (then Capitol EMI Music and Associated Labels Distribution) in Dallas where he worked with artists such as Kirk Franklin, Garth Brooks, Ben Harper, Smashing Pumpkins, Foo Fighters, Coldplay, Radiohead, Tim McGraw, Trace Atkins and more. Later, he was named Southwest/Southeast Urban Marketing Manager for EMI Records, where he worked with artists such as Prince, D’Angelo, Gangstarr, Digable Planets and Arrested Development. When EMI Records folded in 1996, Chris was quickly hired by Virgin Records, where, as Urban Marketing Manager, he worked on releases for Janet Jackson, Lenny Kravitz, Tina Turner, Gangstarr, Scarface, Geto Boys and many others. In 1999, he joined Universal Music Group (UMG) and worked within several divisions of the company, including Universal Music Group Distribution and Fontana Distribution. Ayears’ first position with UMGD was Urban Artist Development Representative, where he worked closely with several labels under UMGD, including Universal, Motown, Interscope and Def Jam, which boasted a roster of top recording artists such as Jay Z, DMX, Ja Rule, Ludacris, Mary J. Blige, Dr. Dre, Hot Boyz, Juvenile, BG, Lil Wayne, and others. He then became a Sales Representative, where he sold regionally to Tower Records, Virgin Megastore, Best Buy, and various local music retailers. He later worked for the company as a National Assortment Representative. That job took him to Minneapolis, where he sold to Musicland/Sam Goody and then to Target. Ayears next position at UMGD brought him back to Los Angeles as Director of Artist Development/Universal Motown/Universal Republic, where he oversaw a team of Artist Development Representatives and worked on key projects with Nelly, Erykah Badu, Brian McKnight, Indie.Arie, Jack Johnson, Mars Volta, Mase, Mario Winans and others. He later was named Director of National Sales, where he was the liaison between the UMGD home office and the field sales staff.  Ohmare Washington, Flycat Music Group, NARIP Board Member Ohmare Washington is an artist manager and owner of Flycat Music Group which books talent, and creates marketing and promotion campaigns for artists. A former hip hop artist, Ohmare performed in London for deployed U.S. troops in 2008. In 2010, he single-handedly created the United Front Tour, with performances across the country and around the world, from Texas to Japan. Barry Coffing, NARIP Houston Executive Director, Founder MusicSupervisor.com and Uprising Entertainment Mr. Coffing is CEO and Founder of MusicSupervisor.com and Uprising Entertainment. A 20-year industry veteran who has toured the world and has major credits to his name, Barry is an Emmy-nominated composer and was signed to Warner Bros. Records in the 1990s. He has toured extensively to support his hit songs that have charted around the world, including the #1 “I’ll Come Back To You.” He won Best Producer of the year at the Beverly Hills Film Festival in 2003, and has written and produced over 200 songs in film and TV including #1 hits and gold-selling soundtracks. He has worked with almost every major film company and television network. His knowledge of both sides of the licensing equation led him to create MusicSupervisor.com which has been used to find music for projects including Dexter, Ugly Betty, Burn Notice, Blonde Ambition, Lost, Love Kill, License to Wed, Swing Vote, Real Girl, Assassination of a High School President, Sexual Healing, Invincible, The Unit, Direct Contact and others. Barry has lectured on the music business at USC, Vanderbilt and The University of Houston. With his professional relationships, especially at major film companies and TV networks on both coasts, and a strong background in the business as an executive and successful composer / artist, Mr. Coffing is uniquely positioned to help NARIP members identify opportunities in film and television, and to create and sustain long-term careers in the music business today. SOURCES FOR MORE INFO www.narip.com www.MusicSupervisor.com Music World Entertainment Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |