A NARIP Series: Intimate Pitch Meetings with Top Music Buyers including Music Supervisors, A&R Executives, Synch Agents & Music Producers
Is your music getting to decision-makers – people who can say YES and write a check?
At NARIP’s intimate sessions, you get to meet music buyers including A&R executives, music supervisors, synch agents and music producers and pitch for current placement opportunities, representation, and projects, and get immediate feedback.
Since 2011, NARIP Music Supervisor Pitch Sessions have secured over 1,000 placements in blockbuster films, hit television series, global promotion and advertising campaigns, and major studio trailers for NARIP members. Since inception of NARIP’s Synch Agent Pitch Sessions in 2018, 17 NARIP members have signed representation or music publishing deals as a direct result. Other outcomes include collaborations, co-writing, producing and commissioned work.
Topics at NARIP’s Music Publisher Pitch Sessions:
- Meet top independent music publisher Riptide Music Group CEO face-to-face
- Pitch songs directly to Keatly for signing and co-writing consideration, and priority projects
- Meet Keately who can say YES and write you a check.
- Learn how to get signed directly from the buyer, hear what works and what doesn’t
- Direct access + firsthand info = better results FOR YOU
- PROVEN Success of NARIP Pitch Sessions: 18 Synch Rep and Music Publishing Deals SIGNED, and thousands of music placements.
Small, focused NARIP Sessions enable one-on-one time and immediate direct feedback to music presented by participants.
Look how small NARIP Sessions are, here’s a photo of recent SOLD OUT Pitch Session with Republic Records’ VP of A&R / Staff Producer Simon Katz:
At NARIP Pitch Sessions, limited to 16 people, you get to know the guest executive – music supervisor, synch agent, A&R executive, music publisher, preditor or producer – and they to get to know YOU.
Most important, attendees meet these key players, paving the way for placement, representation, collaboration and ongoing opportunities, and giving them an edge in a competitive market.
WHAT TO EXPECT AT A NARIP MUSIC PITCH SESSION
PREPARATION IS KEY
NARIP Pitch Sessions are limited to an enrollment of just 16 people. About one week prior to NARIP’s Session, all registrants will get a brief of the guest supervisor’s then-CURRENT music needs. Each registrant will have a chance to pitch in response to the music briefs provided and get immediate feedback to music pitched. Each participant must submit 7 songs (MP3s only please) 36 hours prior to NARIP’s Music Supervisor Session. Please note that due to time constraints you will only be able to pitch your TOP 3 songs for consideration and immediate feedback (more, if time permits). This process takes the mystery out of why a piece of music does or doesn’t fit. On-the-spot feedback enables registrants to re-work tracks and re-submit, which creates a much higher probability to get them licensed (choose well!).
If you do not have music that matches the current needs of the supervisor, fear not! You can still attend and present the top three songs in your catalog. Make sure the songs are unique and captivating. This is helpful because a music supervisor’s needs change constantly. To optimize impact of music you pitch at NARIP’s Session, we highly recommend that you target the briefs. Good luck and see you there!
BEFORE NARIP’S PITCH SESSION:
- NARIP prepares a one-sheet for each participant including your photo and bio for the guest speaker (music supervsiros, synch agent, music publisher, A&R executive, producer or preditor) to use and review at the event, and to take with him after the event. We will request your photo and bio one week prior to the event. In preparing these materials, we recommend you focus on brief career highlights in your bio (or your artist’s bio) and have a professional photo available.
- Approximately 5 to 7 days prior to NARIP’s Session, you will be sent a project brief describing several cues needed for a current project(s) of our guest speaker. These often include reference songs or links so that you can hear exactly what he seeks or needs to replace.
- You will submit your tracks with writer, publisher and other rights holder information that will also be supplied to the music supervisor during and after NARIP’s Session.
- You will get submission and meta-tagging guidelines, and mentoring as to how best to prepare your music for submission.
DURING NARIP’S PITCH SESSION:
- You will get to play at least three songs (sometimes more, if time permits) for the guest music supervisor who will provide feedback to you for each one.
- NARIP moderator asks very specific questions to help participants learn and understand how to modify their tracks to make these more place-able for the guest supervisor’s specific needs at hand.
AFTER NARIP’S PITCH SESSION:
- NARIP provides guest music supervisor with participant one-sheets and all music from NARIP’s Session, including notes detailing the guest music supervisor’s interest in specific tracks.
- If requested by guest music supervisor, NARIP conveys additional tracks, remixes, instrumentals etc. to him.
- If approved by guest music supervisor, NARIP provides his contact details to registrants.