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Maximum Music Marketing: The Road Map to Music Success |
 Reported by Gian Fiero
Photo (L-R): NARIP San Francisco Director Kerry Fiero, Miles High Productions President Chip Schutzman, Yoshi's Director of Marketing Joan Rosenberg, President of PR That Rocks Christopher Buttner and NARIP San Francisco Associate Director Gian Fiero.
NARIP Snapshots
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Essential Producer Agreement Deal Points |
Introduction by Tess Taylor
Deal Points by Dina LaPolt, Esq.
May 2, 2008
At last, here is an excellent check list to use in your next producer deal negotiation. No matter at what level your career may be, it's incumbent upon you to be informed, to take the time to educate yourself and surround yourself with the highest caliber people. A producer (or any professional) who hires an attorney must give clear direction even if he doesn't get directly involved in the negotiation. At a recent NARIP program, we brought in top music biz attorneys Dina LaPolt and Zach Katz (who is also an artist manager) to walk us through the most critical points of a producer agreement. And here they are, courtesy of Dina LaPolt.
Photo (L-R): Artist manager Rick Martin with client Frankie J and wife, KIIS-FM Music Director Julie Pilat, LaPolt & manager Michelle S
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Defining Success: Artist Management Without The Mania |
NARIP's Art of the Music Deal Series Highlights
The Artist Management Agreement
Reported by Jenny Slafkosky
April 22, 2008  In an ideal world, the relationship between a recording artist and his manager is symbiotic and (relatively speaking) stress-free. But anyone who’s entered the stormy world of the music industry knows this key relationship is often where lightning strikes the most.
Photo (L-R): Manatt, Phelps & Phillips partner Eric Custer, Esq., NARIP President Tess Taylor and Greenberg Traurig's Todd Cooper, Esq.
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 April 15, 2008 NARIP's teleseminar "How To Make It Rich As A Concert Promoter" scheduled for Wed, April 16 has SOLD OUT. We have scheduled a second session with Pacific Concert Group President Alan Beck for next week, April 23. At both sessions he will detail his path to grossing millions of dollars in concert revenues over sixteen years in a row. Click here for more details and to register now!
Photo: Pacific Concert Group President Alan H. Beck
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How To Approach Music Supervisors |
By Tess Taylor
April 9, 2008
Last week I received an email from a NARIP member who is preparing to send his client’s music to music supervisors nationwide. He wanted to know “best practices” in pitching them, what they like to see, how they prefer to receive music (CD or e-mail attachments, for example), how many cuts they like to get, and what kinds of background material they like to get about the artist (reviews, clippings, photos, etc.).
I gave him a detailed answer, which he so appreciated that I thought I'd share it in case others
may benefit from it as well.
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