NARIP has hosted over 800 events covering topics such as music publishing, songwriting, music licensing, and artist management, among others.
NARIP has also organized pitch sessions where music creators and songwriters can pitch their work to industry professionals for feedback and potential placements.
Become a NARIP Member
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| Date | Name |
|---|---|
| 2016-03-23 | In London – NARIP Advertising Music Supervisor Session -w- Tin Drum’s Sophie Urquhart
|
| 2015-10-27 | In London – NARIP Advertising Music Supervisor Session -w- Platinum Rye’s Tom Stanford
|
| 2015-01-23 | In London – NARIP Advertising Music Supervisor Session -w- Leland Music’s Ed Bailie
NARIP Music Supervisor Sessions: Intimate Pitch Meetings With Brand & Advertising Music Supervisors  with Ed Bailie, Music Supervisor, Leland Music on Friday, January 23, 2015 in London, England DETAILS Ed Bailie is our special guest at this NARIP Music Supervisor Session in London. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch the supervisor for current opportunities. ABOUT ED BAILIE Music Supervisor Ed Bailie is Director and Music Supervisor at Leland Music, and has helped create many award-winning advertising for brands including John Lewis, O2, Hovis and Nike. With a background in Music Publishing, Ed previously headed up the Sync teams at both Bug Music and Blue Mountain Music in the UK, representing their extensive catalogues across Film, TV, Games and Advertising. Recent Music Supervision highlights include commercials for John Lewis (Christmas 2014), Haig Club and SSE, Guy Myhill’s feature film ‘The Goob’ and Kevin Macdonald’s ‘Christmas In A Day’. Come meet this career-maker. OVER 200 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session participants have placed over 200 tracks as a direct result of NARIP Sessions, including NARIP London Members. NARIP’S BIGGEST PLACEMENT TO DATE : VODAFONE Click here to read about NARIP’s biggest placement to date in a Vodafone campaign (Oct 2014) that paid handsomely and launched a career. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed over 200 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. Registrants also get a brief of the guest supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback at each session, taking the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and get them licensed. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU  Special thanks to Debi Beacock (Blackgrove) and Chris Tams at the British Recorded Music Industry for their help with this series. WHEN Friday, January 23, 2015 1:30 Registration and networking 2:00 Program begins 3:15 Break 5:00 Program ends WHERE BPI (British Recorded Music Industry) Riverside Building County Hall Westminster Bridge Road London SE1 7JA T: +44 (0)2 0 7803 1300 DIRECTIONS Click here for map. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and TV. PER-SESSION COST
* Available to Professional and Executive NARIP Members only (not Monthly Members). Members please log in to receive discount. NOT ABLE TO ATTEND IN PERSON? At most NARIP events we provide the ability for you to “attend” virtually live via chat. Other options include having one of your representatives (or a NARIP rep) pitch for you. Please inquire and email mary@narip.com for more details. 2 WAYS TO REGISTER 1. Online: NARIP.com (just scroll down) 2. Phone: 818-769-7007 (US) or 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818-769-7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2012-02-27 | In London – NARIP Ad Agency Music Supervisor Session #4: Jessica Dierauer **JUST ADDED**
Intimate Meeting & Pitch Session With Music Supervisor from Top New York Ad Agency: Young & Rubicam’s Jessica Dierauer  on Tuesday, February 28, 2012 (3:00 p.m.) at SAE Institute London, UK is JUST ADDED
Voted #1 Ad Agency Music Supervisor by her peers in NARIP’s 2011 Best In The Biz annual survey, Jessica Dierauer is Executive Producer of Music & Creative Content at Young & Rubicam, one of the leading ad agencies in the world. She is also our special guest at NARIP’s next Music Supervisor Session in London. Dierauer selects, commissions and places music for global advertising campaigns for the world’s most recognizable brands. In NARIP’s intimate session, you get to meet and pitch her for current opportunities. Come meet this career-maker. SUCCESS STORIES & BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who has secured multiple placements. These include placing “The Big One” in the film Chronicle, “Soul of a Man Never Dies” in an episode of True Blood and “Jhiara” in an episode of Dexter following NARIP sessions with Andrea von Foerster and Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in the business. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions this year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At our next session in London, participants will have the opportunity to pitch music for specific opportunities for current campaigns and get immediate, direct feedback from one ad agency music supervisor. A NEW ACCESS POINT “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in London, Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We’re grateful for the positive reception we received in London at our first sessions there in November, and look forward to bringing many more to this city that has produced some of the best-loved music in the world.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS Special thanks to Joe Muggs for his excellent coverage of NARIP’s November 2011 session in The Guardian (“Matchmakers of the Zeitgeist: Soundtracking TV Shows”), which you can read here. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors:
What attendees say about NARIP’s Music Supervisor Sessions (with film / TV and ad agency music supervisors) held earlier this year in London, Los Angeles, New York, San Francisco and Berlin:
£179 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BMI, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £199 Non-Members * Available to Professional and Executive NARIP Members only. THANK YOU Special thanks to Jody Millerchip at SAE Institute in London for her help with this series. ABOUT THE SUPERVISORS  Ryan Fitch, Music Producer, Saatchi & Saatchi Session #3 on Monday, February 27, 2012 (3:00 p.m.) As one of Saatchi & Saatchi’s most seasoned and gifted music producers, Ryan Fitch has spent the last 7 years integrating music into TV, radio and interactive campaigns for top global brands like Procter & Gamble, JCPenney, Miller, General Mills and Cadbury among others. Conservatory-trained and an avid fan of all music genres, Ryan has both the unique ability for finding that “perfect song” for his clients and the business savvy to close deals, whether it’s with a major work, such as John Lennon’s “Real Love” or music from an obscure indie artist. A lifelong musician with more than 16 years of experience in the music industry and an extensive background in audio engineering and digital audio workstations, Ryan understands the creation of music in today’s landscape on every fundamental level. During his tenure, Saatchi New York has earned several distinguished awards, including the prestigious Cannes award for Agency of the Year. Ryan was also named one of the “Top Music Ad Agency Executives” by the National Assn. of Record Industry Professionals. Jessica Dierauer, Executive Producer of Music and Creative Content, Young & Rubicam Session #4 on Monday, February 27, 2012 (6:30 p.m.) Based out of Y&R’s flagship New York office, Dierauer is responsible for everything related to music — from licensing tracks and hiring composers, to creating new opportunities for Y&R’s clients throughout the entertainment industry. She previously served as executive content producer for Y&R New York where for the past two years she has produced and executed integrated campaigns, Web sites, new media applications and events for clients like LG, Office Depot and Malaria No More. WHEN Session #4 with Young & Rubicam’s Jessica Dierauer Monday, February 27, 2012 (6:30 p.m.) 6:00 p.m. – Registration and networking 6:30 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE SAE Institute London 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) or email mary AT narip DOT com Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO NARIP Ryan Fitch’s Blog Saatchi & Saatchi Young & Rubicam Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |
| 2012-02-28 | In London – NARIP Ad Agency Music Supervisor Session #1: Jessica Dierauer **SOLD OUT**
Intimate Meeting & Pitch Session With Music Supervisor from Top New York Ad Agency: Young & Rubicam’s Jessica Dierauer on Tuesday, February 28, 2012 (3:00 p.m.) at SAE Institute London, UK is SOLD OUT
Voted #1 Ad Agency Music Supervisor by her peers in NARIP’s 2011 Best In The Biz annual survey, Jessica Dierauer is Executive Producer of Music & Creative Content at Young & Rubicam, one of the leading ad agencies in the world. She is also our special guest at NARIP’s next Music Supervisor Session in London. Dierauer selects, commissions and places music for global advertising campaigns for the world’s most recognizable brands. In NARIP’s intimate session, you get to meet and pitch her for current opportunities. Come meet this career-maker. SUCCESS STORIES & BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who has secured multiple placements. These include placing “The Big One” in the film Chronicle, “Soul of a Man Never Dies” in an episode of True Blood and “Jhiara” in an episode of Dexter following NARIP sessions with Andrea von Foerster and Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in the business. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions this year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At our next session in London, participants will have the opportunity to pitch music for specific opportunities for current campaigns and get immediate, direct feedback from one ad agency music supervisor. A NEW ACCESS POINT “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in London, Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We’re grateful for the positive reception we received in London at our first sessions there in November, and look forward to bringing many more to this city that has produced some of the best-loved music in the world.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS Special thanks to Joe Muggs for his excellent coverage of NARIP’s November 2011 session in The Guardian (“Matchmakers of the Zeitgeist: Soundtracking TV Shows”), which you can read here. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors:
What attendees say about NARIP’s Music Supervisor Sessions (with film / TV and ad agency music supervisors) held earlier this year in London, Los Angeles, New York, San Francisco and Berlin:
£179 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BMI, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £199 Non-Members * Available to Professional and Executive NARIP Members only. THANK YOU Special thanks to Jody Millerchip at SAE Institute in London for her help with this series. ABOUT THE SUPERVISORS Jessica Dierauer, Executive Producer of Music and Creative Content, Young & Rubicam Session #1 on Tuesday, February 28, 2012 (3:00 p.m.) Based out of Y&R’s flagship New York office, Dierauer is responsible for everything related to music — from licensing tracks and hiring composers, to creating new opportunities for Y&R’s clients throughout the entertainment industry. She previously served as executive content producer for Y&R New York where for the past two years she has produced and executed integrated campaigns, Web sites, new media applications and events for clients like LG, Office Depot and Malaria No More. Ryan Fitch, Music Producer, Saatchi & Saatchi Session #2 on Tuesday, February 28, 2012 (6:30 p.m.) As one of Saatchi & Saatchi’s most seasoned and gifted music producers, Ryan Fitch has spent the last 7 years integrating music into TV, radio and interactive campaigns for top global brands like Procter & Gamble, JCPenney, Miller, General Mills and Cadbury among others. Conservatory-trained and an avid fan of all music genres, Ryan has both the unique ability for finding that “perfect song” for his clients and the business savvy to close deals, whether it’s with a major work, such as John Lennon’s “Real Love” or music from an obscure indie artist. A lifelong musician with more than 16 years of experience in the music industry and an extensive background in audio engineering and digital audio workstations, Ryan understands the creation of music in today’s landscape on every fundamental level. During his tenure, Saatchi New York has earned several distinguished awards, including the prestigious Cannes award for Agency of the Year. Ryan was also named one of the “Top Music Ad Agency Executives” by the National Assn. of Record Industry Professionals. WHEN Session #1 with Young & Rubicam’s Jessica Dierauer Tuesday, February 28, 2012 (3:00 p.m.) 2:30 p.m. – Registration and networking 3:00 p.m. – Program begins 4:15 p.m. – Break 5:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE SAE Institute London 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) or email mary AT narip DOT com Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 0203-002-8247 (UK local call) or email mary AT narip DOT com. SOURCES FOR MORE INFO NARIP Ryan Fitch’s Blog Saatchi & Saatchi Young & Rubicam Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |
| 2012-02-28 | In London – NARIP Ad Ad Agency Music Supervisor Session: Ryan Fitch **SOLD OUT**
Intimate Meeting & Pitch Session With Music Supervisor from Top New York Ad Agency: Saatchi & Saatchi’s Ryan Fitch on Tuesday, February 28, 2012 (6:30 p.m.) at SAE Institute, London
A top-rated music supervisor from one of the leading ad agencies in the world is our special guest at NARIP’s next Music Supervisor Session in London: Ryan Fitch, Music Producer at Saatchi & Saatchi (New York). Known among his colleagues as a “music man,” Fitch selects, commissions and places (and in some cases, creates) music for global advertising campaigns for the world’s most recognizable brands. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. Come meet this career-maker. SUCCESS STORIES & BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who has secured multiple placements. These include placing “The Big One” in the film Chronicle, “Soul of a Man Never Dies” in an episode of True Blood and “Jhiara” in an episode of Dexter following NARIP sessions with Andrea von Foerster and Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in the business. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions this year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At our next session in London, participants will have the opportunity to pitch music for specific opportunities for current campaigns and get immediate, direct feedback from one ad agency music supervisor. A NEW ACCESS POINT “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in London, Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We’re grateful for the positive reception we received in London at our first sessions there in November, and look forward to bringing many more to this city that has produced some of the best-loved music in the world.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS Special thanks to Joe Muggs for his excellent coverage of NARIP’s November 2011 session in The Guardian (“Matchmakers of the Zeitgeist: Soundtracking TV Shows”), which you can read here. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors:
What attendees say about NARIP’s Music Supervisor Sessions (with film / TV and ad agency music supervisors) held earlier this year in London, Los Angeles, New York, San Francisco and Berlin:
£179 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BMI, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £199 Non-Members * Available to Professional and Executive NARIP Members only. THANK YOU Special thanks to Jody Millerchip at SAE Institute London for her help with this series. ABOUT THE SUPERVISORS Jessica Dierauer, Executive Producer of Music and Creative Content, Young & Rubicam Session #1 on Tuesday, February 28, 2012 (3:00 p.m.) Based out of Y&R’s flagship New York office, Dierauer is responsible for everything related to music — from licensing tracks and hiring composers, to creating new opportunities for Y&R’s clients throughout the entertainment industry. She previously served as executive content producer for Y&R New York where for the past two years she has produced and executed integrated campaigns, Web sites, new media applications and events for clients like LG, Office Depot and Malaria No More. Ryan Fitch, Music Producer, Saatchi & Saatchi Session #2 on Tuesday, February 28, 2012 (6:30 p.m.) As one of Saatchi & Saatchi’s most seasoned and gifted music producers, Ryan Fitch has spent the last 7 years integrating music into TV, radio and interactive campaigns for top global brands like Procter & Gamble, JCPenney, Miller, General Mills and Cadbury among others. Conservatory-trained and an avid fan of all music genres, Ryan has both the unique ability for finding that “perfect song” for his clients and the business savvy to close deals, whether it’s with a major work, such as John Lennon’s “Real Love” or music from an obscure indie artist. A lifelong musician with more than 16 years of experience in the music industry and an extensive background in audio engineering and digital audio workstations, Ryan understands the creation of music in today’s landscape on every fundamental level. During his tenure, Saatchi New York has earned several distinguished awards, including the prestigious Cannes award for Agency of the Year. Ryan was also named one of the “Top Music Ad Agency Executives” by the National Assn. of Record Industry Professionals. WHEN Session #2 with Saatchi & Saatchi’s Ryan Fitch Tuesday, February 28, 2012 (6:30 p.m.) 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE SAE Institute London, UK 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) or email mary AT narip DOT com Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 0203-002-8247 (UK local call) or email mary AT narip DOTcom. SOURCES FOR MORE INFO NARIP Ryan Fitch’s Blog Saatchi & Saatchi Young & Rubicam Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |
| 2012-02-27 | In London – NARIP Ad Ad Agency Music Supervisor Session #3: Ryan Fitch **JUST ADDED**
Intimate Meeting & Pitch Session With Music Supervisor from Top New York Ad Agency: Saatchi & Saatchi’s Ryan Fitch on Monday, February 27, 2012 (3:00 p.m.) at SAE Institute, London
A top-rated music supervisor from one of the leading ad agencies in the world is our special guest at NARIP’s next Music Supervisor Session in London: Ryan Fitch, Music Producer at Saatchi & Saatchi (New York). Known among his colleagues as a “music man,” Fitch selects, commissions and places (and in some cases, creates) music for global advertising campaigns for the world’s most recognizable brands. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. Come meet this career-maker. SUCCESS STORIES & BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who has secured multiple placements. These include placing “The Big One” in the film Chronicle, “Soul of a Man Never Dies” in an episode of True Blood and “Jhiara” in an episode of Dexter following NARIP sessions with Andrea von Foerster and Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) ad agency music supervisors in the business. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions this year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At our next session in London, participants will have the opportunity to pitch music for specific opportunities for current campaigns and get immediate, direct feedback from one ad agency music supervisor. A NEW ACCESS POINT “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in London, Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We’re grateful for the positive reception we received in London at our first sessions there in November, and look forward to bringing many more to this city that has produced some of the best-loved music in the world.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS Special thanks to Joe Muggs for his excellent coverage of NARIP’s November 2011 session in The Guardian (“Matchmakers of the Zeitgeist: Soundtracking TV Shows”), which you can read here. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors:
What attendees say about NARIP’s Music Supervisor Sessions (with film / TV and ad agency music supervisors) held earlier this year in London, Los Angeles, New York, San Francisco and Berlin:
£179 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BMI, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £199 Non-Members * Available to Professional and Executive NARIP Members only. THANK YOU Special thanks to Jody Millerchip at SAE Institute London for her help with this series. ABOUT THE SUPERVISORS Ryan Fitch, Music Producer, Saatchi & Saatchi Session #3 on Monday, February 27, 2012 (3:00 p.m.) As one of Saatchi & Saatchi’s most seasoned and gifted music producers, Ryan Fitch has spent the last 7 years integrating music into TV, radio and interactive campaigns for top global brands like Procter & Gamble, JCPenney, Miller, General Mills and Cadbury among others. Conservatory-trained and an avid fan of all music genres, Ryan has both the unique ability for finding that “perfect song” for his clients and the business savvy to close deals, whether it’s with a major work, such as John Lennon’s “Real Love” or music from an obscure indie artist. A lifelong musician with more than 16 years of experience in the music industry and an extensive background in audio engineering and digital audio workstations, Ryan understands the creation of music in today’s landscape on every fundamental level. During his tenure, Saatchi New York has earned several distinguished awards, including the prestigious Cannes award for Agency of the Year. Ryan was also named one of the “Top Music Ad Agency Executives” by the National Assn. of Record Industry Professionals. Jessica Dierauer, Executive Producer of Music and Creative Content, Young & Rubicam Session #4 on Monday, February 27, 2012 (6:30 p.m.) Based out of Y&R’s flagship New York office, Dierauer is responsible for everything related to music — from licensing tracks and hiring composers, to creating new opportunities for Y&R’s clients throughout the entertainment industry. She previously served as executive content producer for Y&R New York where for the past two years she has produced and executed integrated campaigns, Web sites, new media applications and events for clients like LG, Office Depot and Malaria No More. WHEN Session #3 with Saatchi & Saatchi’s Ryan Fitch Monday, February 27, 2012 (3:00 p.m.) 2:30 p.m. – Registration and networking 3:00 p.m. – Program begins 4:15 p.m. – Break 5:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in advertising and branding campaigns. WHERE SAE Institute London, UK 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) or email mary AT narip DOT com Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 0203-002-8247 (UK local call) or email mary AT narip DOTcom. SOURCES FOR MORE INFO NARIP Ryan Fitch’s Blog Saatchi & Saatchi Young & Rubicam Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |
| 2011-11-16 | In London – Music Supervisor Session #4: Andrea von Foerster *JUST ADDED*
Intimate Meetings & Pitch Sessions With Music Supervisors from Los Angeles JUST ADDED Session #4 with Firestarter Music’s Andrea von Foerster on Wednesday, Nov 16, 2011 (6:30 p.m.) at SAE Institute London, UK
Representing the best and brightest in music supervision, these two seasoned execs are prolific users of music who select, commission and place music for films and television shows broadcast around the world. At NARIP’s intimate sessions, you get to meet and pitch them for current opportunities, and get immediate feedback to your music. Subscribers to Music Week and SongLink also receive discount. BACKGROUND NARIP Music Supervisor Sessions have been a hit in Los Angeles, New York, San Francisco and Berlin. Why? Because participants’ music is heard and they receive immediate feedback. The result? Placements! Since these sessions launched in April 2011, participants have enjoyed placements in True Blood and Dexter, with more placements pending (click here to read more). “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We look forward to bringing these sessions to London.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. Scroll down to buy tickets now for Andrea von Foerster’s Music Supervisor Session #4 or for Chris Mollere’s Music Supervisor Session #3. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors (NOTE: sessions in New York are ongoing as of November 2011, see calender sidebar for dates and times):
BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who placed a song from his catalog (“Soul of a Man Never Dies”) in an episode of True Blood following our session with Gary Calamar earlier this year in Los Angeles. He has also placed a song in Dexter (“Jhaira”) which airs on October 23, 2011 in the US. You can read more about this here. These sessions should be of particular interest to those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) music supervisors in Los Angeles. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions in Los Angeles, Berlin, San Francisco and New York, participants have been able to pitch for current opportunities on the spot, receive instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At each session in London, participants will have the opportunity to pitch music for specific opportunities that will be emailed to them in advance of the session. Participants then present music and get immediate, direct feedback from one music supervisor. What attendees say about NARIP’s Music Supervisor Sessions held earlier this year in Los Angeles, San Francisco, Berlin and New York:
£179 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £199 Non-Members * Available to Professional and Executive NARIP Members only (does not include Monthly Membership). REGISTER FOR BOTH *NEWLY ADDED* LONDON SUPERVISOR SESSIONS ON Wed Nov 16 AND GET FREE ADMISSION TO NOV 15 PROGRAM (How To Pitch, Market & License Music For Film & TV – a £65 value). To receive FREE admission to Nov 15 panel, just select the Premium Ticket option below. Subscribers to Music Week and SongLink also receive discount. THANK YOU Special thanks to Jody Millerchip at SAE Institute London for her help with this series. ABOUT THE SUPERVISORS  Chris Mollere, Fusion Music Supervision Session #3 on Wednesday, November 16, 2011 (3:00 p.m.) Music Supervisor Chris Mollere’s diverse interest in the world began quite early in life. Growing up in a military family, he traveled extensively while living in Europe and various stateside locations. At an early age he developed a unique appreciation and love for all styles of music. He especially credits his family’s love of music and his father’s extensive record collection as an early influence. His passion and love of music evolved even further as he began attending concerts and playing music himself. Chris attended and graduated from the University of Texas at Austin, and in addition to receiving an excellent education in the areas of psychology, advertising and business, he participated in countless music events that the city and state had to offer. Living in Austin provided Chris unlimited opportunities to attend concerts ranging from the most seasoned performers to a diverse variety of new artists. Becoming friends with many musicians and music venue owners provided Chris with a unique perspective of the behind the scenes challenges and business aspects of music. To further expand his knowledge of the music business, Chris worked with bands in management, production and promotional capacities. These early positions helped Chris understand many of the diverse facets involved in the music industry. After graduation, Chris moved to Los Angeles, California to pursue a full time career in music and entertainment. One of Chris’s first jobs was as a Producer’s / Composer’s Assistant at Music Forever in Hollywood. There he served as a liaison with record labels, advertising agencies, directors and producers while working on a plethora of projects. One of these projects was the film Memory, which provided Chris his first opportunity to work as a music supervisor, an experience that would confirm he could fuse together his passion for music and film. Since then, Chris has had numerous credits as a music supervisor, including working on the ABC Family Television series Kyle XY and 10 Things I Hate About You, as well as on the feature films The Box, I Hope They Serve Beer In Hell and The Haunting of Molly Hartley. Chris is currently the music supervisor for the CW television series The Vampire Diaries as well as for the ABC Family series Greek and Pretty Little Liars. He has recently completed the soundtrack for Season One of The Vampire Diaries, which was released on Capitol Records in October 2010, and he recently completed working on the soundtrack for Season One of Pretty Little Liars which is out on Water Tower Records.  Andrea von Foerster, Firestarter Music Session #4 on Wednesday, November 16, 2011 (6:30 p.m.) Andrea von Foerster was born in the West Midlands in England and grew up in various parts of the U.K., Indiana and Southern California. She got her start in the music business while attending the School of Cinematic Arts at the University of Southern California. Andrea started working at Buena Vista Motion Pictures Group in the music department for live action features during her junior year on such films as Armageddon, Gone In Sixty Seconds and her favorite…High Fidelity. Andrea has done music supervision for film, television and online projects for the last ten years. Credits include music documentaries such as Freestyle: The Art Of Rhyme, Mayor Of The Sunset Strip and The White Stripes Under Great White Northern Lights as well as independent films such as (500) Days Of Summer, It’s Kind of A Funny Story and most recently From Prada To Nada. Television work includes The O.C., Grey’s Anatomy and Dollhouse and numerous MTV shows such as Run’s House and Life Of Ryan. She is currently working on the studio feature Journey 2: The Mysterious Island (New Line Cinema) and the independent film I Am Ben in addition to the TV shows Modern Family (ABC), Traffic Light (Fox), Stargate Universe (Sy-Fy) and Chronicle WHEN Session #4 with Firestarter Music’s Andrea von Foerster Wednesday, November 16, 2011 (6:30 p.m.) 6:00 p.m. – Registration and networking 6:30 p.m. – Program begins 7:45 p.m. – Break 9:00 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Independents and Majors Music & Entertainment Attorneys Anyone seeking placement opportunities in film and television. WHERE SAE Institute London SAE House 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 44 (0) 20 300 282 47 (UK) or 818-769-7007 (US) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 44 (0) 20 300 282 47 or 818-769-7007 (US), or email daniel AT narip DOT com. SOURCES FOR MORE INFO Andrea von Foerster Chris Mollere NARIP SAE Institute London Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-11-16 | In London – Music Supervisor Session #3: Chris Mollere *JUST ADDED*
Intimate Meetings & Pitch Sessions With Music Supervisors from Los Angeles JUST ADDED Session #3 with Fusion Music Supervision’s Chris Mollere on Wednesday, Nov 16, 2011 (3:00 p.m.) at SAE Institute London, UK
What do Andrea von Foerster and Chris Mollere have in common? They are both special guests at NARIP Music Supervisor Sessions at SAE Institute in London. Our first two London sessions with Andrea and Chris on Thursday, November 17 have SOLD OUT so we just added two more on Wednesday, November 16. Representing the best and brightest in music supervision, these two seasoned execs are prolific users of music who select, commission and place music for films and television shows broadcast around the world. At NARIP’s intimate sessions, you get to meet and pitch them for current opportunities, and get immediate feedback to your music. Subscribers to Music Week and SongLink also receive discount. BACKGROUND NARIP Music Supervisor Sessions have been a hit in Los Angeles, New York, San Francisco and Berlin. Why? Because participants’ music is heard and they receive immediate feedback. The result? Placements! Since these sessions launched in April 2011, participants have enjoyed placements in True Blood and Dexter, with more placements pending (click here to read more). “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We look forward to bringing these sessions to London.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. Scroll down to buy tickets now for Andrea von Foerster’s Music Supervisor Session #4 or for Chris Mollere’s Music Supervisor Session #3. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors (NOTE: sessions in New York are ongoing as of November 2011, see calender sidebar for dates and times):
BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who placed a song from his catalog (“Soul of a Man Never Dies”) in an episode of True Blood following our session with Gary Calamar earlier this year in Los Angeles. He has also placed a song in Dexter (“Jhaira”) which airs on October 23, 2011 in the US. You can read more about this here. These sessions should be of particular interest to those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) music supervisors in Los Angeles. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions in Los Angeles, Berlin, San Francisco and New York, participants have been able to pitch for current opportunities on the spot, receive instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At each session in London, participants will have the opportunity to pitch music for specific opportunities that will be emailed to them in advance of the session. Participants then present music and get immediate, direct feedback from one music supervisor. What attendees say about NARIP’s Music Supervisor Sessions held earlier this year in Los Angeles, San Francisco, Berlin and New York:
£179 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £199 Non-Members * Available to Professional and Executive NARIP Members only (does not include Monthly Membership). REGISTER FOR BOTH *NEWLY ADDED* LONDON SUPERVISOR SESSIONS ON Wed Nov 16 AND GET FREE ADMISSION TO NOV 15 PROGRAM (How To Pitch, Market & License Music For Film & TV – a £65 value). To receive FREE admission to Nov 15 panel, just select the Premium Ticket option below. Subscribers to Music Week and SongLink also receive discount. THANK YOU Special thanks to Jody Millerchip at SAE Institute London for her help with this series. ABOUT THE SUPERVISORS Chris Mollere, Fusion Music Supervision Session #3 on Wednesday, November 16, 2011 (3:00 p.m.) Music Supervisor Chris Mollere’s diverse interest in the world began quite early in life. Growing up in a military family, he traveled extensively while living in Europe and various stateside locations. At an early age he developed a unique appreciation and love for all styles of music. He especially credits his family’s love of music and his father’s extensive record collection as an early influence. His passion and love of music evolved even further as he began attending concerts and playing music himself. Chris attended and graduated from the University of Texas at Austin, and in addition to receiving an excellent education in the areas of psychology, advertising and business, he participated in countless music events that the city and state had to offer. Living in Austin provided Chris unlimited opportunities to attend concerts ranging from the most seasoned performers to a diverse variety of new artists. Becoming friends with many musicians and music venue owners provided Chris with a unique perspective of the behind the scenes challenges and business aspects of music. To further expand his knowledge of the music business, Chris worked with bands in management, production and promotional capacities. These early positions helped Chris understand many of the diverse facets involved in the music industry. After graduation, Chris moved to Los Angeles, California to pursue a full time career in music and entertainment. One of Chris’s first jobs was as a Producer’s / Composer’s Assistant at Music Forever in Hollywood. There he served as a liaison with record labels, advertising agencies, directors and producers while working on a plethora of projects. One of these projects was the film Memory, which provided Chris his first opportunity to work as a music supervisor, an experience that would confirm he could fuse together his passion for music and film. Since then, Chris has had numerous credits as a music supervisor, including working on the ABC Family Television series Kyle XY and 10 Things I Hate About You, as well as on the feature films The Box, I Hope They Serve Beer In Hell and The Haunting of Molly Hartley. Chris is currently the music supervisor for the CW television series The Vampire Diaries as well as for the ABC Family series Greek and Pretty Little Liars. He has recently completed the soundtrack for Season One of The Vampire Diaries, which was released on Capitol Records in October 2010, and he recently completed working on the soundtrack for Season One of Pretty Little Liars which is out on Water Tower Records. Andrea von Foerster, Firestarter Music Session #4 on Wednesday, November 16, 2011 (6:30 p.m.) Andrea von Foerster was born in the West Midlands in England and grew up in various parts of the U.K., Indiana and Southern California. She got her start in the music business while attending the School of Cinematic Arts at the University of Southern California. Andrea started working at Buena Vista Motion Pictures Group in the music department for live action features during her junior year on such films as Armageddon, Gone In Sixty Seconds and her favorite…High Fidelity. Andrea has done music supervision for film, television and online projects for the last ten years. Credits include music documentaries such as Freestyle: The Art Of Rhyme, Mayor Of The Sunset Strip and The White Stripes Under Great White Northern Lights as well as independent films such as (500) Days Of Summer, It’s Kind of A Funny Story and most recently From Prada To Nada. Television work includes The O.C., Grey’s Anatomy and Dollhouse and numerous MTV shows such as Run’s House and Life Of Ryan. She is currently working on the studio feature Journey 2: The Mysterious Island (New Line Cinema) and the independent film I Am Ben in addition to the TV shows Modern Family (ABC), Traffic Light (Fox), Stargate Universe (Sy-Fy) and Chronicle WHEN Session #3 with Fusion Music Supervision’s Chris Mollere Wednesday, November 16, 2011 (3:00 p.m.) 2:30 p.m. – Registration and networking 3:00 p.m. – Program begins 4:15 p.m. – Break 5:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Independents and Majors Music & Entertainment Attorneys Anyone seeking placement opportunities in film and television. WHERE SAE Institute London SAE House 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 44 (0) 20 300 282 47 (UK) or 818-769-7007 (US) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 44 (0) 20 300 282 47 or 818-769-7007 (US), or email daniel AT narip DOT com. SOURCES FOR MORE INFO Andrea von Foerster Chris Mollere NARIP SAE Institute London Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-11-17 | In London – Music Supervisor Session #2: Chris Mollere *SOLD OUT*
Intimate Meetings & Pitch Sessions With Music Supervisors from Los Angeles Session #2 with Fusion Music Supervision’s Chris Mollere on Thu, Nov 17, 2011 (6:30 p.m.) at SAE Institute London, UK is
What do Andrea von Foerster and Chris Mollere have in common? They are both special guests at NARIP Music Supervisor Sessions at SAE Institute of Technology in London. Representing the best and brightest in music supervision, these two seasoned execs are prolific users of music who select, commission and place music for films and television shows broadcast around the world. At NARIP’s intimate sessions, you get to meet and pitch them for current opportunities, and get immediate feedback to your music. BACKGROUND NARIP Music Supervisor Sessions have been a hit in Los Angeles, New York, San Francisco and Berlin. Why? Because participants’ music is heard and they receive immediate feedback. The result? Placements! Since these sessions launched in April 2011, participants have enjoyed placements in True Blood and Dexter, with more placements pending (click here to read more). “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We look forward to bringing these sessions to London.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. Scroll down to buy tickets now for Andrea von Foerster’s Music Supervisor Session #1 or for Chris Mollere’s Music Supervisor Session #2. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors (NOTE: sessions in New York are ongoing as of October 2011, see calender sidebar for dates and times):
BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who placed a song from his catalog (“Soul of a Man Never Dies”) in an episode of True Blood following our session with Gary Calamar earlier this year in Los Angeles. He has also placed a song in Dexter (“Jhaira”) which airs on October 23, 2011 in the US. You can read more about this here. These sessions should be of particular interest to those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) music supervisors in Los Angeles. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions in Los Angeles, Berlin, San Francisco and New York, participants have been able to pitch for current opportunities on the spot, receive instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At each session in London, participants will have the opportunity to pitch music for specific opportunities that will be emailed to them in advance of the session. Participants then present music and get immediate, direct feedback from one music supervisor. What attendees say about NARIP’s Music Supervisor Sessions held earlier this year in Los Angeles, San Francisco, Berlin and New York:
£179 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £199 Non-Members * Available to Professional and Executive NARIP Members only (does not include Monthly Membership). REGISTER FOR BOTH LONDON SUPERVISOR SESSIONS AND GET FREE ADMISSION TO NOV 15 PROGRAM (How To Pitch, Market & License Music For Film & TV – a £65 value). To receive FREE admission to Nov 15 panel, just select the Premium Ticket option below. Subscribers to Music Week and SongLink also receive discount. THANK YOU Special thanks to Jody Millerchip at SAE Institute in London for her help with this series. ABOUT THE SUPERVISORS Andrea von Foerster, Firestarter Music Session #1 on Thursday, November 17, 2011 (3:00 p.m.) – THIS SESSION IS SOLD OUT Andrea von Foerster was born in the West Midlands in England and grew up in various parts of the U.K., Indiana and Southern California. She got her start in the music business while attending the School of Cinematic Arts at the University of Southern California. Andrea started working at Buena Vista Motion Pictures Group in the music department for live action features during her junior year on such films as Armageddon, Gone In Sixty Seconds and her favorite…High Fidelity. Andrea has done music supervision for film, television and online projects for the last ten years. Credits include music documentaries such as Freestyle: The Art Of Rhyme, Mayor Of The Sunset Strip and The White Stripes Under Great White Northern Lights as well as independent films such as (500) Days Of Summer, It’s Kind of A Funny Story and most recently From Prada To Nada. Television work includes The O.C., Grey’s Anatomy and Dollhouse and numerous MTV shows such as Run’s House and Life Of Ryan. She is currently working on the studio feature Journey 2: The Mysterious Island (New Line Cinema) and the independent film I Am Ben in addition to the TV shows Modern Family (ABC), Traffic Light (Fox), Stargate Universe (Sy-Fy) and Chronicle. Chris Mollere, Fusion Music Supervision Session #2 on Thursday, November 17, 2011 (6:30 p.m.) – THIS SESSION IS SOLD OUT Music Supervisor Chris Mollere’s diverse interest in the world began quite early in life. Growing up in a military family, he traveled extensively while living in Europe and various stateside locations. At an early age he developed a unique appreciation and love for all styles of music. He especially credits his family’s love of music and his father’s extensive record collection as an early influence. His passion and love of music evolved even further as he began attending concerts and playing music himself. Chris attended and graduated from the University of Texas at Austin, and in addition to receiving an excellent education in the areas of psychology, advertising and business, he participated in countless music events that the city and state had to offer. Living in Austin provided Chris unlimited opportunities to attend concerts ranging from the most seasoned performers to a diverse variety of new artists. Becoming friends with many musicians and music venue owners provided Chris with a unique perspective of the behind the scenes challenges and business aspects of music. To further expand his knowledge of the music business, Chris worked with bands in management, production and promotional capacities. These early positions helped Chris understand many of the diverse facets involved in the music industry. After graduation, Chris moved to Los Angeles, California to pursue a full time career in music and entertainment. One of Chris’s first jobs was as a Producer’s / Composer’s Assistant at Music Forever in Hollywood. There he served as a liaison with record labels, advertising agencies, directors and producers while working on a plethora of projects. One of these projects was the film Memory, which provided Chris his first opportunity to work as a music supervisor, an experience that would confirm he could fuse together his passion for music and film. Since then, Chris has had numerous credits as a music supervisor, including working on the ABC Family Television series Kyle XY and 10 Things I Hate About You, as well as on the feature films The Box, I Hope They Serve Beer In Hell and The Haunting of Molly Hartley. Chris is currently the music supervisor for the CW television series The Vampire Diaries as well as for the ABC Family series Greek and Pretty Little Liars. He has recently completed the soundtrack for Season One of The Vampire Diaries, which was released on Capitol Records in October 2010, and he recently completed working on the soundtrack for Season One of Pretty Little Liars which is out on Water Tower Records. Special thanks to Jody Millerchip at SAE Institute in London for her help with this series. WHEN Session #2 with Fusion Music Supervision’s Chris Mollere – THIS SESSION IS SOLD OUT Thursday, November 17, 2011 (6:30 p.m.) 6:00 p.m. – Registration and networking 6:30 p.m. – Program begins 7:45 p.m. – Break 9:00 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Independents and Majors Music & Entertainment Attorneys Anyone seeking placement opportunities in film and television. WHERE SAE Institute London SAE House 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 (US) or 44 (0) 20 300 282 47 (UK) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 (US), 44 (0) 20 300 282 47 (UK) or email daniel AT narip DOT com. SOURCES FOR MORE INFO Andrea von Foerster Chris Mollere NARIP SAE Institute London Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-11-17 | In London – Music Supervisor Session #1: Andrea von Foerster *SOLD OUT*
Intimate Meetings & Pitch Sessions With Music Supervisors from Los Angeles Session #1 with Firestarter Music’s Andrea von Foerster on Thursday, Nov 17, 2011 (3:00 p.m.) at SAE Institute London, UK is SOLD OUT
What do Andrea von Foerster and Chris Mollere have in common? They are both special guests at NARIP Music Supervisor Sessions at SAE Institute of Technology in London. Representing the best and brightest in music supervision, these two seasoned execs are prolific users of music who select, commission and place music for films and television shows broadcast around the world. At NARIP’s intimate sessions, you get to meet and pitch them for current opportunities, and get immediate feedback to your music. Subscribers to Music Week and SongLink also receive discount. BACKGROUND NARIP Music Supervisor Sessions have been a hit in Los Angeles, New York, San Francisco and Berlin. Why? Because participants’ music is heard and they receive immediate feedback. The result? Placements! Since these sessions launched in April 2011, participants have enjoyed placements in True Blood and Dexter, with more placements pending (click here to read more). “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We look forward to bringing these sessions to London.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. Scroll down to buy tickets now for Andrea von Foerster’s Music Supervisor Session #1 or for Chris Mollere’s Music Supervisor Session #2. NARIP’s Music Supervisor Sessions have featured the following A-listers: Film & TV Music Supervisors:
Advertising Agency Music Supervisors (NOTE: sessions in New York are ongoing as of October 2011, see calender sidebar for dates and times):
BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who placed a song from his catalog (“Soul of a Man Never Dies”) in an episode of True Blood following our session with Gary Calamar earlier this year in Los Angeles. He has also placed a song in Dexter (“Jhaira”) which airs on October 23, 2011 in the US. You can read more about this here. These sessions should be of particular interest to those who represent catalogs and/or seek intimate pitch opportunities with the best (and busiest) music supervisors in Los Angeles. Limited to 15 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions in Los Angeles, Berlin, San Francisco and New York, participants have been able to pitch for current opportunities on the spot, receive instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At each session in London, participants will have the opportunity to pitch music for specific opportunities that will be emailed to them in advance of the session. Participants then present music and get immediate, direct feedback from one music supervisor. What attendees say about NARIP’s Music Supervisor Sessions held earlier this year in Los Angeles, San Francisco, Berlin and New York:
£179 NARIP Members * (discount also applies for AIM, ASCAP, BASCA, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers to Music Week and SongLink) £199 Non-Members * Available to Professional and Executive NARIP Members only (does not include Monthly Membership). REGISTER FOR BOTH LONDON SUPERVISOR SESSIONS AND GET FREE ADMISSION TO NOV 15 PROGRAM (How To Pitch, Market & License Music For Film & TV – a £65 value). To receive FREE admission to Nov 15 panel, just select the Premium Ticket option below. Subscribers to Music Week and SongLink also receive discount. THANK YOU Special thanks to Jody Millerchip at SAE Institute in London for her help with this series. ABOUT THE SUPERVISORS Andrea von Foerster, Firestarter Music Session #1 on Thursday, November 17, 2011 (3:00 p.m.) – THIS SESSION IS SOLD OUT Andrea von Foerster was born in the West Midlands in England and grew up in various parts of the U.K., Indiana and Southern California. She got her start in the music business while attending the School of Cinematic Arts at the University of Southern California. Andrea started working at Buena Vista Motion Pictures Group in the music department for live action features during her junior year on such films as Armageddon, Gone In Sixty Seconds and her favorite…High Fidelity. Andrea has done music supervision for film, television and online projects for the last ten years. Credits include music documentaries such as Freestyle: The Art Of Rhyme, Mayor Of The Sunset Strip and The White Stripes Under Great White Northern Lights as well as independent films such as (500) Days Of Summer, It’s Kind of A Funny Story and most recently From Prada To Nada. Television work includes The O.C., Grey’s Anatomy and Dollhouse and numerous MTV shows such as Run’s House and Life Of Ryan. She is currently working on the studio feature Journey 2: The Mysterious Island (New Line Cinema) and the independent film I Am Ben in addition to the TV shows Modern Family (ABC), Traffic Light (Fox), Stargate Universe (Sy-Fy) and Chronicle Chris Mollere, Fusion Music Supervision Session #2 on Thursday, November 17, 2011 (6:30 p.m.) – THIS SESSION IS SOLD OUT Music Supervisor Chris Mollere’s diverse interest in the world began quite early in life. Growing up in a military family, he traveled extensively while living in Europe and various stateside locations. At an early age he developed a unique appreciation and love for all styles of music. He especially credits his family’s love of music and his father’s extensive record collection as an early influence. His passion and love of music evolved even further as he began attending concerts and playing music himself. Chris attended and graduated from the University of Texas at Austin, and in addition to receiving an excellent education in the areas of psychology, advertising and business, he participated in countless music events that the city and state had to offer. Living in Austin provided Chris unlimited opportunities to attend concerts ranging from the most seasoned performers to a diverse variety of new artists. Becoming friends with many musicians and music venue owners provided Chris with a unique perspective of the behind the scenes challenges and business aspects of music. To further expand his knowledge of the music business, Chris worked with bands in management, production and promotional capacities. These early positions helped Chris understand many of the diverse facets involved in the music industry. After graduation, Chris moved to Los Angeles, California to pursue a full time career in music and entertainment. One of Chris’s first jobs was as a Producer’s / Composer’s Assistant at Music Forever in Hollywood. There he served as a liaison with record labels, advertising agencies, directors and producers while working on a plethora of projects. One of these projects was the film Memory, which provided Chris his first opportunity to work as a music supervisor, an experience that would confirm he could fuse together his passion for music and film. Since then, Chris has had numerous credits as a music supervisor, including working on the ABC Family Television series Kyle XY and 10 Things I Hate About You, as well as on the feature films The Box, I Hope They Serve Beer In Hell and The Haunting of Molly Hartley. Chris is currently the music supervisor for the CW television series The Vampire Diaries as well as for the ABC Family series Greek and Pretty Little Liars. He has recently completed the soundtrack for Season One of The Vampire Diaries, which was released on Capitol Records in October 2010, and he recently completed working on the soundtrack for Season One of Pretty Little Liars which is out on Water Tower Records. WHEN Session #1 with Firestarter Music’s Andrea von Foerster Thursday, November 17, 2011 (3:00 p.m.) – THIS SESSION IS SOLD OUT 2:30 p.m. – Registration and networking 3:00 p.m. – Program begins 4:15 p.m. – Break 5:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Independents and Majors Music & Entertainment Attorneys Anyone seeking placement opportunities in film and television. WHERE SAE Institute London SAE House 297 Kingsland Road E8 4DD London Click here for map. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 44 (0) 20 300 282 47 (UK) or 818-769-7007 (US) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 44 (0) 20 300 282 47 or 818-769-7007 (US), or email daniel AT narip DOT com. SOURCES FOR MORE INFO Andrea von Foerster Chris Mollere NARIP SAE Institute London Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2011-11-15 | In London – How To Pitch, Market & License Music For Film & TV
How To Pitch, Market & License Music For Film & TV on Tuesday, November 15, 2011 at the PRS For Music Boardroom in London
YOU WILL LEARN:
GUEST SPEAKERS (scroll down for speaker profiles): Chris Mollere, Fusion Music Supervision Andrea von Foerster, Firestarter Music Sharon Dean, Executive Director NARIP UK, Director Respect Music (co-moderator) Tess Taylor, NARIP President (moderator) WHEN Tuesday, November 15, 2011 6:00 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps Record & Music Publishing Executives Licensing & Film Professionals Anyone seeking to create or enhance revenue from music licensing. WHERE PRS For Music Boardroom 29-33 Berners Street London W1T 3AB Click here for map. COST £55 NARIP Members * ((discount also applies for AIM, ASCAP, BASCA, BPI, MMF, MPA, IMRO and PRS members, as well as to subscribers of Music Week and SonLink) £65 Non-Members * Available to Professional and Executive NARIP Members only (does not include Monthly Membership). AIM, ASCAP, BASCA, BPI, MMF, MPA, IMRO and PRS members please email daniel AT narip DOT com for directions to get discounted rate. Subscribers to Music Week and SongLink also receive discount. 3 WAYS TO REGISTER 1. Online (just scroll down) using PayPal or any major credit card (you need not be a PayPal member) 2. Call 44 (0) 20 300 282 47 (UK) or 818-769-7007 (US) to register with credit card 3. Walk-up if space permits (advance registration is recommended). Pre-payment guarantees seating. No refunds, all ticket sales final. We appreciate your cooperation. QUESTIONS? Call us at 44 (0) 20 300 282 47 (UK) or 818-769-7007 (US) or email daniel@narip.com. THANK YOU Special thanks to Alex Spargo at PRS for assistance with this event. ABOUT THE SPEAKERS Andrea von Foerster, Firestarter Music Andrea von Foerster was born in the West Midlands in England and grew up in various parts of the U.K., Indiana and Southern California. She got her start in the music business while attending the School of Cinematic Arts at the University of Southern California. Andrea started working at Buena Vista Motion Pictures Group in the music department for live action features during her junior year on such films as Armageddon, Gone In Sixty Seconds and her favorite…High Fidelity. Andrea has done music supervision for film, television and online projects for the last ten years. Credits include music documentaries such as Freestyle: The Art Of Rhyme, Mayor Of The Sunset Strip and The White Stripes Under Great White Northern Lights as well as independent films such as (500) Days Of Summer, It’s Kind of A Funny Story and most recently From Prada To Nada. Television work includes The O.C., Grey’s Anatomy and Dollhouse and numerous MTV shows such as Run’s House and Life Of Ryan. She is currently working on the studio feature Journey 2: The Mysterious Island (New Line Cinema) and the independent film I Am Ben in addition to the TV shows Modern Family (ABC), Traffic Light (Fox), Stargate Universe (Sy-Fy) and Chronicle. Chris Mollere, Fusion Music Supervision Music Supervisor Chris Mollere’s diverse interest in the world began quite early in life. Growing up in a military family, he traveled extensively while living in Europe and various stateside locations. At an early age he developed a unique appreciation and love for all styles of music. He especially credits his family’s love of music and his father’s extensive record collection as an early influence. His passion and love of music evolved even further as he began attending concerts and playing music himself. Chris attended and graduated from the University of Texas at Austin, and in addition to receiving an excellent education in the areas of psychology, advertising and business, he participated in countless music events that the city and state had to offer. Living in Austin provided Chris unlimited opportunities to attend concerts ranging from the most seasoned performers to a diverse variety of new artists. Becoming friends with many musicians and music venue owners provided Chris with a unique perspective of the behind the scenes challenges and business aspects of music. To further expand his knowledge of the music business, Chris worked with bands in management, production and promotional capacities. These early positions helped Chris understand many of the diverse facets involved in the music industry. After graduation, Chris moved to Los Angeles, California to pursue a full time career in music and entertainment. One of Chris’s first jobs was as a Producer’s / Composer’s Assistant at Music Forever in Hollywood. There he served as a liaison with record labels, advertising agencies, directors and producers while working on a plethora of projects. One of these projects was the film Memory, which provided Chris his first opportunity to work as a music supervisor, an experience that would confirm he could fuse together his passion for music and film. Since then, Chris has had numerous credits as a music supervisor, including working on the ABC Family Television series Kyle XY and 10 Things I Hate About You, as well as on the feature films The Box, I Hope They Serve Beer In Hell and The Haunting of Molly Hartley. Chris is currently the music supervisor for the CW television series The Vampire Diaries as well as for the ABC Family series Greek and Pretty Little Liars. He has recently completed the soundtrack for Season One of The Vampire Diaries, which was released on Capitol Records in October 2010, and he recently completed working on the soundtrack for Season One of Pretty Little Liars which is out on Water Tower Records.  Sharon Dean, Executive Director NARIP UK, Director Respect Music (co-moderator) Ms. Dean is Executive Director or NARIP UK and Founder / Director of London-based publishing company Respect Music. Prior to starting Respect Music she was Director of Licensing at PRS for Music where she was responsible for all audio / product / media licensing. She is also on the Board of AIM.  Tess Taylor, NARIP President (moderator) Tess Taylor is president of the National Association of Record Industry Professionals (NARIP) and creator of NARIP’s Music Supervisor Sessions, which have yielded multiple placements in shows such as True Blood, Dexter and others in less than six months since the series inception in 2011. Featuring top music supervisors from the film, TV and ad agency sectors, NARIP’s sessions have been a hit in Los Angeles, San Francisco, Berlin and New York, with sessions scheduled in London in November 2011 (two of which are sold out). One of the nation’s leading authorities on careers in the music and record industries, Ms. Taylor has connected countless people to jobs and opportunities through her work in the US and abroad, cultivated collaborations for over two decades, helped launch hundreds of projects and several companies. Music Connection magazine named Ms. Taylor in its list of “50 Innovators, Iconoclasts, Groundbreakers & Guiding Lights of 2008” (Dec 2008). Dubbed “International Music Ambassador” by music supervisor P.J. Bloom (Glee, Nip/Tuck, The Shield, CSI: Miami), Ms. Taylor works with groups such as the European Music Export Office, Danish Songwriters Guild, French Music Export Office, Boomtown (Sweden), Berlin Music Commission and others to connect their members to opportunities in LA and throughout the U.S. She has consulted leading businesses such as MySpace.com in its start-up phase, InsideSessions (a joint venture between the Universal Music Group and Penguin Putnam, Inc.), The Walt Disney Company, BMG Entertainment (formerly Sony BMG), Concord Records and others. Ms. Taylor has lectured at the Harvard Business School, in Bangalore, Berlin and beyond. She recently keynoted at Popkomm (Berlin), at the Drucker Career Conference (LA), the Trigger Creative Conference (Borlange, Sweden), and guest-lectured at the University of Vienna’s Institute für Popularmusik in Austria. She was invited to present her “Success Strategies” at NAMM 2011. Deeply annoyed by people who think music should be free, Ms. Taylor is a vigorous defender of intellectual property rights and debated Electronic Frontier Foundation co-founder John Perry Barlow on “free music” at the University of Massachusetts at Dartmouth (2006) and was invited for a rematch at Ohio University (2008). She won both times. From 1988 to 1993 Ms. Taylor was employed at MCA Records, Inc., last serving as Associate Director of Marketing. A classically trained pianist, she studied music at the University of Vienna, and is a Phi Beta Kappa, Magna Cum Laude graduate of the University of Redlands’ Johnston College where she received her BA degree in music, German and literature. She loves traveling the world, nibbling dark chocolates and drinks lots of tea. She also loves fine fountain pens, anything written or recorded by Glenn Gould or Pete Townshend, gripping crime novels and hiking with her English cocker spaniel. SOURCES FOR MORE INFO: Andrea von Foerster Chris Mollere NARIP PRS Respect Music Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. |
| 2019-10-30 | In LA: NARIP Trailer Music Supervisor Pitch Session (Motherless Brooklyn, IT Ends, Toy Story 4, Trolls World Tour, Call of Duty): Alison Sieh
NARIP Trailer Music Supervisor Pitch Sessionwith Aspect’s Alison Sieh |
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