NARIP has hosted over 800 events covering topics such as music publishing, songwriting, music licensing, and artist management, among others.
NARIP has also organized pitch sessions where music creators and songwriters can pitch their work to industry professionals for feedback and potential placements.
Become a NARIP Member
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| Date | Name |
|---|---|
| 2012-06-20 | In LA – NARIP Film-TV Music Supervisor Session #4: Aperture’s Jonathan Leahy
Intimate Pitch Meetings with Film & TV Music Supervisors  Session #4 with Aperture Music’s Jonathan Leahy Moved to Wednesday, June 20, 2012 at Universal Mastering Studios in Los Angeles, CA DETAILS Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch Leahy for current opportunities on the spot, receiving instant feedback as to whether a song is appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even have time to re-work their music to better fit a supervisors’ needs. Music licensing has grown increasing important as a vehicle to expose and market music. At NARIP’s Music Supervisor Sessions, participants get the inside track on how top music supervisors select music for their projects and do business. Limited enrollment guarantees face-time, one-on-one feedback to music from these career-makers. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities. ABOUT JONATHAN LEAHY Jonathan arrived in LA with a background in visual arts and film-making before shifting his focus to writing and performing music. In 2007 he began working with Manish Raval and Tom Wolfe at Aperture Music which was focused exclusively on feature film music supervision. In the past five years they’ve expanded into television, supervising shows such as Community, New Girl, Raising Hope, Happy Endings and the new HBO series “Girls”. In addition to music supervision, Jonathan continues to write and produce, most recently working with LA artist White Sea and scoring director Daniel Stamm’s debut feature “A Necessary Death”. About Aperture Music: Through the years Aperture has worked with the likes of Wilco, Phantom Planet, Lyle Lovett, Jackson Browne, Jewel, Ivy, Brian Setzer, Foo Fighters, Smash Mouth, The Offspring, Pete Yorn, Steely Dan, Nick Lowe and Todd Rundgren. Oh Yeah, and Ghostface Killah. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. SUCCESS STORIES NARIP members have made placements through these limited enrollment sessions, click here to read the stories WHEN Session #4 with Aperture’s Jonathan Leahy Wednesday, June 20, 2012 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends Can’t attend or not in LA? Pitch via Skype! Call 818-769-7007 or email mary AT narip DOT com for details. Special thanks to Nick Dofflemyer at Universal Mastering Studios for sponsoring this event. WHERE: Universal Mastering 3400 Cahuenga Blvd. – Building C Los Angeles, CA 90068 Tel: 818.286.6233 LOCATIONS FOR NARIP’S SESSIONS IN THIS SERIES VARY. PLEASE BE SURE TO NOTE CORRECT LOCATION FOR EACH SESSION! DIRECTIONS & MAP Universal Mastering Studios is not visible from the street (Cahuenga), it is in the same complex as LA Fitness, right next to Panasonic and in the former Hanna Barbera Building. Major cross streets: Universal Studios Boulevard and Oakshire Drive, just east of Universal Studios Boulevard. The entrance is in the BACK of the building. Click here for map. PARKING Parking is free, but please note that Universal Mastering Studios has only 5 spots allotted directly in front of the entrance to the studio. If these are full then continue into the parking structure where you will find more spots on level B2. Be sure to park ONLY in spots marked UMSW (Universal Mastering Studios West) – spots for NARIP event attendees will be reserved with traffic cones. There is also street parking available – be sure to read posted signs. FILM-TV SESSIONS
1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. PER-SESSION COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not Monthly Members). REGISTER FOR ALL SIX LOS ANGELES FILM-TV SESSIONS AND SAVE $1,345 for NARIP Members (save $149) – Professional and Executive NARIP Members ONLY* $1,825 for Non-Members (save $149) * Available to Professional and Executive NARIP Members only. To register for all six sessions and receive the discount, select Premium Ticket option below (scroll down). WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in film, TV and promotion trailers. QUESTIONS? Call us at 818-769-7007 or email simone AT narip DOT com. SOURCES FOR MORE INFO Aperture Music CBS Fuel TV KCRW NARIP Velvet Ears Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |
| 2012-03-22 | In LA – NARIP Film-TV Music Supervisor Session #3: Liz Gallacher
Intimate Pitch Meetings with Film & TV Music Supervisors  Session #3 with Velvet Ears’ Liz Gallacher on Thursday, March 22, 2012 in Los Angeles, CA
Velvet Ears’ Liz Gallcher is our special guest at NARIP’s next Music Supervisor Session in Los Angeles. Gallacher selects, licenses and places music for a variety of film and television shows in the UK and the US, and has contributed to a number of award-winning projects The Full Monty (Brit Award winner for Best Soundtrack), 24 Hour Party People (short-listed for Film Music at the 2003 NME Awards), One Day In September (Oscar-Award winning documentary), The Gathering Storm (Golden Globe winner) and more. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch Gallacher for current opportunities. Music licensing has grown increasing important as a vehicle to expose and market music. At NARIP’s Music Supervisor Sessions, participants get the inside track on how top music supervisors select music for their projects and do business. Limited enrollment guarantees face-time, one-on-one feedback to music from these career-makers. SUCCESS STORIES & BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who has secured multiple placements. These include placing “The Big One” in the film Chronicle, “Soul of a Man Never Dies” in an episode of True Blood and “Jhiara” in an episode of Dexter following NARIP sessions with Andrea von Foerster and Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best trailer house music supervisors in the business. Limited to 16 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions last year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At our next series in Los Angeles, participants will have the opportunity to pitch music for specific opportunities for current trailer and film promotional campaigns and get immediate, direct feedback from one trailer house music supervisor. A NEW ACCESS POINT “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in London, Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We’re grateful for the positive reception we received in London at our first sessions there in November, and look forward to bringing many more to this city that has produced some of the best-loved music in the world.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. NARIP Music Supervisor Sessions in the News Thank you again to Joe Muggs for his great piece in The Guardian which has been picked up worldwide:
Film & TV Music Supervisors:
Advertising Agency Music Supervisors:
What attendees say about NARIP’s Music Supervisor Sessions (with film / TV and ad agency music supervisors) held in 2011 in London, Los Angeles, New York, San Francisco and Berlin:
$249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not Monthly Members). REGISTER FOR ALL SIX LOS ANGELES FILM-TV SESSIONS AND SAVE $1,345 for NARIP Members (save $149) – Professional and Executive NARIP Members ONLY* $1,825 for Non-Members (save $149) * Available to Professional and Executive NARIP Members only. To register for all six sessions and receive the discount, select Premium Ticket option below (scroll down). THANK YOU  Special thanks to Sharon Jennings at APM Music for her help with this series. ABOUT THE SUPERVISORS  Samuel Diaz, Associate Director of Music Supervision, CBS Television Session #1: Thursday, February 23, 2012 at 7:00 p.m. An industry professional for over 18 years, Samuel worked as in-house music supervisor for Frasier, JAG, the Star Trek TV franchise and many other productions while at Paramount Television. Now with CBS Television Studios, he is the in-house music supervisor for NCIS, The Good Wife, Blue Bloods, Common Law, NYC 22 and other productions. In the 2011-2012 television season, NCIS is the #1 scripted show in the US while in the 2010-2011 season The Good Wife received an Emmy nomination for Best TV Series-Drama and a Golden Globe nomination for Outstanding Drama Series. The shows he oversees have a total weekly viewership of over 50 million people in the US. He also handles production work for other CBS and CW shows, works on numerous Paramount Television and CBS DVD and streaming projects and takes part in the selection of composers for new shows.  Madonna Wade-Reed, Music Supervisor, whoopsie daisy music Session #2: Thursday, March 08, 2012 at 7:00 p.m. Madonna began her career as a producer’s assistant in feature films. From there went on to work as an assistant to a well-known actor and then a successful commercial director. A love of music lead to a career move into music video production and eventually into the position of Head of Music Video at Spy Productions in Los Angeles. This move offered many great opportunities to help develop directing talent. Madonna then segued into a career in music supervision – first, as a partner in Daisy Music and now as owner of whoopsie daisy. Madonna’s television career has included work on series such as Charlie’s Angels, Blue Mountain State, Smallville, Castle, What About Brian, Barbershop, One Tree Hill, Alias and Felicity and such films as Fred: The Movie, The Perfect Score, My Boss’s Daughter, Careless and the yet to be released A Thousand Words starring Eddie Murphy and Kerry Washington. Madonna is currently supervising the third season of the SpikeTV series Blue Mountain State and Jane By Design for ABC Family. Liz Gallacher, Music Supervisor, Velvet Ears Session #3: Thursday, March 22, 2012 at 7:00 p.m. (current selection) Liz started her career as a Music Researcher and Associate Producer for a number of UK-based TV companies. She then created Liz Gallacher Music Supervision in 1996 and quickly established herself as one of the most experienced and creatively diverse music supervisors in film and television today. Her work on projects such as The Full Monty (winner of a Brit Award for Best Soundtrack) and Resident Evil (Grammy nomination for Best Metal Performance) has garnered praise from producers, directors and the press. 24 Hour Party People was short-listed for Film Music at the 2003 NME Awards. Liz’s film credits also include the Oscar-Award winning documentary One Day In September, Golden Globe winner The Gathering Storm and feature films such as Layer Cake, Calendar Girls and Bend It Like Beckham. Other recent film credits include Best British film winner Fishtank, and the Oscar-winning documentary The Cove. Liz moved to Los Angeles in 2008 and created Velvet Ears in 2010. Named after her dog’s silky-soft ears and impeccable music taste, Velvet Ears specializes in all things music. From Music Supervision to their newest Music Library venture, Velvet Ears has the film and TV music industry covered. Jonathan Leahy, Music Supervisor, Aperture Music Session #4: Wednesday, April 4, 2012 at 7:00 p.m. (current selection) Bio to follow shortly. About Aperture Music: Through the years Aperture has worked with the likes of Wilco, Phantom Planet, Lyle Lovett, Jackson Browne, Jewel, Ivy, Brian Setzer, Foo Fighters, Smash Mouth, The Offspring, Pete Yorn, Steely Dan, Nick Lowe and Todd Rundgren. Oh yeah, and Ghostface Killah.  Dan Wilcox, Independent Music Supervisor / KCRW DJ Session #5: Thursday, April 5, 2012 at 7:00 p.m. It was evident at an early age that Dan Wilcox had a passion for music – he learned how to use his parents’ turntable before he could tie his shoes. Growing up in Eau Claire, Wisconsin, interesting music was in short supply and Dan would frequent the college record store, comb garage sales, scan fanzines and make out-of-town trips just to satisfy his craving for intriguing and exotic tunes, both new and old. This experience serves him well to this day as both a DJ and a music supervisor. For years, Dan was Music Director at Ten Music, a company that found commercial licensing opportunities for indie artists. He now works freelance as a music supervisor for various film, TV and ad projects. Since 2007, Dan has hosted a Saturday night music program on KCRW. He hosts a musical piñata of sounds perfect for a night of partying, including new discoveries, remixes and rarities, b-sides and lost classics. In addition, he has deejayed at many of the top nightspots in Los Angeles, including The Standard Hotel, Bardot, Zanzibar, The Crocker Club and a residency at The Doheny, as well as various events at the Hammer Museum, Los Angeles Film Festival and the Independent Spirit Awards.  Scott McDaniel, Director of Music, Fuel TV Session #6: Thursday, May 3, 2012 at 7:00 p.m. Scott’s background in music encompasses a range of experience related to the art and business of joining music with visual and entertainment mediums. As the Director of Music at FUEL TV, Scott is responsible for music supervision of the network’s extensive slate of original and licensed programming as well as live event coverage and special features along with overseeing all music licensing efforts. From searching for the right music to highlighting a specific moment, negotiating terms of use with labels and publishers, coordinating on-air artist performances, soliciting original composition creations or facilitating marketing initiatives involving music based promotions, every day is a different challenge. FUEL TV is a division of Fox Sports where Scott’s expertise in music supervision and licensing is also lent to assist the efforts of affiliate stations and their on-air promotions. Prior to FUEL TV, Scott’s talents contributed towards pioneering the increasing connection between music and gaming as Senior Music Supervisor at Activision Blizzard. It was in this position that Scott was awarded Videogame Music Supervisor of the Year for 2010 by his peers in the Guild of Music Supervisors. A result of aggressively seeking opportunities to expand Activision’s alliances with artists, managers, record labels, music publishers, talent agencies and composers within leading and new videogame franchises such as Guitar Hero, DJ Hero, Tony Hawk, Call of Duty, Spider-Man and James Bond – whether selecting songs and shaping music direction, negotiating license terms, placing music personalities into games, supervising original song creation and recordings, compiling and releasing soundtracks or booking talent for appearances, interviews and live performances. Scott worked on a variety of projects of all budget sizes to deliver high quality, award winning soundtracks as well as drive collaborations with some of the music industry’s biggest artists including Metallica, Daft Punk, Taylor Swift, Soundgarden, Aerosmith, Deadmau5, RZA, Pharrell Williams, Sex Pistols and more. Scott is a Los Angeleno native and music obsessive intent on regularly discovering new music. WHEN Session #3 with Velvet Ears’ Liz Gallacher Thursday, March 22, 2012 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in film, TV and promotion trailers. WHERE APM Music Studios 8255 Beverly Boulevard Suite 221 (Buzzer #12) Los Angeles, CA 90048 Between La Cienega and Fairfax at Harper Click here for map. PARKING Valet parking behind the building is $5. Metered street parking is also available from 8am – 8pm at $1.00 per hour (2 hours max). Parking meters accept Amex, Visa and Mastercard. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email info AT narip DOT com. SOURCES FOR MORE INFO Aperture Music CBS Fuel TV KCRW NARIP Velvet Ears Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |
| 2012-03-08 | In LA – NARIP Film-TV Music Supervisor Session #2: Madonna Wade-Reed
Intimate Pitch Meetings with Film & TV Music Supervisors Session #2 with Whoopsie Daisy Music’s Madonna Wade-Reed on Thursday, March 8, 2012 in Los Angeles, CA
Whoopsie Daisy Music’s Madonna Wade-Reed is our special guest at NARIP’s next Music Supervisor Session in Los Angeles. Wade-Reed selects, licenses and places music for a variety of film and television shows, including the third season of the SpikeTV series Blue Mountain State and Jane By Design for ABC Family. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch Wade-Reed for current opportunities. Music licensing has grown increasing important as a vehicle to expose and market music. At NARIP’s Music Supervisor Sessions, participants get the inside track on how top music supervisors select music for their projects and do business. Limited enrollment guarantees face-time, one-on-one feedback to music from these career-makers. SUCCESS STORIES & BACKGROUND NARIP members have made placements through these limited enrollment sessions, including most recently Peter Kimmel who has secured multiple placements. These include placing “The Big One” in the film Chronicle, “Soul of a Man Never Dies” in an episode of True Blood and “Jhiara” in an episode of Dexter following NARIP sessions with Andrea von Foerster and Gary Calamar earlier this year in Los Angeles. You can read more about it here. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best trailer house music supervisors in the business. Limited to 16 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions last year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At our next series in Los Angeles, participants will have the opportunity to pitch music for specific opportunities for current trailer and film promotional campaigns and get immediate, direct feedback from one trailer house music supervisor. A NEW ACCESS POINT “We have created an access point that wasn’t available before,” says Tess Taylor, president of the National Association of Record Industry Professionals (NARIP) and creator of the series. “We’re thrilled with the success of these sessions in London, Los Angeles, New York, San Francisco and Berlin, as are participants. This broadens the access to music, access that might otherwise not exist. We’re grateful for the positive reception we received in London at our first sessions there in November, and look forward to bringing many more to this city that has produced some of the best-loved music in the world.” NARIP’s sessions diversify potential usage of music and are appropriate for those who represent catalogs of all sizes. NARIP Music Supervisor Sessions in the News Thank you again to Joe Muggs for his great piece in The Guardian which has been picked up worldwide:
Film & TV Music Supervisors:
Advertising Agency Music Supervisors:
What attendees say about NARIP’s Music Supervisor Sessions (with film / TV and ad agency music supervisors) held in 2011 in London, Los Angeles, New York, San Francisco and Berlin:
$249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not Monthly Members). REGISTER FOR ALL SIX LOS ANGELES FILM-TV SESSIONS AND SAVE $1,345 for NARIP Members (save $149) – Professional and Executive NARIP Members ONLY* $1,825 for Non-Members (save $149) * Available to Professional and Executive NARIP Members only. To register for all six sessions and receive the discount, select Premium Ticket option below (scroll down). THANK YOU Special thanks to Sharon Jennings at APM Music for her help with this series. ABOUT THE SUPERVISORS Samuel Diaz, Associate Director of Music Supervision, CBS Television Session #1: Thursday, February 23, 2012 at 7:00 p.m. An industry professional for over 18 years, Samuel worked as in-house music supervisor for Frasier, JAG, the Star Trek TV franchise and many other productions while at Paramount Television. Now with CBS Television Studios, he is the in-house music supervisor for NCIS, The Good Wife, Blue Bloods, Common Law, NYC 22 and other productions. In the 2011-2012 television season, NCIS is the #1 scripted show in the US while in the 2010-2011 season The Good Wife received an Emmy nomination for Best TV Series-Drama and a Golden Globe nomination for Outstanding Drama Series. The shows he oversees have a total weekly viewership of over 50 million people in the US. He also handles production work for other CBS and CW shows, works on numerous Paramount Television and CBS DVD and streaming projects and takes part in the selection of composers for new shows. Madonna Wade-Reed, Music Supervisor, whoopsie daisy music Session #2: Thursday, March 08, 2012 at 7:00 p.m. (current selection) Madonna began her career as a producer’s assistant in feature films. From there went on to work as an assistant to a well-known actor and then a successful commercial director. A love of music lead to a career move into music video production and eventually into the position of Head of Music Video at Spy Productions in Los Angeles. This move offered many great opportunities to help develop directing talent. Madonna then segued into a career in music supervision – first, as a partner in Daisy Music and now as owner of whoopsie daisy. Madonna’s television career has included work on series such as Charlie’s Angels, Blue Mountain State, Smallville, Castle, What About Brian, Barbershop, One Tree Hill, Alias and Felicity and such films as Fred: The Movie, The Perfect Score, My Boss’s Daughter, Careless and the yet to be released A Thousand Words starring Eddie Murphy and Kerry Washington. Madonna is currently supervising the third season of the SpikeTV series Blue Mountain State and Jane By Design for ABC Family. Liz Gallacher, Music Supervisor, Velvet Ears Session #3: Thursday, March 22, 2012 at 7:00 p.m. Liz started her career as a Music Researcher and Associate Producer for a number of UK-based TV companies. She then created Liz Gallacher Music Supervision in 1996 and quickly established herself as one of the most experienced and creatively diverse music supervisors in film and television today. Her work on projects such as The Full Monty (winner of a Brit Award for Best Soundtrack) and Resident Evil (Grammy nomination for Best Metal Performance) has garnered praise from producers, directors and the press. 24 Hour Party People was short-listed for Film Music at the 2003 NME Awards. Liz’s film credits also include the Oscar-Award winning documentary One Day In September, Golden Globe winner The Gathering Storm and feature films such as Layer Cake, Calendar Girls and Bend It Like Beckham. Other recent film credits include Best British film winner Fishtank, and the Oscar-winning documentary The Cove. Liz moved to Los Angeles in 2008 and created Velvet Ears in 2010. Named after her dog’s silky-soft ears and impeccable music taste, Velvet Ears specializes in all things music. From Music Supervision to their newest Music Library venture, Velvet Ears has the film and TV music industry covered. Jonathan Leahy, Music Supervisor, Aperture Music Session #4: Wednesday, April 4, 2012 at 7:00 p.m. (current selection) Bio to follow shortly. About Aperture Music: Through the years Aperture has worked with the likes of Wilco, Phantom Planet, Lyle Lovett, Jackson Browne, Jewel, Ivy, Brian Setzer, Foo Fighters, Smash Mouth, The Offspring, Pete Yorn, Steely Dan, Nick Lowe and Todd Rundgren. Oh yeah, and Ghostface Killah. Dan Wilcox, Independent Music Supervisor / KCRW DJ Session #5: Thursday, April 5, 2012 at 7:00 p.m. It was evident at an early age that Dan Wilcox had a passion for music – he learned how to use his parents’ turntable before he could tie his shoes. Growing up in Eau Claire, Wisconsin, interesting music was in short supply and Dan would frequent the college record store, comb garage sales, scan fanzines and make out-of-town trips just to satisfy his craving for intriguing and exotic tunes, both new and old. This experience serves him well to this day as both a DJ and a music supervisor. For years, Dan was Music Director at Ten Music, a company that found commercial licensing opportunities for indie artists. He now works freelance as a music supervisor for various film, TV and ad projects. Since 2007, Dan has hosted a Saturday night music program on KCRW. He hosts a musical piñata of sounds perfect for a night of partying, including new discoveries, remixes and rarities, b-sides and lost classics. In addition, he has deejayed at many of the top nightspots in Los Angeles, including The Standard Hotel, Bardot, Zanzibar, The Crocker Club and a residency at The Doheny, as well as various events at the Hammer Museum, Los Angeles Film Festival and the Independent Spirit Awards. Scott McDaniel, Director of Music, Fuel TV Session #6: Thursday, May 3, 2012 at 7:00 p.m. Scott’s background in music encompasses a range of experience related to the art and business of joining music with visual and entertainment mediums. As the Director of Music at FUEL TV, Scott is responsible for music supervision of the network’s extensive slate of original and licensed programming as well as live event coverage and special features along with overseeing all music licensing efforts. From searching for the right music to highlighting a specific moment, negotiating terms of use with labels and publishers, coordinating on-air artist performances, soliciting original composition creations or facilitating marketing initiatives involving music based promotions, every day is a different challenge. FUEL TV is a division of Fox Sports where Scott’s expertise in music supervision and licensing is also lent to assist the efforts of affiliate stations and their on-air promotions. Prior to FUEL TV, Scott’s talents contributed towards pioneering the increasing connection between music and gaming as Senior Music Supervisor at Activision Blizzard. It was in this position that Scott was awarded Videogame Music Supervisor of the Year for 2010 by his peers in the Guild of Music Supervisors. A result of aggressively seeking opportunities to expand Activision’s alliances with artists, managers, record labels, music publishers, talent agencies and composers within leading and new videogame franchises such as Guitar Hero, DJ Hero, Tony Hawk, Call of Duty, Spider-Man and James Bond – whether selecting songs and shaping music direction, negotiating license terms, placing music personalities into games, supervising original song creation and recordings, compiling and releasing soundtracks or booking talent for appearances, interviews and live performances. Scott worked on a variety of projects of all budget sizes to deliver high quality, award winning soundtracks as well as drive collaborations with some of the music industry’s biggest artists including Metallica, Daft Punk, Taylor Swift, Soundgarden, Aerosmith, Deadmau5, RZA, Pharrell Williams, Sex Pistols and more. Scott is a Los Angeleno native and music obsessive intent on regularly discovering new music. WHEN Session #2 with Whoopsie Daisy Music’s Madonna Wade-Reed Thursday, March 8, 2012 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in film, TV and promotion trailers. WHERE APM Music Studios 8255 Beverly Boulevard Suite 221 (Buzzer #12) Los Angeles, CA 90048 Between La Cienega and Fairfax at Harper Click here for map. PARKING Valet parking behind the building is $5. Metered street parking is also available from 8am – 8pm at $1.00 per hour (2 hours max). Parking meters accept Amex, Visa and Mastercard. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email info AT narip DOT com. SOURCES FOR MORE INFO Aperture Music CBS Fuel TV KCRW NARIP Velvet Ears Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |
| 2012-02-23 | In LA – NARIP Film-TV Music Supervisor Session #1 with CBS’s Samuel Diaz
Intimate Pitch Meetings with Film & TV Music Supervisors Session #1 with CBS Television’s Samuel Diaz on Thursday, February 23, 2012 in Los Angeles, CA
DETAILS CBS Television Studios’ Associate Director of Music Supervision is our special guest at NARIP’s next Music Supervisor Session in Los Angeles. Diaz selects composers, licenses and places music for CBS and CW shows which have a total weekly viewership of over 50 million people in the US. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. THE SESSIONS Music licensing has grown increasing important as a vehicle to expose and market music. At NARIP’s Music Supervisor Sessions, participants get the inside track on how top music supervisors select music for their projects and do business. Limited enrollment guarantees face-time, one-on-one feedback to music from these career-makers. Placements secured and professional relationships formed through these meetings are so good that we felt this format would work well for those who represent catalogs and/or seek intimate pitch opportunities with the best trailer house music supervisors in the business. Limited to 16 people, NARIP’s sessions enable you to get to know the supervisors and more importantly, enable them to get to know you. At private sessions last year in Los Angeles, New York, San Francisco, Berlin and London participants were able to pitch for current opportunities on the spot, receiving instant feedback as to whether a song was appropriate or not, and WHY. This valuable feedback makes better pitches – and ultimately, placements – possible. In some cases, participants even had time to re-work their music to better fit a supervisors’ needs. Above all, attendees MET key players in the modern music business, paving the way for future opportunities and giving them an edge in a highly competitive market. At our next series in Los Angeles, participants will have the opportunity to pitch music for specific opportunities for current trailer and film promotional campaigns and get immediate, direct feedback from one trailer house music supervisor. ABOUT THE SUPERVISOR Samuel Diaz, Associate Director of Music Supervision, CBS Television Session #1: Thursday, February 23, 2012 at 7:00 p.m. (current selection) An industry professional for over 18 years, Samuel worked as in-house music supervisor for Frasier, JAG, the Star Trek TV franchise and many other productions while at Paramount Television. Now with CBS Television Studios, he is the in-house music supervisor for NCIS, The Good Wife, Blue Bloods, Common Law, NYC 22 and other productions. In the 2011-2012 television season, NCIS is the #1 scripted show in the US while in the 2010-2011 season The Good Wife received an Emmy nomination for Best TV Series-Drama and a Golden Globe nomination for Outstanding Drama Series. The shows he oversees have a total weekly viewership of over 50 million people in the US. He also handles production work for other CBS and CW shows, works on numerous Paramount Television and CBS DVD and streaming projects and takes part in the selection of composers for new shows. PER-SESSION COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not Monthly Members). REGISTER FOR ALL SIX LOS ANGELES FILM-TV SESSIONS AND SAVE $1,345 for NARIP Members (save $149) – Professional and Executive NARIP Members ONLY* $1,825 for Non-Members (save $149) * Available to Professional and Executive NARIP Members only. To register for all six sessions and receive the discount, select Premium Ticket option below (scroll down). THANK YOU Special thanks to Sharon Jennings at APM Music for her help with this series. WHEN Session #1 with CBS’s Samuel Diaz Thursday, February 23, 2012 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Music & Entertainment Attorneys Anyone seeking placement opportunities in film, TV and promotion trailers. WHERE APM Music Studios 8255 Beverly Boulevard Suite 221 (Buzzer #12) Los Angeles, CA 90048 Between La Cienega and Fairfax at Harper Click here for map. PARKING Valet parking behind the building is $5. Metered street parking is also available from 8am – 8pm at $1.00 per hour (2 hours max). Parking meters accept Amex, Visa and Mastercard. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS? Call us at 818-769-7007 or email info AT narip DOT com. SOURCES FOR MORE INFO Aperture Music CBS Fuel TV KCRW NARIP Velvet Ears Get connected. Stay connected. The National Association of Record Industry Professionals promotes career advancement, education and good will among record executives. . |
| 2014-06-26 | In LA – NARIP Film TV Music Supervisor Session -w- Jonathan Weiss (Kardashians, The Challenge)
An Intimate Meeting & Pitch Session with Top Reality Television Music Supervisor Jonathan Weiss Jump To Registration: Click HERE To Buy Your Ticket NOW  on Thursday, June 26, 2014 (7:00 p.m.) DETAILS Jonathan Weiss is our special guest at this NARIP Trailer Music Supervisor Session in Los Angeles. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch them for current opportunities. ABOUT JONATHAN WEISS Jonathan Weiss is a Los Angeles-based music supervisor for film and television. He currently music supervises the shows The Challenge: Free Agents airing on MTV. Jonathan recently music supervised the ninth season of Keeping Up With The Kardashians on the E! Entertainment; Love Games for the Oxygen Channel and The Weinstein Company documentary Salinger. Other credits include Interscope Presents The Next Episode for Showtime Entertainment, The Education of Max Bickford for CBS, U.C. Undercover for NBC, Celebrity Undercover for MTV and the theatrical release The Big Tease for Warner Bros. Pictures. Jonathan has also worked in A&R for Capitol Records and Universal Music Publishing, as well as Taxi, an independent A&R service. Jonathan has also done on-air work for KKJZ, the only full-time jazz radio station playing in Southern California and on the Web. OVER 150 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session Participants have placed almost 100 tracks as a direct result of NARIP Sessions, most recently in a trailer for the Warner Bros. film Grudge Match starring Robert De Niro and Sylvester Stallone. DON’T GET LOST IN THE CROWD : SMALL IS GOOD NARIP Sessions are deliberately kept small, which is why they work so well and why participants have enjoyed over 100 placements. Enrollment at this Session is limited to 16 people who wish to pitch. Pitch registrants get face-time with Rachel, a brief of our guest’s CURRENT music needs prior to the session to help them prepare, time to pitch plus immediate feedback from her. Meet and pitch Rachel for current opportunities. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU Special thanks to Jessica Ramos and Bridget Gardiner at SAE Institute of Technology for their help organizing this event. WHEN Thursday, June 26, 2014 (7:00 p.m.) 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHERE SAE Institute of Technology 6565 W. Sunset Boulevard Suite 280, Classroom D Los Angeles, CA 90028-7205 DIRECTIONS & MAP Major cross streets: Sunset and Cahuenga. Click here for map. Enter main lobby of building and take elevator to second floor, Suite 280 (Classroom D). PARKING $10 flat rate after 6:00 p.m. in the 6565 building lot. $6 parking in church lot at Sunset & Cassil (enter from Selma, behind church) – lot closes 11pm Metered street parking but be sure to read signs carefully NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT If you can’t be here in person, at most locations we can accommodate pitching via Google Hangout, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email Mary Bee at 818-769-700 or mary@narip.com. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in trailers, film and TV promotional campaigns. COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Ignition Creative NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2014-02-12 | In LA – NARIP Film Music Supervisor Session -w- Universal Pictures’ Rachel Levy
An Intimate Meeting & Pitch Session with Rachel Levy, Senior Vice President Motion Picture Music, Universal Pictures on Wednesday, February 12, 2014 (7:00 p.m.) DETAILS Rachel Levy is our special guest at this NARIP Film Music Supervisor Session in Los Angeles. Her most recent projects for the studio include Best Man Holiday, Identity Thief and Universal’s record-breaking franchise films Fast and Furious 6 and Despicable Me 2. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. ABOUT RACHEL LEVY Senior Vice President, Motion Picture Music, Universal Pictures Currently Senior Vice President for Universal Pictures, Rachel Levy has spent the last 14 years working in film music. Her most recent projects for the studio include Best Man Holiday, Identity Thief and Universal’s record-breaking franchise films Fast and Furious 6 and Despicable Me 2. Additional Universal credits include Oblivion, Contraband, Safe House, The Bourne Identity, Dr. Seuss’: The Lorax, Snow White & The Hunstman, and Tower Heist. Prior to her post at Universal, Levy was Senior Vice President of Film Music for The Weinstein Company / Dimension Films, supervising numerous films for both companies. Highlights include Bobby, The Great Debaters, 1408, Grace is Gone, Rob Zombie’s Halloween, The Mist, Soul Men, The Nanny Diaries, The Reader, Piranha 3D, and Rob Marshall’s Nine. Born and raised in Austin, Texas, she lives in Los Angeles with her husband and 2 children. Come meet this career-maker. ALMOST 100 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session Participants have placed almost 100 tracks as a direct result of NARIP Sessions, most recently in a trailer for the Warner Bros. film Grudge Match starring Robert De Niro and Sylvester Stallone. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small, which is why they work so well and why participants have enjoyed almost 100 placements. Enrollment at this Session is limited to 16 people who wish to pitch. Pitch registrants get face-time with Rachel, a brief of our guest’s CURRENT music needs prior to the session to help them prepare, time to pitch plus immediate feedback from her. Meet and pitch Rachel for current opportunities. This event also includes general admission seating for those who wish to attend and observe, but not pitch. General admission registrants will have an opportunity to hear the panel discussion portion of the program, ask questions and meet Paul. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU  Special thanks to Discmakers and Sydney Alston for his help with this series. WHEN Wednesday, February 12, 2014 (7:00 p.m.) 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHERE Discmakers 4425 W. Riverside Drive Suite 204 Burbank, CA 91505 PARKING & DIRECTIONS Click here for map. Discmakers is located between Cahuenga and Pass Ave. at Clybourn on Riverside. Free street parking (be sure to read signs). NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT If you can’t be here in person, at most locations we can accommodate pitching via Google Hangout, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email Mary Bee at 818-769-700 or mary@narip.com. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in films and film promotional campaigns. COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Rachel Levy on IMDB Universal Pictures NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2014-11-20 | In LA – NARIP Film / TV Music Supervisor Session with Tricia Holloway (Run, Rambo)
NARIP Music Supervisor Sessions: Intimate Pitch Meetings With Film & TV Music Supervisors  with Tricia Holloway on Thursday, November 20, 2014 in Los Angeles, CA ALMOST 200 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session participants have placed almost 200 tracks as a direct result of NARIP Sessions. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed almost 200 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. Registrants also get a brief of the guest supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback at each session, taking the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and get them licensed. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and many placements! See TESTIMONIALS and PLACEMENTS sections below. Tricia Holloway is our special guest at this NARIP Film & TV Music Supervisor Session in Los Angeles. ABOUT TRICIA HOLLOWAY Tricia is known for music supervising Rambo, Drumline: A New Beat, Run, Rags, The Collection, After Porn Ends, I Hate Valentines day, American Pie Presents: The Book of Love, Beethoven’s Big Break, Good Luck Chuck, Wildfire (the television series) and many other projects.. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU Special thanks to Jessica Ramos and Bridget Gardiner at SAE Institute of Technology for their help organizing this event. WHEN Thursday, November 20, 2014 (7:00 p.m.) 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 10:00 p.m. – Program ends WHERE SAE Institute of Technology 6565 W. Sunset Boulevard Suite 280, Classroom D Los Angeles, CA 90028-7205 DIRECTIONS & MAP Major cross streets: Sunset and Cahuenga. Click here for map. Enter main lobby of building and take elevator to second floor, Suite 280 (Classroom D). PARKING $10 flat rate after 6:00 p.m. in the 6565 building lot. $6 parking in church lot at Sunset & Cassil (enter from Selma, behind church) – lot closes 11pm Metered street parking but be sure to read signs carefully NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT If you can’t be here in person, at most locations we can accommodate pitching via Google Hangout, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email Mary Bee at 818-769-700 or mary@narip.com. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and TV. COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Tricia Holloway on IMDB NARIP SAE Institute Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2014-08-12 | In LA – NARIP Film / TV Music Supervisor Session with Tony Von Pervieux (Cougar Town, Surviving Jack, Ugly Betty)
NARIP Music Supervisor Sessions: Intimate Pitch Meetings With Film & TV Music Supervisors  with Tony Von Pervieux on Tuesday, August 12, 2014 in Los Angeles, CA OVER 150 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session participants have placed over 150 tracks as a direct result of NARIP Sessions. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed over 150 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. Registrants also get a brief of the guest supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback at each session, taking the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and get them licensed. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and many placements! See TESTIMONIALS and PLACEMENTS sections below. Tony Von Pervieux is our special guest at this NARIP Film & TV Music Supervisor Session in Los Angeles. ABOUT TONY VON PERVIEUX Tony began his career in music management working as an assistant for Aaron Walton Entertainment; an entertainment company specializing in management for a variety of talented artists. He then transitioned over to independent music supervision by working as an assistant to Dawn Soler. Dawn has been supervising Film and TV for over twenty years, working on such movies as Dumb and Dumber, Princess Diaries I & II, Catwoman, Dead Man Walking, Hollywood Homicide, Enchanted and more. Tony co-supervised some films with Dawn and a few on his own before making the jump to TV as a music supervisor for the hit series Ugly Betty. He independently supervised Ugly Betty for the first season and simultaneously was hired by ABC Studios to work as Creative Director for the TV music department. ABC Studios has produced many successful on-air shows for multiple broadcast and cable networks. Some of the series shows include Army Wives, Castle, Cougar Town, Criminal Minds, Grey’s Anatomy, Lost, Happy Endings, Nashville, Once Upon A Time, Private Practice, Revenge, and Scandal. Over the course of six years at ABC Studios, he oversaw all aspects of music for their shows and assisted with providing music for the ABC Marketing & Promo department with their TV campaigns. Currently, Tony is supervising several shows under creator Bill Lawrence including Cougar Town, Surviving Jack, UnDateable and Ground Floor. He also manages the artist Rivvrs who will release his first EP in August. Another project of Tony’s is AppStage, a mobile app that enhances the live show experience by providing more band-to-fan interaction before, during and after the show. It also serves as a hub for each specific event. He is also co-founder of The Happiest Hour, a TV/FILM/MUSIC industry mixer that has been around for nine years and running. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU Special thanks to Jessica Ramos and Bridget Gardiner at SAE Institute of Technology for their help organizing this event. WHEN Tuesday, August 12, 2014 (7:00 p.m.) 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 10:00 p.m. – Program ends WHERE SAE Institute of Technology 6565 W. Sunset Boulevard Suite 280, Classroom D Los Angeles, CA 90028-7205 DIRECTIONS & MAP Major cross streets: Sunset and Cahuenga. Click here for map. Enter main lobby of building and take elevator to second floor, Suite 280 (Classroom D). PARKING $10 flat rate after 6:00 p.m. in the 6565 building lot. $6 parking in church lot at Sunset & Cassil (enter from Selma, behind church) – lot closes 11pm Metered street parking but be sure to read signs carefully NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT If you can’t be here in person, at most locations we can accommodate pitching via Google Hangout, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email Mary Bee at 818-769-700 or mary@narip.com. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and TV. COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Tony Von Pervieux on IMDB NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2014-10-14 | In LA – NARIP Film / TV Music Supervisor Session with Frankie Pine (Nashville, The Newsroom)
NARIP Music Supervisor Sessions: Intimate Pitch Meetings With Film & TV Music Supervisors  with Frankie Pine on Tuesday, October 14, 2014 in Los Angeles, CA ALMOST 200 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session participants have placed almost 200 tracks as a direct result of NARIP Sessions. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed almost 200 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. Registrants also get a brief of the guest supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback at each session, taking the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and get them licensed. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and many placements! See TESTIMONIALS and PLACEMENTS sections below. Frankie Pine is our special guest at this NARIP Film & TV Music Supervisor Session in Los Angeles. ABOUT FRANKIE PINE Frankie Pine is an award-winning music supervisor, putting together memorable, provocative and engaging soundtracks for high profile film and television projects. Her work spans multiple genres, from popular television dramas like “Brothers and Sisters” and “Army Wives,” to comedy feature films like “Santa Claus 2” and “Tooth Fairy,” to indie box office hits like “Magic Mike.” She is currently supervising Aaron Sorkin’s hit television series “The Newsroom” as well as the inspired country music drama “Nashville”. Along with her television expertise, she has extensive film credits, serving as music consultant on such successful films as Steven Soderbergh’s “Ocean’s 11, 12 and 13,” and on the soundtrack for the Academy Award-winning movie “Traffic” for which she received a Grammy nomination. In addition to her work as a music supervisor, Pine also serves as a Music Consultant for ABC Television and has served as Interim Music Executive at New Line Cinema as well as Music Executive at PolyGram Filmed Entertainment, which included overseeing music for such outstanding films as “Dead Man Walking,” “Notting Hill,” and “The Big Lebowski.” Frankie works under her banner of Whirly Girl Music. Additional accolades include a 2012 Guild of Music Supervisors award for Best Music Supervisor for the indie film “Magic Mike” and an RIAA Certified Gold Record for “How to Be a Player.” TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU Special thanks to Ed Levy at The Federal Bar for hosting this event. WHEN Tuesday, Oct 14, 2014 12:30 p.m. – Registration and networking 1:00 p.m. – Program begins 2:30 p.m. – Break 4:00 p.m. – Program ends WHERE The Federal 5303 Lankershim Boulevard North Hollywood, CA 91601 Click here for map. PARKING Parking is FREE, enter the lot off Weddington behind the club. NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT If you can’t be here in person, at most locations we can accommodate pitching via Google Hangout, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email Mary Bee at 818-769-700 or mary@narip.com. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and TV. COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Frankie Pine on IMDB NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2014-11-04 | In LA – NARIP Film / TV Music Supervisor Session with Ann Kline (Shameless, Under The Dome)
NARIP Music Supervisor Sessions: Intimate Pitch Meetings With Film & TV Music Supervisors  with Ann Kline on Tuesday, November 4, 2014 in Los Angeles, CA ALMOST 200 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session participants have placed almost 200 tracks as a direct result of NARIP Sessions. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed almost 200 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. Registrants also get a brief of the guest supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback at each session, taking the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and get them licensed. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and many placements! See TESTIMONIALS and PLACEMENTS sections below. Ann Kline is our special guest at this NARIP Film & TV Music Supervisor Session in Los Angeles. ABOUT ANN KLINE Ann Kline earned a BA from UCLA and a JD from Southwestern University School of Law. She practiced law in the music department of the William Morris Agency before starting a career as a music supervisor. For the bulk of her career she ran the music department for John Wells Productions. In her position at JWP she supervised many television series’ including ER, The West Wing, Third Watch, and the feature films White Oleander, Nearing Grace and The Company Men. Outside of her work for JWP, she supervised the TV series Studio 60 on The Sunset Strip, Pan Am, Harry’s Law and A Gifted Man and worked on such films as 20 Dates, Suicide Kings, Jackie Brown and the recent release The Babymakers. Currently she is working as an independent music supervisor on Shameless, Under The Dome and the brand new CBS comedy Bad Teacher and the ABC series The Black Box. Aside from music supervising, she has taught the UCLA extension class on Music Supervision. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU Special thanks to Jessica Ramos and Bridget Gardiner at SAE Institute of Technology for their help organizing this event. WHEN Tuesday, November 4, 2014 (7:00 p.m.) 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 10:00 p.m. – Program ends WHERE SAE Institute of Technology 6565 W. Sunset Boulevard Suite 280, Classroom D Los Angeles, CA 90028-7205 DIRECTIONS & MAP Major cross streets: Sunset and Cahuenga. Click here for map. Enter main lobby of building and take elevator to second floor, Suite 280 (Classroom D). PARKING $10 flat rate after 6:00 p.m. in the 6565 building lot. $6 parking in church lot at Sunset & Cassil (enter from Selma, behind church) – lot closes 11pm Metered street parking but be sure to read signs carefully NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT If you can’t be here in person, at most locations we can accommodate pitching via Google Hangout, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email Mary Bee at 818-769-700 or mary@narip.com. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and TV. COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Ann Kline on IMDB NARIP Shameless SAE Institute Under The Dome Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2015-03-25 | In LA – NARIP Film / TV Music Supervisor Session -w- Mary Ramos (Station Agent, Inglorious Bastards) **SOLD OUT**
NARIP Music Supervisor Sessions: Intimate Pitch Meetings With Film & TV Music Supervisors  with Mary Ramos on Wednesday, March 25, 2015 in Los Angeles, CA NOTE NEW DATE: March 25, 2015 OVER 200 PLACEMENTS FROM NARIP MUSIC SUPERVISOR SESSIONS Our small format works! NARIP Session participants have placed almost 200 tracks as a direct result of NARIP Sessions. DON’T GET LOST IN THE CROWD : SMALL IS THE NEW BIG NARIP Sessions are deliberately kept small and intimate, which is just one reason they work so well and why participants have enjoyed almost 200 placements to date. Limited enrollment of 16 people per session guarantees that registrants meet and get face-time with our guest. Registrants also get a brief of the guest supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback at each session, taking the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and get them licensed. Placements secured and professional relationships formed through NARIPs music supervisor sessions have earned praise and many placements! See TESTIMONIALS and PLACEMENTS sections below. Mary Ramos is our special guest at this NARIP Film & TV Music Supervisor Session in Los Angeles. ABOUT MARY RAMOS Award Winning Music Supervisor, Mary Ramos, has helped create the musical identity for over 100 films for the past 20 years. She has worked with many gifted directors including Oscar-nominated Thomas McCarthy – “The Station Agent,” “The Visitor,” “The Cobbler,” and “Win-Win” (for which she commissioned a new song by The National – a contender for the Academy Awards entitled “Think You Can Wait”), and Oscar winning Director Quentin Tarantino – “Pulp Fiction,” “Jackie Brown,” “Grind House” and his Grammy nominated soundtracks “Kill Bill Vol. 1,” “Kill Bill Vol. 2,” “Inglourious Basterds,” and “Django Unchained” (for which, in a first for Quentin, new songs were created with artists John Legend, Anthony Hamilton & Elayna Boynton, Rick Ross & Jamie Foxx, Ennio Morricone & Elise, and Tupac Shakur & James Brown), Oscar nominee Richard LaGravenese on his films “P.S. I Love You,” “Freedom Writers” (for which, she commissioned an original song by Common and will.i.am and sampling Dr. Martin Luther King Jr., entitled “A Dream”), and “Beautiful Creatures” (for which, Mary asked Dhani Harrison and his band thenewno2 to create an unique score comprised of electronica, “swamptronica” and orchestral melodies), Robert Rodriguez on “From Dusk Till Dawn,” Allison Anders on “Grace of My Heart” (for which, Elvis Costello and Burt Bacharach teamed to write the iconic song “God Give Me Strength”), and she recently worked with director/writer/actor Zach Braff on his follow up to “Garden State,” entitled “Wish I Was Here,” for which, she asked the artists Coldplay & Cat Power, The Shins and Bon Iver to write & record original songs. Currently, Mary is working again with Quentin Tarantino on his upcoming film “The Hateful Eight,” and with Thomas McCarthy on his upcoming film “Spotlight.” She is also working on the television series “Constantine,” which is based on the popular DC Comics horror series, “HELLBLAZER.” TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES See full list of NARIP placements to date here. For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made almost 100 placements as a direct result of NARIP Sessions, click here. THANK YOU Special thanks to SAE Institute of Technology for their help organizing this event. WHEN Wednesday, March 25, 2015 (7:00 p.m.) 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 10:00 p.m. – Program ends WHERE SAE Institute of Technology – Note NEW location, SAE has moved! Now located in former Eastman Kodak Building 6700 Santa Monica Boulevard Classroom 5, 2nd Floor Los Angeles, CA 90038 Tel: 323-466-6323 CROSS STREETS Santa Monica and Las Palmas. Enter lot from Las Palmas (76 Station on corner). NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT If you can’t be here in person, at most locations we can accommodate pitching via Google Hangout, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email Mary Bee at 818-769-7007 or mary@narip.com. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and TV. COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Mary Ramos on IMDB NARIP SAE Institute Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2016-09-07 | In LA – NARIP Film & TV Music Supervisor Pitch Session, Toddrick Spalding (The Hobbit, X-Men, Frozen), Sept 7
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| 2016-08-23 | In LA – NARIP Film & TV Music Supervisor Pitch Session, Heather Guibert (Rosewood, Stitchers, Witches Of East End), Aug 23
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| 2016-08-03 | In LA – NARIP Film & TV Music Supervisor Session, Andrea von Foerster (The OC, 500 Days of Summer, Modern Family), Aug 3
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| 2016-03-09 | In LA – NARIP Film & TV Music Supervisor Session with Format’s Jojo Villanueva
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| 2016-01-20 | In LA – NARIP Film & TV Music Supervisor Session with Dreamworks’ Nickson *SOLD OUT*
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| 2013-06-13 | In LA – NARIP Film & TV Music Supervisor Session -w- Lionsgate’s Russell Ziecker **SOLD OUT**
Intimate Meeting & Pitch Session with Executive VP of Television Music for Lionsgate, Russell Ziecker  on Thursday, June 13, 2013 (7:00 p.m.) Email mary@narip.com to be wait-listed. DETAILS Industry veteran Russell Ziecker is our special guest at this NARIP Film & TV Music Supervisor Session in Los Angeles. Ziecker oversees music for Emmy and Golden Globe award-winning MAD MEN, WEEDS, NURSE JACKIE, BOSS, the ANGER MANAGEMENT series with Charlie Sheen, NASHVILLE, and the upcoming Netflix original ORANGE IS THE NEW BLACK, and the Simon Fuller-produced, music-oriented, scripted show (currently untitled), as well as a number of pilots for the 2013 season. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. ABOUT RUSSELL ZIECKER Ziecker has had multiple careers within one vocation…starting out as a bass player in a number of touring and recording bands, moving into his music business career as a music publisher at both Chrysalis Music Group and Virgin Music Publishing. In the mid-90s, Ziecker moved into personal management for several artists including major label acts Jason Falkner (Elektra), Jeremy Toback (RCA), and Lazlo Bane (Almo Sounds). Later in the decade, Ziecker emerged as President / COO of Milan Records / BMG, and was responsible for releasing 75+ titles ranging from soundtracks to chill-out compilations.There, collaborating with some of most talented directors, composers and producers, Ziecker stretched the boundaries that define the typical soundtrack release. Upon leaving Milan Records, Ziecker ran US operations for Simon LeBon’s Tokyo-based music production company, SYN, which specialized in high-profile commercial and advertising, production and branding. Ziecker has produced the music for over 350 commercials. He currently heads up television music at Lionsgate Music & Publishing, overseeing music for Emmy and Golden Globe award-winning MAD MEN, WEEDS, NURSE JACKIE, BOSS, the ANGER MANAGEMENT series with Charlie Sheen, NASHVILLE, and the upcoming Netflix original ORANGE IS THE NEW BLACK, and the Simon Fuller-produced, music-oriented, scripted show (currently untitled), as well as a number of pilots for the 2013 season. Ziecker oversees Lionsgate’s soundtrack business, and to date, Vol 1 of NASHVILLE, has sold 231,000 physical albums, 78,000 bundled album downloads (digital) , and 1.75 million individual downloads of featured songs from the series. Ziecker continues to explore additional business initiatives and revenue streams for the company, including a branded, live-touring business for MAD MEN and NASHVILLE. Come meet this career-maker. SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 20 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placement, The Chris Bergson Band’s song “Rain Beatin’ Down” that has been licensed for the rest of the season on ESPN for all of NASCAR programming. THANK YOU  Special thanks to Nick Dofflemyer at Universal Mastering Studios for hosting this event. This Session is SOLD OUT Email mary@narip.com to be wait-listed. WHEN Thursday, June 13, 2013 (7:00 p.m.) 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHERE Universal Mastering 3400 Cahuenga Blvd. – Building C Los Angeles, CA 90068 Tel: 818.286.6233 NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT If you can’t be here in person, at most locations we can accommodate pitching via Google Hangout, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email Mary Bee at 818-769-700 or mary@narip.com. DIRECTIONS & MAP Universal Mastering Studios is not visible from the street (Cahuenga), it is in the same complex as LA Fitness, right next to Panasonic and in the former Hanna Barbera Building. Major cross streets: Universal Studios Boulevard and Oakshire Drive, just east of Universal Studios Boulevard. The entrance is in the BACK of the building. Click here for map. PARKING Parking is free, but please note that Universal Mastering Studios has only 5 spots allotted directly in front of the entrance to the studio. If these are full then continue into the parking structure where you will find more spots on level B2. Be sure to park ONLY in spots marked UMSW (Universal Mastering Studios West) – spots for NARIP event attendees will be reserved with traffic cones. There is also street parking available – be sure to read posted signs. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 0203-002-8247 (UK local call) Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Lionsgate NARIP This Session is SOLD OUT Email mary@narip.com to be wait-listed. Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2013-06-19 | In LA – NARIP Film & TV Music Supervisor Session -w- Laura Webb
An Intimate Meeting & Pitch Session with Webb Worldwide Music’s Laura Webb  on Wednesday, June 19, 2013 (7:00 p.m.) DETAILS Laura Webb is our special guest at this NARIP Film & TV Music Supervisor Session in Los Angeles. Webb is currently music supervising the third season of TEEN WOLF, the second season of Bravo’s VANDERPUMP RULES, and the independent film by Joss Whedon called IN YOUR EYES. Limited enrollment of 16 people per session guarantees face-time, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. In NARIP’s intimate session, you get to meet and pitch him for current opportunities. ABOUT LAURA WEBB Laura started out in the music supervision world working with esteemed music supervisor Laura Wasserman at Avenger Entertainment. During her time as a music coordinator, she worked on films such as SHARK TALE, A LOT LIKE LOVE, XXX2: STATE OF THE UNION, 500 DAYS OF SUMMER, MTV’S THE HILLS. In 2009, she started her own music supervision company, Webb Worldwide Music. Select credits include MTV’s WORLD OF JENKS, THE CITY, TAKING THE STAGE, HOW’S YOUR NEWS, BET’s BORN TO DANCE, 2012 MTV’s Movie Awards & SAVE THE DATE, which was in competition at Sundance Film Festival last year and is being distributed by IFC this past Fall. She is currently music supervising the third season of TEEN WOLF, the second season of Bravo’s VANDERPUMP RULES, and the independent film by Joss Whedon called IN YOUR EYES. Come meet this career-maker. SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 20 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placement, The Chris Bergson Band’s song “Rain Beatin’ Down” that has been licensed for the rest of the season on ESPN for all of NASCAR programming. THANK YOU Special thanks to Discmakers and Sydney Alston for his help with this series. WHEN Thursday, June 13, 2013 (7:00 p.m.) 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 9:30 p.m. – Program ends WHERE Discmakers 4425 W. Riverside Drive Suite 204 Burbank, CA 91505 PARKING & DIRECTIONS Click here for map. Discmakers is located between Cahuenga and Pass Ave. at Clybourn on Riverside. Free street parking (be sure to read signs). NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT If you can’t be here in person, at most locations we can accommodate pitching via Google Hangout, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email Mary Bee at 818-769-700 or mary@narip.com. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. 2 WAYS TO REGISTER 1. Online: www.narip.com (just scroll down) 2. Phone: 818-769-7007 Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . |
| 2016-03-17 | In LA – NARIP Film & TV Music Supervisor Session -w- Full Pursuit’s Gabe Hilfer (Black-ish, The Wrestler, Black Swan)
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| 2015-09-10 | In LA – NARIP Film & TV Music Supervisor Session -w- Andrew Gowan (Mindy Project, Homeland)
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| 2013-07-18 | In LA – NARIP Film & TV Music Supervisor Session -w- Alexandra Patsavas **SOLD OUT**
An Intimate Meeting & Pitch Session with Alexandra Patsavas  on Thursday, July 18, 2013 (7:00 p.m.) CLICK HERE to be wait-listed and email mary@narip.com with any questions. DETAILS Alexandra Patsavas is our special guest at this NARIP Film & TV Music Supervisor Session in Los Angeles. Alexandra is known for her music supervision on the TV shows Grey’s Anatomy, Mad Men, Supernatural, Hart Of Dixie, Scandal, Suburgatory, and The Carrie Diaries, and is currently music supervising the feature film The Hunger Games: Catching Fire. ABOUT ALEXANDRA PATSAVAS Alexandra Patsavas – owner of Chop Shop Music Supervision – got her start in the music business as a rock promoter in Champaign, Illinois. She moved to Los Angeles in 1990 and worked in the Film / TV department at BMI. She then moved on in 1994 to work for Roger Corman at Concorde Films, where she was music coordinator and supervisor on over 50 B-movie classics in a three-year span. After her stint at Concorde, Alexandra started her own company, Chop Shop Music Supervision, where she music supervised the TV shows Roswell, Carnivale, Boston Public, Fastlane, The OC, Without A Trace, Numb3rs, Chuck, and the films The Invisible, The Twilight Saga, A Better Life, Water For Elephants, The Dilemma, The Perks of Being a Wallflower, Warm Bodies, and The Hunger Games: Catching Fire. She produced the soundtracks for Mad Men, Grey’s Anatomy, The OC, Rescue Me, Gossip Girl, Twilight, The Twilight Saga: New Moon, The Twilight Saga: Eclipse, The Twilight Saga: Breaking Dawn Parts 1 and 2, and The Perks of Being a Wallflower. The critically acclaimed soundtracks for Twilight, The Twilight Saga: Eclipse, and Grey’s Anatomy Volume 2 were each nominated for a Grammy. Alexandra has been profiled in Wired, Glamour, The New York Post, The Los Angeles Times, In Style, The Chicago Sun-Times, The Chicago Tribune, Elle, Jane, Billboard, Giant and in The New York Times, on CNBC and MTV. She was named by Advertising Age as Entertainment Marketer of the Year, The Los Angeles Times as one of The West 100, Variety as one of fifty honorees for their annual Women’s Impact Report, Fast Company as one of the 100 Most Creative People in Business, and as one of Billboard’s Top Women In Music. Come meet this career-maker. SMALL IS THE NEW BIG NARIP’s small sessions (limited enrollment of 16 people per session) guarantee face-time with our guest, registrants get brief of supervisor’s CURRENT music needs, a chance to pitch plus immediate feedback. You get to meet and pitch our guest for current opportunities on the spot, receiving instant feedback as to whether a song or cue is appropriate or not, and most importantly, WHY. This feedback makes better pitches – and ultimately, placements – possible. Participants even have the opportunity to re-work music to better fit a supervisor’s needs. Placements secured and professional relationships formed through NARIP”s music supervisor sessions have earned praise and and placements! See TESTIMONIALS and PLACEMENTS sections below. TESTIMONIALS Click here to read what people say about NARIP’s Music Supervisor Sessions. NARIP MUSIC SUPERVISOR SESSIONS IN THE NEWS, PLACEMENTS & SUCCESS STORIES For articles in The Guardian (UK), MusikWeek (UK), Musik Woche (Germany), Taxi Drivers: Cinema e Cultura Metropolitano (Italy), MEOW (US) and other publications, and to read about NARIP members and session participants who have made over 20 placements since inception of NARIP’s series last year, click here. We’re delighted to report the most recent placement, The Chris Bergson Band’s song “Rain Beatin’ Down” that has been licensed for the rest of the season on ESPN for all of NASCAR programming. CLICK HERE to be wait-listed and email mary@narip.com with any questions. THANK YOU Special thanks to Nick Dofflemyer at Universal Mastering Studios for hosting this event. WHEN Thursday, July 18th, 2013 (7:00 p.m.) 6:30 p.m. – Registration and networking 7:00 p.m. – Program begins 8:15 p.m. – Break 10:00 p.m. – Program ends WHERE Universal Mastering 3400 Cahuenga Blvd. – Building C Los Angeles, CA 90068 Tel: 818.286.6233 DIRECTIONS & MAP Universal Mastering Studios is not visible from the street (Cahuenga), it is in the same complex as LA Fitness, right next to Panasonic and in the former Hanna Barbera Building. Major cross streets: Universal Studios Boulevard and Oakshire Drive, just east of Universal Studios Boulevard. The entrance is in the BACK of the building. Click here for map. PARKING Parking is free, but please note that Universal Mastering Studios has only 5 spots allotted directly in front of the entrance to the studio. If these are full then continue into the parking structure where you will find more spots on level B2. Be sure to park ONLY in spots marked UMSW (Universal Mastering Studios West) – spots for NARIP event attendees will be reserved with traffic cones. There is also street parking available – be sure to read posted signs. NOT IN LA? PITCH REMOTELY OR VIA GOOGLE HANGOUT If you can’t be here in person, at most locations we can accommodate pitching via Google Hangout, or we can present material and provide the guest music supervisor’s feedback to you directly. If you have questions about this, please call or email Mary Bee at 818-769-7007 or mary@narip.com. WHO SHOULD ATTEND Artist Managers, Producers & Artist Reps A&R, Artist Development and Marketing Executives Record, Distribution & Music Publishing Executives Anyone seeking placement opportunities in film and film promotional campaigns. COST $249 NARIP Members * $329 Non-Members * Available to Professional and Executive NARIP Members only (not monthly members). Members please log in to receive discount. CLICK HERE to be wait-listed and email mary@narip.com with any questions. Advance RSVP encouraged. Pre-paid admission guarantees seating. No refunds. We appreciate your cooperation. QUESTIONS Call us at 818 769 7007 or email mary AT narip DOT com. SOURCES FOR MORE INFO Chop Shop Music NARIP Get connected. Stay connected. ____________________________________________________ The National Association of Record Industry Professionals is the biggest music business network in the world, now in nine major cities. We promote career advancement, education and good will among record executives. . CLICK HERE To join the wait-list and email mary@narip.com with any questions. |
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